Tag Archives: Issue 21

Monument

A Play in Ten Minutes

(The lights rise on SCOTT staring up at a roof while smoking a cigarette. HE wears dirty jeans, T-shirt and work boots, and one of his hands has a rag wrapped tightly around it.)

 

(After a moment, PAUL enters. HE is dressed business casual and has a laptop in a case slung across a shoulder. HE crosses to SCOTT who doesn’t acknowledge his presence. HE looks up where SCOTT is looking. THEY stare up in silence)

 

SCOTT

(drawing out his words) Yeah. Yeah, I think that’s all that’s gonna get done today, Scribbles.

PAUL

“Scribbles?”

SCOTT

That’s what ya do!  Ya scribble words.

PAUL

Mostly on this laptop. Sometimes an IPad…

SCOTT

Same thing.

PAUL

If you’re going to give me a nickname, please pick something else, like “Hemingway” or “Shakespeare.” Scribbles sounds like the name of a cat.

SCOTT

Shakespeare?” Gettin’ full of yourself, ain’t ya?

PAUL

Been full of myself my whole life.  (pointing up) Looks good.

SCOTT

Ya think so? I’ll bet you can’t even tell me where I’ve laid in the new shingles.

(beat as PAUL doesn’t respond)

SCOTT (cont.)

No, huh? You know why? It’s because I’m that good. It’s the way it’s supposed to look. When I finish a job it doesn’t stick out from everything else screamin’ “repair” – “the roof had a leak!” You don’t want to advertise you had a leaky roof. Someday you might want to sell this place. No one wants to buy a house that had a leaky roof. It’s a gut reaction thing, ya know? They’re not even thinking it. But they’re feeling it – if the roof has had one leak it’s gonna have another. It’s trouble. Nobody wants to buy trouble. Especially one that’s expensive to fix.

PAUL

I hope to hell that was the only leak.

SCOTT

Don’t worry, man. I’ll take care of you. I promised Rachel I’d take good care of you and that’s what I’m doing. When I’m finished, that roof’ll be good for a hundred and fifty years. Like a damn monument. Longer than we’ll be around.

PAUL

Speak for yourself. I’m not leaving.

SCOTT

Shit, man… you live to be a hundred and you’ll be prayin’ to go.

PAUL

Not me. I’m not going anywhere.

SCOTT

OK. All right. You do that.

(looks at PAUL)

Bet you’re wonderin’ why I’m cutting out early. I don’t work office hours. I work ‘till I have to stop. That’s ‘cause some days you can’t work at all, ya know? Like today was a good day – not too hot. Nice breeze up there. Working on slate shingles can be like working on little mirrors, ya know?  Not like you see yourself in ‘em or anything like that but they reflect the heat from the sun. But now look at that shit rolling in…

(HE points and THEY both look)

I see that and I stop and I get my ass down on the ground.  You ain’t never gonna find me up on a roof in the rain or right after it rains or even if it just looks like rain.  Ain’t nothin’ more slippery, more treacherous…

PAUL

Treacherous?

SCOTT

Hey, just ‘cause I work with my hands doesn’t mean I don’t read or have a good vocabulary…

PAUL

I didn’t mean…

SCOTT

Aw, don’t worry, man. Just jerkin’ your chain a little.

PAUL

I wasn’t trying to insult you…

SCOTT

I just said don’t worry about. Now, tell me you’re not going to worry about it.

(beat)

PAUL

“I’m not going to worry about it.”

SCOTT

There ya go! Now, what was I tellin’ you – oh, yeah! You ain’t never, never gonna find me up on a slate roof if there’s rain even in the forecast. Ain’t worth the risk. There’s a reason people say, “easy as fallin’ off a roof.” ‘Cause it is easy. I already fell once because of this numb-nuts-jackass who was supposed to be helpin’ me. He just helped me into the emergency room. No, sir. I ain’t fallin’ again. Ever. Ev-vah. Broke both legs. I’ve still got metal pins in me holdin’ shit together.

PAUL

Sorry.

SCOTT

Nothin’ to be sorry about. Ain’t nothin’ but a thing, ya know? I lived to work another day.  I got plenty of other projects I can be doin’ and if I didn’t I’d find somethin’ to do. You ain’t never going to find anybody who can do a better job. Hell, you can pay three times as much for shit work. You know that don’t you? I could never deal with people that way. I don’t understand it. I make enough money, ya know? I ain’t gonna rip people off for more money. I don’t need more money – well, everybody can use more money, but I make enough to do what I want to do so what the hell would I do with it, anyway? Buy myself a God damn boat or somethin’?  See, I worked for this one company for a lot of years – a lot of years. And they were good to me and everything but they just took advantage of people all the time. People don’t even know they’re being took – they don’t know a damn thing about their own roof. So, they get ripped off and thank you for doing it.  Can you imagine that? I rip you off and you thank me?

PAUL

That’s how I feel whenever I take the car in.

SCOTT

Exactly. You don’t know shit about cars so you’re just gonna do whatever they tell you. Unless you got a friend who’s a mechanic. Oh, hey – I gotta friend who’s a damn good mechanic if you ever need one. You can trust this guy.

PAUL

That would be great…

SCOTT

He doesn’t steal. Like this guy that runs this company I used to work for. He doesn’t put a gun against your head. You give him the money ‘cause you don’t know any better. You see his trucks drivin’ around town. He’s got crews workin’ all over the city.

PAUL

A successful businessman.

SCOTT

‘Cause he gives you the business. Nothin’ illegal, you know what I’m sayin’? It just ain’t right.  He don’t even come into the office anymore. He’s always out on his boat. And he’s got three daughters who are supposed to be working for the company – doing what I don’t have a clue because they don’t come in except for maybe the Christmas party.  So, this guy’s got this huge overhead he has to pay to support his whole family so none of them has to actually do any work and you know keeping a boat ain’t cheap. Well, he’s gotta keep that cash flow flowin’ you know? And that’s what he does. Me, I couldn’t sleep at night. But I don’t sleep that much anyway.

PAUL

Me either. Must be getting old…

SCOTT

I ain’t up ‘cause I have to take a piss. I’m up because I can’t sleep. So, I figure I might as well do somethin’ instead of starin’ at the wall or twitchin’ around in bed and drivin’ Rachel crazy ‘cause she’s tryin’ to sleep.

PAUL

Kathy has trouble sleeping some nights and gets up and turns on the computer or cooks or does laundry. It drives me crazy if I wake up and she’s not there.

SCOTT

I think Rachel likes that I let her sleep. Hey, can you believe I’ve been married six months now? Six months? I can’t believe it.  I still can’t believe she married me in the first damn place.

PAUL

You’re too hard on yourself.

SCOTT

No, I’m not. I’m a pain in the ass and I know I’m a pain in the ass.

PAUL

If you say so.

SCOTT

So, when are you two gonna get married?

PAUL

Oh, man. You’d have to ask her.

SCOTT

OK. I will.

PAUL

Go right ahead.

SCOTT

You know I will.

PAUL

I know.

SCOTT

It’s the best thing I ever done. But it scares the shit out me sometimes when I think about it. The rest of my life, man…

PAUL

That’s the way I thought it was supposed to be.  But I think the problem is people live so much longer these days. Back when most people didn’t live past thirty or forty they didn’t have time to get grow apart or have some midlife crisis. You didn’t live long enough to fall out of love.  I think some people want more than they have or panic – you know, “is this all there is?”

SCOTT

My parents have been together over 60 years. I thought that’s what I’d have, you know.  They say it’s better to fix things than to throw them away…

PAUL

Except both people have to want to fix it, though.

SCOTT

You don’t want to get married again?

PAUL

I’d like to be married again. The weird thing is, it’s like the roles have reversed. When you’re in your twenties women want to get married but men don’t. Now, at my age all the men want to get married but the women don’t.

SCOTT

Maybe she just doesn’t want to marry you. I’m just sayin’…

PAUL

She says she’s been married once and she doesn’t know what it means anymore.

SCOTT

Means I need to pay attention to a lot of things I’m not used to thinkin’ about. I got to be a little more careful on the job. Make sure I’m with her when I should be instead of being up on some damn roof. Let her sleep when she needs to sleep… That’s when I work on my art.

(Beat)

Bet you didn’t know I was an artist, did ya? You just think I’m a workin’ man with dirty hands. And I am.  There’s dirt and stains that’ll never come off no matter what I do to clean my hands.

PAUL

What did you do to your hand?

SCOTT

Ah, slice it cutting a piece of slate. Edges are like knives. Happens all the time.

PAUL

I can get you some water, Neosporin…

SCOTT

What the fuck would I want with “Neosporin?”

PAUL

Keep it from getting infected…

SCOTT

Too much dirt on it to get infected. Dirt keeps the germs out.

(Beat)

PAUL

So, what kind of art to you make?

SCOTT

Little doll houses out of pieces of roofing slate.

(Beat)

SCOTT (cont.)

Nah, I’m jes’ jerkin’ your chain. I make metal sculptures. I used to do graffiti art when I was a wild-ass kid, but I got tired of tryin’ not to get caught. It used to be exciting, get your blood pumpin’, ya know? But it bores me now and I got tired of people comin’ and covering up what I just did. I didn’t used to care if somebody painted over something of mine, you know life’s like that but – I don’t know – maybe it’s ‘cause I’m getting’ older – I got interested in makin’ something that’ll last a while.

PAUL

Like this roof.

SCOTT

Exactly.  See, what I do is a combination of what some people call “found art”– you know, things I find like pieces of metal or wire fencing and then I weld things and paint ‘em sometimes. You should come over to the house and take a look. I’ve got a great sculpture in the front yard.

PAUL

I’d like that.

SCOTT

Yeah, Rachel’s always talkin’ about inviting you two over for dinner. Seems natural, since the two of them work together and all

PAUL

Sounds good. I wish I could make things like you do. Use my hands…

SCOTT

You use your fingers to type. That’s using your hands. I know I couldn’t do what you do.

PAUL

Have you tried?

SCOTT

In school, you know. Never interested me. I can’t sit still that long. Hey, you know what you could do for me?

PAUL

What?

SCOTT

I want to expand my business. I know I can do a better job than these companies and charge a whole lot less. And you’d think that’d be enough, but it’s like people think it has to be expensive to be good. They don’t understand I can do a better job for less ‘cause I know how to do it right and what it really costs to do it. I’ve worked for these companies and I know how they cut corners and overcharge for this and that and I give myself enough time to do it right – Plus,  I can’t go door to door lookin’ for work. People see it’s just me and I ain’t wearin’ a uniform so they don’t trust me.  So, I need to convince people I can do a better job for less than money than if they call one of these companies. And I’m thinkin’ maybe if I had some kind of brochure or mailer to make my case – you know?

PAUL

I can help you do that.

SCOTT

See, I know all the things that would make me want to hire me…

PAUL

I can help you get it down on paper – organize it…

SCOTT

My family’s been doing this forever, you know?  And we’ve all worked for the same companies…

PAUL

See? Right there – that’s good. Generations of experience – experience working here in these neighborhoods… explain why you can charge less – “How does he do it?” Make people comfortable. Make them believe you’re that rare ting – an honest craftsman  — an artist up there on the roof who knows what’s best to do and who cares about being honest as much as he cares about doing good work.

SCOTT

Yeah. Somethin’ like that. Can you do something like that for me?

PAUL

Be happy to. You’re saving our ass with our roof…

SCOTT

Well, Rachel said to take good care of you guys…

PAUL

And we appreciate it. I’d love to be able to return the favor.

SCOTT

That’d be great. ‘Cause people don’t know anything. I mean look at your roof. There are old slates up there from when they built the house mixed in with the ones I’m using and you can’t tell the difference. You just can’t go to Home Depot and pick up slates to so the job right. You have to understand the differences between slates.  You can’t go by what color it is or how much it costs. You got look at the thickness and who you’re buying from – who made it. Some slates leach pyrites and stain the roof, others fade…

(HE points up and THEY both look)

Thick slates like yours are harder to cut right. And those small ones take more time. You gotta get your headlaps and sidelaps right…

PAUL

Pyrites?

SCOTT

And you got know how to nail them right. You can’t drive a nail in so far it puts pressure on the slates. The nail heads have got to lie inside the nail hole. That’s why you have to have a counter-sunk nail hole instead of a drilled nail hole. Drilling a hole is easier but it’s shitty work.

PAUL

Oh.

SCOTT

Hell, you gotta make sure you use the right kind of nail. You know what I mean? You have to use copper or stainless steel roofing nails. And that flashing there? C’mere and look at this …

(SCOTT moves and points up. PAUL follows and looks where SCOTT is looking)

See that? I use copper flashing. It’s more expensive but it’s the best thing you can do. You got to have twenty ounce copper on valleys and those built-in-gutters.

(SCOTT picks up a small scrap of copper from the ground and shows it to PAUL)

See, I do all the flashing myself. And I always take a piece of scrap copper and make a test before you I make the actual piece of flashing. Look at this – see, copper is soft enough that it bends easily and you can shape it by hand. But you don’t want to bend it too much.  You get it up there right and you won’t have to touch it again. Here take a look.

(HE hands PAUL the copper, and PAUL examines it)

(A cellphone rings. Beat. SCOTT steps back as PAUL pulls his cellphone from a pocket and answers it)

PAUL

(into the phone) Hello…. No, I just got home. Haven’t even walked in the house yet. I was looking at the work Scott did, and I started thinking. Got lost for a little while, you know?  It’s like I can still see him up there. I still can’t believe he’s gone.

(Beat)

Yeah, it is a damn shame.

(Beat)

I’m sorry, too. See you in a bit.

(HE places his phone back in his pocket. PAUSE as HE stares at SCOTT)

(to SCOTT)  God damn you. God damn you.

(HE goes to grab SCOTT, who steps away so that PAUL never touches him)

You knew it was going to rain…

SCOTT

It was a quick inspection. Thought I could beat the rain.

PAUL

But you didn’t. And you pay the price and Rachel pays the price and all your friends pay the price…

(Beat)

I am so fucking angry with you!

SCOTT

‘Cause you’re scared if that can happen to me…

PAUL

You knew what you were doing! I don’t even know where I am half the time.

SCOTT

But you’re still here.

(Beat)

You just want to figure it out: If this happens then that happens. That’s bullshit. You can’t figure it out. But you can remember. Look at that beautiful roof. Most people wouldn’t give it a second thought. But you know it’s going to last for a hundred and fifty years.

PAUL

Like a monument…

SCOTT

I’m sorry that’s all that’s left.

PAUL

And a yard full of copper scraps.

(Beat)

I was going to write you a brochure. You were going to have all the work you wanted.

SCOTT

Write me something else. Can you do that for me?

(Beat)

PAUL

Yeah. I can do that.

SCOTT

Exactly.

(PAUSE as THEY look at each other. PAUL extends his hand to SCOTT who smiles, then exits)

(PAUL watches him exit, then examines the copper piece in his hand. HE then stares up at the roof as THE LIGHTS FADE TO BLACK)

 

The Blender

We found it behind our school, in the alley the four of us liked to roam late into the night, after I dared Jesper to leap into a blue dumpster. “Fine,” he said, boosting himself up, jumping in. He landed with a squishy splash. “Sometimes people find things in dumpsters.”

“We have better things to do than to jump into dumpsters,” Colby said, “where things might be found.”

And while this was true, it was also true that I had dared Jesper to do it, and a dare was a dare. Even Colby couldn’t argue with that. Last week, Antonio dared Colby to kick the burnt-brick exterior of the school gym, and he did, even though it meant he was now hobbling around on a single crutch and had a grey boot on his right foot.

“You’re going to find things alright,” Antonio said, his voice cracked apart by the puberty we were all in the middle of. “Like slime and grease and the discarded remnants of chicken wings.”

Just then, Jesper grunted and held something in the air, his skinny arms trembling.

“What the hell is that?” Antonio squeaked.

It was garish in the gaze of the streetlamp and looked heavy. “Help me,” Jesper said as he tried to balance it on the dumpster’s lip. Colby hobbled over on his single crutch and Antonio rushed past him.

“Help!” Jesper said again, and just as Antonio, Colby, and I reached the dumpster, Jesper lost grip and dropped the thing over the dumpster’s edge. I watched it tumble through the air, end over end, and as I inspected its weird sheen, its cylindrical shape, it crashed into my head with a heavy crack and sent me crumpling to the ground.

“Ouch!” I said, and heard Colby and Antonio also say, “Ouch!” because I guess it had bonked into all three of us at once. I squirmed on the ground, and when my head stopped throbbing so bad, I looked over. Light blared over Colby, highlighting his thinning blond hair as he writhed around. Antonio was motionless, splayed out on his back, limbs in all directions.

… [Click here to purchase a copy of the magazine]

Bloody Mary

The house sat on the shore of the lake with a bald, open face. It was wide and white with a black front door and blacker windows, two gaping eyes on the second story that blinked with the flutter of pink lace curtains. The roof lumbered to a lazy gambrel peak and the siding was warped and weathered grey where the paint had long ago peeled. The house was older than the girls, but not by much, and it groaned and ached when they ran through it, barefoot and pigtailed, naked skin against wooden bones.

Outside the house, it was August, summer’s death, and the stiff heat held them like a coffin. The air was still and the light slanted regardless of the sun’s height, gold and swollen with a life it would soon lose, sinking through the blue sky in tandem with leaves just beginning to yellow. Before long the sun would be distant and cold, small and white, but this was no longer of the girls’ concern.

Nancy sat on the dock with her feet dangled in the water, a water snake looped around her ankles, the house watching her from behind. She couldn’t feel the wind, only her sweat. Carol shrieked, sprinted through the grass as Mary chased her. It was so hot not even the moths beat their wings, stilled as a broken heart, and the shadows were dark and thick enough to hold secrets. The old stone cellar behind the house was the only cool, dry place, and it held the bodies that would soon begin to smell.

Carol, having escaped Mary, ran the length of the dock to Nancy. The water snake floated away to weave between the shoreline rocks, its body spined with diamonds of rust, glittering with water and the creature’s own scales. Though it was not small, it was young, for it had yet to turn black with age. Carol sat down and pushed her wet hair from her cheeks and watched the snake with Nancy. The snake slowly brushed against the rocks as it went, inch by inch, its skin catching, pulled from its body until the hollowed silver ghost was entirely freed, a delicate lace on the surface of the lake, the skinned snake gone until whenever they’d see it again.

“A gift!” Carol clapped then, and she jumped from the dock to fish out the skin. She held it up to admire it, and it shimmered with sunlight in return. “Mary!” she shouted, and Mary looked to the lake from her spot in the oak tree where she hung upside down from a low, dead branch. “A gift!”

Mary fell from the branch and landed on her feet. She bound over to the dock, naked because she could be, the crooks of her legs scraped and jeweled with blood.

“If only ours had been so pretty,” Mary said, gently taking the snakeskin from Carol. “I’ll dry it from the rafters with the rest of them.”

The front door was open in greeting and Mary slid a tender palm along the wall as she slipped into the kitchen, the house creaking smally in response to the soft patter of her feet. Mary hummed to herself or the house as she climbed onto the kitchen table, her hair hanging long over her chest in tangles—she’d get Nancy to comb it for her, later before bed. Gently she draped the skin over the rafters and it shone and twinkled, a crystalline chandelier to light their dinners.

“There you go,” Mary said to the house, and a crow, perched on the windowsill above the sink, looked at Mary and then the snake before flying off when the hounds began to call. It did not fly far, just to the oak, for it was too hot to be startled away.

The house was on a hunting lake and the men used hounds. The hounds’ moans would rise from the woods that circled the shallow, tourmaline basin and the sound would echo across the water towards the house, drift up the shore and through the halls. From the kitchen Mary heard Nancy outside wail in return, Carol soon joining in. As though called Mary jumped from the table and ran to the door, stood on the threshold of the house to watch as Nancy and Carol danced on the dock as though the two were floating above the water, held fast in the thick light of the dying sun which cast the shadows that were dark enough to hold their secrets, howling not at the moon but the sky and the lake and the woods that surrounded it. As Mary stood, not quite outside, the heat pressed towards her, warm and familiar as tongues or the palm of a hand against her skin. But still, Mary felt light, as untethered to everything as Nancy and Carol were on the dock above the water, and as she stood in the mouth of her house she reveled—as she had every day for the last unknowable days—at all that the change had given them.

Mary could not remember how long ago it had happened, but she remembered all of the years that had led up to the change, and she remembered the summer when the change occurred, a summer nearly as hot as the one they lived in now. Days before it, when Mary was not yet young, her body had felt as though it were a dead thing as she laid on the bed in a circle of sweat. Bill had stared at her while he lit a cigarette before he scanned the floor for his belt. Mary’s arm dangled off the bed and blood jellied between her legs, the white linens stuck to her skin and soaked translucent, stained beneath her back like grease rings on parchment paper.

“I wish you would have told me you were on your period,” Bill said, exhaling smoke, the room and Mary’s body turning hazy with it.

Mary shrugged against the bed and watched the ceiling fan spin, the smoke and sunlight and dust swept up into the same unseeable particles of nothing. “You don’t mind,” she said, and the words were swept up too, up to the ceiling, flattened against the mauve-painted walls, slipped in loops around the tarnished gold bedframe, fluttered through the pink lace curtains, for though it was hot it was not so hot that things couldn’t still move through the air. Mary had had the bed and the room since she was a girl but now it was the guest room.

With his pants still unbuttoned Bill rested his hands on his hips and looked out the window at the lake, pearls of laughter coming in through the screen. A row of glossed porcelain cats sat on the sill baking in the summer sun, pink-nosed and milk-white and spotted grey.  On the dock, martini glass in hand, Nancy danced to nothing but the sound of the water lapping against wood and sand and rocks. Nancy’s husband, Frank, and Carol’s husband, John, were sitting in lawn chairs smoking cigars.

“Still.” Bill shrugged but didn’t say anything further. He zipped up his pants and buckled his belt.

Mary stood then, the sheets a second skin peeled from her body like a sunburn. She was warm, her cheeks red, and she didn’t care much about Bill. She looked in the vanity mirror framed with little white bulbs, photos from her childhood bent and creased and taped in the corners, an illegible love-note that still smelled like perfume yellowed and peaking from an unstamped envelope.  Despite being wet with sweat her skin was dry—old. Her bones were the same as they had been in high school when she had sat at the vanity getting ready for Friday nights, but her skin hung different, as if it didn’t quite fit, or it simply wasn’t hers. This period would probably be her last, she thought, and Bill should be grateful. He never was, but then again, none of them ever were.

“You’re bleeding on the floor,” Bill said and the bed springs groaned with his weight as he sat on a clean edge of the bed.

Mary looked down. She was bleeding on the floor. The blood formed small, perfect circles on the flat grey carpet that used to be white. Mary shrugged at it then but, as she looked at her blood, the air in the room seemed to clear of the smoke and the dust and the light. Everything seemed to show itself at once to Mary but she did not yet know what she needed to see. So rather than study her blood she once more studied her face in the mirror and while she did so she thought of nothing; she did not think about how they had come on this same vacation every summer for years, nor did she think of all the things she had dreamed up when she had been a girl sitting before the same mirror. Mary would soon leave the room that was now a guest room and ask Nancy to make her a martini, and the three couples would slip into the evening like the blood down her leg. They’d have dinner in a dim kitchen, the night coming in through the windows louder and closer than they, and when it was time to wake Mary would walk past the vanity on the way to the bathroom and not spare it a glance, not for fear of seeing herself but because it seemed too much to remember youth. It wasn’t the love letters or pink cheeks but the wild hope she once held, all she had imagined when she had laid in her bed on summer nights clear and bright as the moon.

That wasn’t, however, what had happened. When Mary woke the next morning it was in the blue hour, dawn hardly reflecting in the lake, and Bill was as pale as death in the nascent light. Although his skin appeared to have gone cold Mary could hear his warm, wet breath and she looked through the shadows to find what had startled her out of her sleep. At the foot of her bed was a child of about seven, her face hidden by tangled hair, her body naked though her skin was not the same blue as Bill’s, the moonlight not reaching her small feral frame. She held in one hand what appeared to be a blanket that trailed behind her. Mary, whose kids were grown and no longer visited the house, assumed, at first, herself to be in a dream, but nonetheless she spoke to the child.

“How’d you get into the house?” Mary asked, hushed with breath held, but the girl only giggled then quickly clasped a hand over her mouth. Mary shifted in her bed in unease and as she did so she realized her sheets were wet; she must have sweat during the night, the bedding sticking to her skin. She felt the sheets peel from her back as she sat all the way up to get a closer look at the girl.

“Mary,” the little girl whispered, and Mary’s skin crawled although she couldn’t quite feel it. Her heart beat and she suddenly felt charged with the knowledge of something light and impossibly free.

“Mary,” the girl repeated.

Mary tried to blink away the shadows and Bill continued to sleep.

“Mary,” the girl giggled again and this time she did not quiet herself, “it worked.” She began to prance and tramp about the room, and, sleep and dreams suddenly pulled from her body like thread, Mary recalled the night before.

Dinner had been cleared and the dishes were in the sink, the kitchen filled with the staticky sound of crickets and the lake and the fire the men were starting outside. Small papery moths that fit through the holes in the screen, drawn to the candles that Mary had lit, were nearly unseeable in the flickering light.

“Do you remember,” Nancy said, picking up a candle from the middle of the kitchen table. She tipped it just enough so that the wax spilled from its lip down onto the palm of her other hand, pale yellow like an echo of the sun. “Do you remember when this was fun?” The wax cooled and hardened in Nancy’s hand and she peeled it from her skin, set the coin down on the tabletop. None could remember because it had never been fun; not since they were children.

The candles flickered in a draft from the window and Mary suddenly saw the same light reflected back to her in a mirror. Startled she spoke without having planned to. “I remember that summer when we were seven, or eight maybe. When that kid down the way told us about Bloody Mary, and we stole those candles from that pharmacy in town. Remember, that night, how we went into the bathroom and turned off the lights?” Mary said it more to the kitchen itself than to Nancy or Carol, as though the memory belonged more to the house than to them, their childhoods too far from them, taken by marriage and raising their own children, growing old in other cities and towns, not on the shore of the lake and the sun.

In response Carol looked at her own hand, not pooled with wax but instead smally and almost imperceptibly scarred, a slight vein of silver burned down the stomach of her thumb. “I remember almost burning my hand off,” she said, offering a laugh quieter than the hum of the crickets. “I don’t know who thought it was a good idea to let a seven-year-old fumble with a lighter in the dark.”

“Wait,” said Nancy, pulling Carol’s hand into her own, holding Carol’s thumb up to the candle’s light. “You can still see where you burnt yourself?”

Carol nodded and Mary, seeing Nancy and Carol hand-clasped above the candle, suddenly remembered not just trying to conjure Bloody Mary but also her blood on the carpet. The same thought as before—the thought that she should be seeing something she was not yet seeing—squeezed around her heart and her heart seemed for a moment to beat in time with the moths’ small papery wings, erratic and panicked and on the cusp of a knowing or a possibility. But Mary assumed it was just the martinis and the wine, the saccharine dessert they had had after dinner; or perhaps it was just the night making her feel on edge in the way nights often do when one sits in them for too long without purpose.

Nancy, who was still holding Carol’s hand, now carefully dipped each of Carol’s fingertips into the melted wax puddled around the wick. Carol shimmered and shook with held-in giggles, Nancy’s eyes narrowed in focus and, though they were nothing but the small slits of a snake’s pupil, still they reflected the flame of the candle. Mary watched them, the two sitting in the kitchen in the night as though they were children, and suddenly the air that came in through the window above the sink felt thicker, heavier, either more real or less; Mary did not know which but still she could tell it carried something. It was as though the moon and stars beyond the house had shifted closer to watch Nancy and Carol too, the night and its darkness more present, a shadow seated with them around the table.

“Let’s do it again,” Mary said, once more speaking without having known she was going to.

Nancy looked up from her work on Carol’s hand and Carol too looked at Mary, her drunken giggles finally breaking free from her, her body wracked with laughter.

“What,” Nancy said, setting the candle down. “You want us to all squeeze into the bathroom and ask a ghost what our future is?”

“I, for one, already know my future,” Carol said before Mary could answer Nancy. Carol’s voice was slow with alcohol, and she didn’t look at Nancy or Mary or the night, just her own wiggling wax fingertips. “I think I’m having my last period, so with any hope my future includes a tropical island and a lot of men who aren’t John. No babies, no problems.” Carol laughed again, seeing only the fantasy inside her head, but still Mary saw more; she saw the flame and the night, the three of them hand-clasped in a circle. Mary remembered her own blood, how she too had been struck with the thought that she was having her last period.

Nancy rolled her eyes and she began to swat at Carol in dismissal when Mary interrupted her.

“I’m having my last period, too,” said Mary.

Nancy paused then and looked to Mary first, then to Carol second. She cocked her head. The crickets hummed and the moths fluttered. Carol’s earlier giggles echoed off both the lake and the sky although perhaps it was only laughter from the men around the fire outside drifting in with the night through the open windows. The moon and the stars came closer still, and, though a small gust of wind came then, weaving its way through the three of them, the candles did not snuff out, the flames steady and bright.

“Well then,” said Nancy, paying no mind to the still-lit candles and standing up from the table. “This calls for a celebration.” She looked for an unopened bottle of wine and poured three glasses, thick and red. “All of us, becoming barren at once.”

Carol took her glass eagerly and swallowed but Mary and Nancy did not touch theirs, Nancy simply raising hers to the middle of the table in cheers or in offering. “To becoming empty shells of women,” she said, though the other two did not raise their glasses in return; Mary ignored Nancy’s proclamation because she was looking at the chair where the shadow of night sat. It seemed to point her to the window above the sink, and when Mary followed the night’s finger she saw a glossed black crow perched on the sill, almost unnotable against the dark sky, but, because the stars and the moon were close, she could see. Mary nodded along with the night and shifted then, leaned across the table to blow out the candles.

The three sat for only a moment, all unable to see but to Mary, everything had suddenly become clear. “Follow me,” she said, and though she could hardly make out their bodies in the blackened room she could hear, in the creak of the floors, how Nancy and Carol stood, the women gathering in a line, hands settled on one another’s waists as they walked from the kitchen. In her own arms, Mary carefully carried the candles, still warm and wet with wax.

Mary, Nancy, and Carol ascended the stairs, stepping on the landings in the places they knew would not groan beneath their feet. Mary led them not to the bathroom but to the attic for she did not want the men to find them. She struck a match and the smoke lingered, the air in the attic unyielding, solid with dust and heat; it was the room in the house closest to the moon and the stars and so it was the heaviest, holding the nature of the sky. There was one window, small and octagonal, and though Mary lit each candle one by one the window did not betray the light—if Bill or John or Frank were to look up they’d only see black, the house’s third eye closed and asleep for the night.

The three women sat around the candles, palm in palm, held tight and threaded together with a sudden and wild hope. Their shadows loomed and stretched behind them, black and flat as though not of them, as if, in the attic in the light of the flickering flame, Mary, Nancy, and Carol had untethered themselves from their very bodies. Each drew in a stiff, deep breath and each held the stale air in their chests and stomachs and hearts before eventually exhaling, slowly and steadily breathing out a game of their childhood with just as much wonder and fear.

Bloody Mary Bloody Mary Bloody Mary, they chanted, none in time with the other so that the chant sounded more like a continuous pitched hum. At first, Mary thought of nothing but the words, about Nancy and Carol, the attic rippling and silver with heat from the closeness of their bodies, the candles and women alike aflame, the air between them a mirror.

Bloody Mary Bloody Mary Bloody Mary, they said again, eyes closed as though they existed only within the black stomach of the sky. Mary thought about being a child, stood in the bathroom with Nancy and Carol. She squeezed her eyes shut tighter in time with the beat of her heart and she wished, as she spoke, to be in that room again—she wished not for youth but for a freedom and possibility she now understood.

Bloody Mary Bloody Mary Bloody Mar—the candles snuffed out as Mary completed her silent wish. Carol shrieked, bringing her hands to her mouth in surprise, the chant and their circle broken. The shriek lingered because the air was still both thick and heavy and as it rang through the attic the women sat silently until it was gone, and as it left the stars and the moon returned to their proper places far from the house. After hardly a moment of silence, the women collapsed into laughter in the dark, hands blindly groping for one another once more as again their closed eyes watered and their ribs grew tough and breathless.

After, tired and sore from cackling and shrieking and rolling and chanting, they descended the stairs and each went to their rooms to sleep. Mary climbed in next to Bill, the bed dipping beneath her weight, and she had only just slipped into a shapeless dream when the little girl at the end of her bed had startled her awake.

Mary watched the girl now, how she twirled, her giggles as light and as shimmery as a pearl, as the water in the lake beyond the house. The sun had risen perhaps only a finger more but it was enough, the room shifting out of the empty blue of dawn to a tender, pale pink, and Mary could see that the little girl held not a blanket in her hand but something that looked like a skin, shed from a body much bigger than hers, hollowed and light but not, in the girl’s hand, a ghost.

In realizing what the girl held Mary looked down at her own bed, the sheets not wet with sweat but damp with the life of her own skin, peeled from her body and lying still and quiet next to Bill. Mary pressed her hands against her cheeks and neck and chest and stomach, her small knocked-kneed legs and sharp elbows. She held her palm before her eyes and studied it, smooth and unlined as if nothing were fated to happen again, her future as clear as the previous night’s sky. The little girl now kneeled on the foot of the bed, eagerly watching as Mary discovered that their magic had worked, and when Mary fully understood she looked at the girl once more. Though the girl’s eyes gleamed with a delight and wildness Mary had not seen in years she recognized Nancy, a child just as Mary now was.

“We should find Carol,” Nancy said, and Mary nodded, the two slipping from the bed and then the room hand-in-hand, their footfalls so light the house did not creak beneath them. But Carol was not in her room, her bed empty save John who slept as though nothing had happened. Quickly enough Nancy and Mary found her outside, floating in the golden, sun-stained water of the early morning lake.

“Where’s your skin?” Nancy called, and her voice skimmed the surface like a skipping stone.

Carol sunk beneath the sound for a brief moment before her head buoyed back up, her hair wet and slick and glittering the same as her mischievous eyes. “I hung it from the rafters in the kitchen to dry,” she called in return, and while the others considered this Carol stretched her arm out towards them, twisted her hand in the air as she admired it. “Isn’t it wonderful?” she asked then, her face widened with a smile as long as the shore. When she dropped her hand back down she hovered it just above the small, windless cat’s paws licking at her skin, a sudden seriousness clouding her delight. “There is, of course, a problem. We’ll have to do something with the men.”

“I’m sure there’s some magic for that,” Nancy offered, as if she had been considering it too.

Carol shrugged, the water rippling out in small circles around her submerged body. “If not there’s always the cellar,” she said and she laughed, a sound as golden as the sun. Carol then waded out onto the shore and joined Nancy and Mary, their bare feet in the sand, their hands reaching for one another without thought. Together they turned from the shimmering glamour of the lake, the sky and the water blended in the sunrise as one, and they looked at the house. Despite the early hour, the air was already still and hot, the curtains not fluttering in the upstairs windows. The house stared back at them, unblinking, its door open in greeting, and the three walked towards it to live not in their skins but inside their spell.

 

 

Uncanny Eye Candy: The disfiguring of domestic life

When I was in eighth grade, I spent one afternoon each week with an elderly woman named Raisie who lived a block down from my mother’s house. She paid me to do an unhelpful job of helping her with non-essential tasks. I took a shovel to the weeds in her lush backyard while she supervised in a white lawn chair, sinking into its soft algae spots. She had a doll house made of fragile wooden sticks that had been damaged, and I sat on the carpet of her perfumed bedroom trying to glue it back together. My fingers were clumsy, and I left beadlets of glue in the seams of the house, but Raisie didn’t mind. She mourned that her children and grandchildren never visited her, and I knew that my home repairs were secondary to the company I gave her. One day, I just stopped visiting her, too. The more that she grew to trust me and expect my visits, the intimacy and emotional responsibility became overwhelming to me.

Raisie’s spine was rounded from age and orthopedic damage. When she walked, her torso curled to face the floor. She careened forward, all her weight upheld by her blistered, white-knuckled grip on her cane. One night I imitated her walk to my mother, tiptoeing and lurching my body forward in an exaggerated curve. My mom paused with true disappointment, then said “that’s really not nice, Em.” Beneath the deflection mechanism of my mocking was the pain I felt watching Raisie navigate her home – insisting on taking pots and ladles down from their pegs on the canary yellow walls of her kitchen, insisting on walking from the ottoman to the brocade couch holding albums in her arms, insisting on walking at all. The home was like a museum of a family’s life, necessarily frozen in time in a way that her bones and joints couldn’t be. The home that ostensibly gave her autonomy was also an unrelenting burden to her body. I felt inadequate in my ability to help and ashamed that she was in a position to depend on my help in the first place. Only now can I name a deeper shame: that Raisie’s fate might be mine, too. That domesticity would grow big around me, subsume me like a weed.

… [Click here to purchase a copy of the magazine]

A Spoonful of Loving Knives

The turtles in the pond have been decaying since I got here. Since before I got here. I wonder how many soulmates each of them have had. If they feel more than pain, fear, and joy. Surely turtles can love, but in the haze of my confusion I recall that rabbits are the ones who mate for life, as well as eagles and lobsters, and I have no clue what I’m talking about which is almost always the case.

The first time I took mushrooms in a vain attempt to feel cool, I walked out to this very turtle pond in a crew neck that was too big for me, and I started crying when I realized that this was what captivity looked like. Turtles in the pond of a liberal arts college too understaffed to take care of them properly. Their home was covered in algae and it stunk of something rotten, certainly not fit for the needs of these sweet reptiles that stared at you as you walked by. The pain of this realization left me in too much of an inebriated state to look away from the horror, and it prevented me from doing anything but kneeling by the edge of the pond and sinking my slick toes into the mulch and debris. Carol, our psychedelic trip sitter, rubbed my back as the inner child in me lifted itself from its crib and shook the handlebars violently: “But they can’t get out! They don’t even know what they’re missing.”

Carol laughed at this seemingly ridiculous and unrelated assertion and our friend Nettie, higher than the two of us, walked in circles around the pond, muttering something about how the sky was too big for us to understand. The bushes around the pond got smaller, shriveling up underneath the weight of my sadness, and I failed to hold my body up. I slowly fell from a squat to a fetal position, and I asked questions that weren’t being heard. Ones that couldn’t be answered. Do they have friends? Have they ever been in love? Do you think they would want to be here or somewhere like Montana, like New York? How do we make it stop? Soon the emptiness of pet turtles living in their rotting ecosystem lost its importance, and I became tired of feeling responsible for someone else’s actions. But I didn’t need overpriced and shorthanded drugs to tell me this. I have always felt too much.

The turtles in the pond that have been decaying since before I got here, watch us from the slimy water lily pads that are not strong enough to hold more than one of them at a time, the weight of their shells and my silence dragging them into the water. They listen to us as we pretend we’re too grown to make mistakes.

“Turn to the side and stare at the sun,” I instruct. My voice sounds womanly in the warmth of September.

She maneuvers her neck confidently in the direction of the sky, swirls of mousey brown hair covering a mark that may have been from birth right underneath her left earlobe. What once was honey brown in her iris is now a mixture of green and amber.

“Yeah, it still works,” I gleaned, like the child I actually was, elated to show my current love interest a new party trick. The sensuality and innocence of having this knowledge, that eye color changes according to the direction in which you face the light, felt important. Declarative. I wanted to reinvent the wheel for her.

She turns back to me, smiling in a way that lets us both know she is older, but I am timeless. Her breathing dishevels her entire body, slowly, as I watch her shoulder lift from the ground and then center itself in the dewy grass.

“Now you. Look at the sun,” she orders, eyeing me up and down, pausing for a moment longer when she reaches my collarbones.

I do it, slowly, and she studies my profile while I stare into the space of her pupils and then the splayed-out bushes to my left.

Pupils, bushes.

Pupils, bushes.

3 seconds in between. This is how you get a woman with a wife to fall in love with you, I thought.

She calculates me calculating her and eventually we fall back onto the crocheted blanket that kisses my skin the way she never would.

“Have you read The Price of Salt?” She fingers the spines of my books in my studio apartment, all of them sitting passively on the juvenile bookshelf I bought on sale at IKEA. I really should’ve opted for the mahogany instead of the cheap black plywood, but I was poor and convinced that it was the amount of books you stored on a bookshelf that really mattered visually.

“No, I haven’t. Should I?”

“If you’re going to be a lesbian, you should.”

She smiled under her breath. Something about her having read Patricia Highsmith more than me must have confirmed her queerness in a way I had not yet experienced. I was too new to all of this.

She picked up Michael Cunningham’s The Hours, the corners of the novel weathered from my sweaty thumbprints and tight grip around what I thought held the answers to love and life itself. (This was, of course, untrue, but I didn’t realize that until I forced myself to finish every self-help book on the matter, particularly Robin Norwood’s bestseller, Women Who Love Too Much, published in 1985. It taught me all I needed to know about the love I learned from my mother and father. Women, being burdened, always nurturing, never being nurtured.) I wanted her to ask me how many times I had read the tribute to Virginia Woolf’s work, Mrs. Dalloway. I wanted to read her my essay on the subject for my Intro to the Novel class I was taking. I wanted to be admired for something I loved.

She paced to the front of my twin size bed and collapsed onto the mattress topper with a heavy thump, pressing her back against my windowsill and giving me an empathetic look. It, without a doubt read, I should fuck you, however, I won’t. But not because of me, because of you. The dimming of sky reminded us we only had another hour or so before it was time to close up the windows and drown out the sound of harsh ribbiting frogs that burrowed in the moss surrounding the nearby creak, and created a sheen around her silhouette. She had taken off her brown utility pants 15 minutes earlier in a way that seemed casual and relevant. In a moment of dazed confusion, I forgot the interaction out of pure hunger. I was enamored with her in a way that bent time. I craved her presence in each waking moment, and I was simply happy to see her comfortable — in my bed.

“Is this okay?” she had asked, knowing I wouldn’t object as she peeled the thick canvas material away from her skin. Her way of teasing was anything but subtle. She made this her specialty because to be subtle is to be virtually unknown and you could never say she lived this life anonymously. Nameless.

Her subtlety didn’t mean much to me. I was still going to love her despite our demise.

Sometimes I would try to match her implications, like when I would ask in the coyest manner if her wife would ever find out about the details of that night at my apartment. My subtlety felt so sexy at the time, like a tight black dress that peeked up when you sat down, or when you dropped fresh fruit onto your lap in the summer. Or when you stare at a stranger from across the room until they’re forced to look away. It all ended up being ridiculous, the game of who’s-more-profound-than-who. You only ever end up being the other woman.

In this particularly subtle and obscure moment, I remembered how three weeks ago she drunkenly called me outside some restaurant in Berkeley before meeting up with another partner, a woman she’d been seeing for a little over a year when her wife agreed to an open marriage. They were grabbing a drink, and then who knows, maybe they’d end up back at the partner’s house in Alameda. The partner was ten years older than her and lived in the city, a fact that mirrored our relationship in an uncanny valley sort of way. I was 10 years younger than her, in a studio apartment that was still too expensive for a full-time student. I was young and exciting, but naive and barely 21.

I was buzzed on shitty pink Moscato when she called. My heart stopped when I saw the caller ID and slowed when she told me where she was. It shattered when she told me who she was with. Have you been here before? It’s on Shattuck Street, right where we went to that bookstore. I was the bookstore date, not the dinner with drinks date. I tried to push back the disgusting euphoric image of them at the bar where they would share appetizers, laugh about the details of their day, and then race to her black Lexus to end their night with lustful fucking, faster than the waiter could bring them their check. Who was I to think I could own such a public declaration as that? Who was I to think we would ever romantically leave the confines of these four walls? I couldn’t even get into the bar.

I don’t remember if I said in the heat of my own jealousy, “You’re messed up for calling,” or if the only words that escaped in an effort to remain easy-going, the way women in open marriages find ultra-sexy, were, “Enjoy your night.” I couldn’t remember if I asked how she could have sex with someone in the city but rejected me with passive longing when I reached to hold her hand in public. I couldn’t remember if I asked how she managed to manifest someone to fulfill each level of companionship she craved: the reliable lay, the romantic friendship, and the spouse that approved of one but not the other.

I knew her wife’s name and that she was a professor for a local college, but I didn’t know what she taught, when or how she constructed her schedule, and I didn’t know the rules that were attached to their open marriage. I didn’t know if she meal-prepped or what car she drove or if she had a skincare routine that she forgot about on nights where tequila made things hard to remember. I didn’t even know if she liked to drink tequila. I couldn’t tell you the names of her nieces, two of them close to my age, that she took care of like a mother. And I didn’t know for sure, but I certainly assumed that these girls were the reason she despised me being in the picture, tangled in bed with the woman she thought she could work out a marriage with, being all young and in love.

Back at my apartment, I stared at her in this gleam made up of dusk and passion while she handed me The Hours with an evasive smile.

“Read me something.”

Finally.

“River” by Leon Bridges played in the background and I felt my cheeks get hot underneath the glow of the fluorescent light I had covered with a sheer shirt above my vanity to give it a vintage sort of haze. I opened to the first page and read each passage I had underlined with black ink until I reached the end of the novel. She watched my lips move over words—unstinting, potent, bereaved, I want a doomed love—like they were sentences sleeping in my bed and I needed to retrieve a glass of water on the other side of the twin mattress. Careful. Not wanting to wake them from dreaming. I watched her watch me and I thought that maybe perfection could exist between all the things we wanted but could not have.

During a last-minute trip to Maine, I told a girl I met online from Portland I have four tattoos and showed her the pain it caused me to get each of them stitched into my skin. I flirt with her while contemplating texting you. I try to find an excuse to move on. This all makes me think of the book you recommended to me, the one you bought for me on Shattuck Street. That was our obsession: language. Our elaborate infatuation with words that I tell myself you shared with no one else, but I’m sure you did, because every person you fall in love with is a living, breathing novel.

You’re intrigued (obsessed, maybe) by the monotony of women who enter your life—the married-to-a-man-for-three-years woman who used to be on your softball team. Your friend, Maggie, who you told me was also in a sexless marriage, so maybe you two should just fuck to get over the mutual sadness that comes before divorce. And then me. There’s a tedious sameness to all of us; we like poetry and fiction and alluring conversation that you try to replicate like your favorite authors who I’ve never read. And what am I accomplishing after the rubble of us? What do we have left?

I ask the girl from Portland what scares her most and she says getting a tattoo and all I can think of is that terrible ugly stick and poke of a falcon on your left shoulder and how un-scared you must have been, telling me you already outlived the age you thought you’d die at.

A few months after I ended things between us, I visited my parents in Maine. I drank an entire bottle of Cabernet Sauvignon made with organic grapes while my father slept with a flu and my mother suspended consciousness with neon orange earplugs and covers pulled tight over her forehead. I always thought this was an odd way to sleep until I realized how badly I wanted to shut the world out. I mixed the last swallow of red with expensive gin my mother bought for her 50th birthday and stomached down the last 3 ounces of burning alcohol. You texted her. This is what you deserve.

The text message bubble outlines eight miserable words shines bright and blue.

Hope you’re doing okay. Been thinking about you.

I climbed with shaky palms onto the top bunk in the spare room. The bottom was stacked with forgotten boxes of photo albums and bank statements, baby clothes, and broken picture frames my mother told herself she’d restore. When I reached the top, I felt the weight of my decision sink into the sheets next to me. I didn’t have her, but I had the memory of what could have been. Worse than that, I had a text that verged on the line of drunk and sober but in reality, was a measly attempt of unearthing the woman I so desperately wanted.

Hope you’re doing okay. Been thinking about you.

Always.

The room kept spinning and I was too sad to pull the mass of myself up from the hot sheets and before I knew it, I was salivating at the mouth, too tired and drunk to make it to the bathroom. I threw up pink liquid that had made a home in my body and cried when I realized I was the only one who could fix it. I sat in my mistake for a minute and climbed back down the ladder, carefully gathering the putrid smelling blankets and feeling like a five-year-old who couldn’t call her mother for help. With laundry started and freshly brushed teeth, I slept to the sound of the whirring washing machine and my own broken heart.

This is how I remember you.

You and I, sitting in some local barbeque spot in downtown Oakland waiting to be served. We had just come from a lesbian acapella event held in a synagogue. I had met your best friend that day (more so, your non-biological brother), and drove to his two-story baby blue house on Telegraph Avenue after my morning shift. I walked up the steps with sweaty palms and stuck-in-my-throat nerves because he had to have known I was more, that I was a light she had been looking for. I heard her laugh from the backyard and the fear dissipated into the dandelions on the edge of the walkway.

The baby blue paint off the side of the house was peeling and although the house looked like it was slowly withering away, succumbing under the weight of gentrification and climate variability, the warmth from the sun radiated against my skin and the smiles of a 30-almost-31-year-old woman and her best-friend-quasi-brother filled me up as I watched them place handmade pom-poms made of multicolored yarn on the backyard fence.

“Oh hello, you.” She thrashed through the dead grass that was ankle-high and hugged me tight with poms in her hands. The adornment she had for me stuck to my espresso-scented shirt and I breathed her in for as long as I could. “You wanna hang up some poms?”

We lined the multicolored mini universes made of thread and fibers along the wooden fence until we ran out and got hungry and realized it was time for lunch. Her brother stayed behind to work in the yard.

“I want to put the garden over here.” He stood close to my frame, pointing to the bare soil lined with a semi-circle of cinder blocks. He wanted someone to tell him that what he was doing was worth it. He trusted that I was that someone even though we hadn’t known each other longer than 30 minutes.

“I think that would look really good,” I replied, smiling in his direction and not the mockup of his nursery. He gave me a solemn look that let me know he understood what this all meant to me. His arms were crossed but his figure was soft against the backdrop of the decaying home. “I’m tired of tending to dead things,” he whispered.

In the cramped clean kitchen, pretending we were not falling harder for one another than we had been before, I was your sous-chef. I whispered that your cilantro wasn’t fine enough, that the onions should go in now, not later. They take time to marry themselves with the garlic. The marriage of spices shouldn’t be rushed, no marriage should.

I said these things with my body. I sat cross-legged on top of the counter where you fed me parsnips, told me I smelled like jasmine underneath the redolence of hard work. And then you introduced me as a ‘friend’ to your brother’s roommate when she walked in the kitchen and witnessed the scene. Your brother’s roommate made her own fruit leather. She bragged about it, the organic quality of the materials, and I knew there had to be a part of you, the woman I was stuck loving, that suspected we were all meant to be in this kitchen eating your brother’s roommate’s cherry flavored fruit preserve. You found it charming, and not at all heartbreaking, a moment in time where I knew for sure what you meant when I asked you if you remembered calling me a ‘friend’.

“All I remember,” you said, “is cooking tacos.”

Does anyone know what Fate is? Because sometimes I feel like it’s a knife, and sometimes I feel like it’s a spoon, and I can’t get myself to believe if it’s the sharp death of someone never admitting my worth, or the soft semblance of my admiration for all that they are. If it’s musings from Cheryl Strayed in Tiny Beautiful Things or the long-forgotten letters to your Aunt Lori, an intertwining of work at the hands of other women.

I wonder if I’m allowed, sometimes, to be disappointed by Fate. To regret its passage through my life the way I regret leaving bread in the oven for too long. If the byproduct of Her is my mistakes, something I can alter with time and practice, or if it’s something that leaves me empty for years to come, bringing up memories of infidelity that had nothing to do with me. Of youth and death that had everything to do with me.

I want to have seven soulmates before I die. I may have already met one. And it’s not because of the wife, or the almost-11-year-old age difference, or the inability to stop loving her. It is none of the things we want it to be. It’s only the thing itself in all its glory.

The turtles in the pond have been decaying since I got here.

They are surrounded by memories of cleaner waters, missing loved ones, and wishing for a change in the seasons that may or may not come.

 

 

Laura Bernstein-Machlay

Laura Bernstein-Machlay teaches creative writing and literature at the College for Creative Studies in Detroit, Michigan. Her poems and essays have appeared in The American Scholar, Fourth Genre, The Georgia Review, The Massachusetts Review, The Michigan Quarterly Review, North American Review, and others. Her collection of creative nonfiction essays, Travelers, was published in 2018.

Kristen Field

Kristen Field is a queer, non-binary playwright originally from Melbourne, Australia. She earned her MFA in Writing for the Screen and Stage from Northwestern University, and her scripts have been published by Hayden’s Ferry Review, Feels Blind Literary, and Concord Theatricals. Her full-length play, sex/work, was recently a finalist in Playhouse on the Square’s NewWorks@TheWorks Competition and also won the Judith Siegel Pearson Award for Drama in 2024. Kristen is currently teaching at WMU and working as the Drama Editor at Third Coast Magazine.

Mark Scharf

Mark Scharf is an award-winning American playwright living in Baltimore, MD whose plays have been produced and published widely in the United States and internationally. Mark has served as Playwright-in-Residence for Theatre Virginia’s New Voices Program and taught Playwriting at the University of Mary Washington and Howard Community College. He has presented Playwriting seminars for the National Conservatory of Dramatic Arts, The University of Mary Washington, The University of Virginia, Johns Hopkins University, the Baltimore Playwrights Festival,  and the Maryland Writer’s Alliance. Mark served three terms as Chairman of the Baltimore Playwrights Festival. He has an MFA in Playwriting from the University of Virginia and is a member of the Dramatists Guild.

Grace Willcox

Grace Willcox is a writer and graduate of Mills College with her BA in English. She now lives in Portland, Maine, and her work has been seen in PHEMME ZineChaleur Magazine, Elementia, and Phoenix. She loves to write about complex relationships, different forms of love, and obsession.