Tag Archives: 8

REMBRANDT BEHIND WINDOWS

Damien had always hated coming into his parents’ bedroom—hollering good night from the doorway as she lay in a purple nightie, Pops spread-eagle in briefs like anybody wanted to see his hairy ass self. But Pops hadn’t stepped foot in his room for, what, a month? He put on a good show, faking like he hadn’t been sleeping in the recliner, shoving the comforter beneath the couch before Damien got out of bed each morning—Pops is stupid, D thought. He would’ve been in that room every night, every day just trying to catch a smell of her: sawdust, lavender, and cheap-ass detergent. All Damien wanted to do was pilfer. He’d pocket every damn thing if he could. He wouldn’t, maybe some things, no, what he liked about the room now was that, like, the light had changed. Not just the light but also the air. Like he’d stepped into a still life painting of his Moms without his Moms in frame, but still there, you know. Like how the first time he’d snuck in her room he noticed a painting, hidden behind a stack of windows his folks salvaged from a church and the windows stood tall, like, almost to the ceiling. He knew the painting. A Rembrandt he’d studied in honors history: a naked lady on the bed, the sheets crumpled and twisted. There was this dude creeping behind a curtain wearing a baggy-assed hat and maybe from the vantage point of a newcomer he was still unseen but she, Danae, she was all in light. The light was Zeus. His folks didn’t own shit like this, or even care about art and the Rembrandt didn’t add up to what he knew about his Moms. So, he kept coming back, pussyfooting, as his Pops called it, trying to learn more because fuck if he felt now that he had ever known a damn true thing.

D closed the curtains, wiped dirt from the sheets. On top of his mom’s dresser, crowded by dumb figurines—the poodle-shaped perfume dispenser, the dolphin swimming along ceramic waves, blue bottles with tiny mouths—were prescriptions, hand lotion, a Christie Mystery and two packs of Capris Slims. All as before. He used to love watching his Moms smoke, the way she blew out a thick white cloud and then sucked it up through her nose. French, she called it. Her voice, the smoke, it tore him up to remember, made his shoulders shake and snot drip from his nose, but he pilfered this too—the straight-bawling—from her room. The fuck ever, he thought, stuffing both packs in his pocket, revived now that he’d stolen something. Metal ringlets jingled when he pulled open each dresser drawer in turn. He was looking for surprises, like the Rembrandt, but hoping to find nothing save ordinary. The top two drawers, petite and inset, were full of cotton panties but his hand ran across something silken and lacey with alligator clips and he pulled it out all in one tangle. What the purple waistband was he didn’t know but the garter belt he recognized instantly. Durg’s sister, Penny, wore a black one around her neck like a collar. Penny’s neck was dark brown and long and thin and she always cut the necklines from her Cure t-shirts so that half her cleavage showed. He shoved the garter and lacey belt deep into his pocket and got the hell out. He didn’t want to think about Penny with his hand all up in his Mom’s panty drawer.

 

D pedaled the two miles over to the purple house that killed his mother, racing hard against the fall wind, cold-tears streaming down his faceHe dropped his BMX at the backdoor and grabbed the key from beneath a frog-shaped planter and he let himself inside. When his Moms got sick, they’d been in the process of tearing out the walls, opening the place up so this tiny-ass house might have more flow (so different than his own crib where every square inch was taken up by random junk, like, old doors, tools, siding and sinks). Their construction firm had folded under the weight of Mom’s hospital bills but his Pops finished the job on his own, refusing to sell even though the market had spiked. His Pops had painted every room a different shade of purple. Even the exterior was violet and lavender; the living room mauve, the kitchen deep and the bathroom where the black mold had been was Royal. One room in every house they finished had been painted Royal, her signature. Know why it’s called that? When she asked, he’d been in the fifth grade and interested in invertebrates, the ocean. The color comes from the mucus of sea slugs. Only royalty had purple robes, you know.

D closed himself in the bathroom. His lungs opened—swoosh, like dropping down the water slide at Adventure River—and a crying jag hit him unawares but he sucked it back, snorting up the tears until he coughed. There was no black mold now. Men in biohazard suits had torn the rest of the bathroom away, ran tests on the entire house. That didn’t help D none. The mold had been hidden, no sign of it at all in that once dandelion-wallpapered room where everything was stained tawny from nicotine. When his Moms busted out the walls with her pink gorilla bar she did not know the mold was there. D thought about her coma, the pneumonia steadily beating down all antibiotics. It was the same, wasn’t it? No signs of dying showed on her face because all the sickness existed on the inside.

Standing in the tub next to a frosted window above the soap tray, Damien lit his first cigarette. The smoke went down harshly and he hacked. He practiced French, like Moms, collecting the smoke in his cheeks and letting it sift slowly out, trying but failing to suck the white cloud up through his nostrils. She made it look so easy. He tried, again. The toothpick-sized cigarette held daintily between his lips. He did not feel tough but weirdly sexual, like he was kissing it and suddenly with the urgency of having forgotten something very important he pulled out the garter and ran his fingers across the silky center, pinching it with his thumb. It was stretchy and the lace did not feel coarse, not the way he’d always imagined Penny’s garter to itch her skin, no, it felt soft and inviting. A dumbass thing, he thought, about Penny, to wear this around your neck. He was fighting off an image of his Moms acting sexy, of her standing nearly nude in a doorway. She’d once been young, like Penny. Before she’d had D, before she’d melded her desires with the house and work, she had wanted to be sexy for some dude. He’d never thought of his Moms as anything but an overbearing hard-ass that controlled his Play Station time and only let him stay over at Durg’s once a month. His Moms had pushed him to get into seventh grade honors, then eighth and now he was in all AP courses and he hated how little time he had for dicking off with Durg who was 100 percent Gen. Pop. And as he pulled his pants down and off, he did not try and stop the coming tears but let the snot bubble, let strings of saliva hang from his lips, falling, straight-nasty, like some living thing, like some sea slug bleeding purple. He slid the garter onto his thigh. It fit snugly, and the silk ran like cool water against his skin.

 

When he got home, Damien found Pops half-asleep on the recliner, Married With Children blasting from the TV. D avoided his sad eyes and threw himself down on the couch, heavy-like so his mood televised broader than Al Bundy. D was tired, too.

“What’s up with dinner?”

Pops pulled a cigarette free with his teeth and lit it. Smoke curled under his Lennon eyeglasses and he rubbed the ache away with a dirty fingernail. “See what’s in the kitchen,” he said. “Not hungry myself.”

You ain’t never hungry, man. His Pops was still wearing work clothes, ratty-old white tennis shoes, blue jeans covered in paint and joint compound, a flannel unbuttoned over a dark purple J and M Construction shirt—Jim and Molly. His Moms, Molly, had she been there, would make dinner. Tired and dressed identically as this lazy-ass man she would cook up some chicken or at least throw a pizza in the oven. Her face, dawg! Damn if he would cry in front of Pops. If he did, he knew what would come next: Pops kneeling, petting D like he was five years old. Nah, he told himself, just breathe through. But her face was there in his mind’s eye, her black hair, thin and shiny, making her pale skin look like paper, drawing out all those microscopic freckles around her eyes, copper with little flakes of gold all broken up like light reflecting off shards of broken glass. D stuffed his hands into his pockets, a protective reflex he’d owned since he was old enough to wear pants. With his hands hidden, no one could see him clench his fists, digging his nails into his palms until the pain grew intolerable. He felt the lumpy lace of his Mom’s garter belt around his thigh and this calmed him. He’d stolen one of her secrets and now that everything seemed so damn transparent he longed for secrecy, for some private knowledge only they shared.

His Pops snored in the recliner beside him, a Pall Mall burning down between his calloused fingers. Secrets, right? D reached into his bag and pulled out the stolen pack of Slims. Slowly, he brought a cigarette to his lips. Pop’s snore deepened when D grabbed the zippo and—chink-chink—sparked the flint. He let the flame hang close, but did not light up.

D stashed the Slims into his backpack and went to the kitchen to see about dinner. In the fridge, he found molded cheese, a sweating plastic bag with bologna inside. Durg had food. His fridge was always stocked. Penny might have some weed besides.

 

His best friend Freddy Durango was the only fifteen-year-old he knew that still wanted to play Magic the Gathering during sleepovers and when D came barreling through the basement door, unannounced and hollering like he was being chased by something Durg jumped, Nintendo controller ripping from the console, and bolted the door closed all like WTF.

“I’m just fucking with you.”

“Why you even here?”

“I’m hungry and your Moms probably ordered in from somewhere. Am I right? Right. What, like, pizza? Like hoagies? Nah. It’s Chinese.”

Durg nodded, told D there was Chow Mein from Royal Dragon.

When D came back down to the basement, carrying a to-go container of cold Chinese food, he asked after Penny. Durg didn’t pause the game or look up. “Where you think?”

D wanted to run to Penny’s door, ask after some weed or a DVD, acting like he could give a fuck if she wanted to share or not, if she wanted to be near him or not. D had to finesse his love for Penny so Durg never got jealous. So he shrugged his shoulders all, like, who cares and he ate the clumped, slimy noodles from Royal Dragon. He even sat for, like, ten minutes more after he finished just to prove to Durg he wanted nothing to do with his sister.

“I gotta piss,” D said and skipped from the basement up the stairs and into the little hall where Penny’s door stood across from the bathroom.He knocked, listened. A Cure poster hung above the knob and his ear almost touched Robert Smith’s mouth. He heard the rustling of Penny’s comforter and her soft padding across the room. “What?” her voice, dull and irritable, came from inside.

“Yo, it’s D. You hooked up?”

She opened the door. Her head barely reached Damien’s chin and he liked that she made him feel tall even though he was short. Her tiny fingers tugged at the lace band around her neck. D thumbed his own garter through the pocket of his jeans.

“I’m busy,” she said. D saw a pile of eyeballs and mouths cut from various magazines strewn across her bed.

“With what?” he asked.

“Don’t be a bitch, Pen,” Durg called from the basement.

Penny rolled her eyes. “Give me a minute.”

When she came out of her room, Penny demanded Durg stop playing Nintendo so she could watch Pulp Fiction.

“That movie is so damn stale, Pen.”

“My weed, my pick. Besides, you know you like Uma, Freddy. I see the way your hand disappears in your pockets when you watch Kill Bill. Next to your sister?That’s sick, hijo.”

Durg let out a long bratty-assed sigh before he shut down the system. He threw himself between D and Penny. Penny pulled a joint from behind her ear.

“We got to wait,” she said.

“For what?”

“For the Royal with Cheese.”

When Penny finally lit the joint, Samuel L. Jackson was quoting from the bible. But D had long since lost focus, the word Royal playing him like a yo-yo, bringing back memory upon memory like sneezing fits and he feared their disappearance, feared that each flash, bright—horribly fucking bright—would be lost. There weren’t enough memories, he thought. He was too young. What then, he asked himself a second time. When I’m old and stupid and tired and sitting in front of Married With Children—what will I remember of Mom? There was so much to remember and yet he was just a kid, he knew that, and he knew soon he’d be like his Pops, like his Moms was before she died—not young anymore, not a man who wanted his wife in lingerie, not like a woman who wore lacey garters.

He took Penny’s joint between his fingers, inhaled deep and did not cough. He was proud of this. Soon he was mired in a heavy high and Pulp Fiction ended and Durg was saying he wanted to go to bed, offering to set up a blow up mattress for D. But D said, no. Said he needed to get back home.

“Smoke one more with me.” Penny was smiling at him with this shy glance full of meaning and expectation that straight freaked D out because that’s the way he’d always wanted her to look at him since he was, like, nine years old. “Yeah, alright,” he said.

Durg scoffed, sulked off to his bedroom and slammed the door. Ever since Freddy and Damien had met in third grade Durg had feared D would like Penny more. Only recently had Durg’s suspicions drifted toward sex, attraction, no, before he just didn’t want D to start liking The Misfits and Shakespeare.

When Damien brought his attention back to Penny her face was so close he saw jittering wet in her eyes; her lips parted, showing bright, sharp teeth. “What’s it like?” she asked. “Our family is fucked up, but I can’t imagine—“

She passed D the joint. The smoke and rotting smell of cannabis wafting inches from his nose. He couldn’t bring himself to hit the weed, not yet, not if he was hearing Penny right. He felt everything, that’s how, and nothing.

“I’m sorry,” Penny said. “Stupid to ask.”

D shook his head. It wasn’t stupid to ask. And he wanted to tell her about the Rembrandt behind windows in his parents’ room, about the woman laid up in bed with her hand raised toward Zeus, presumably alone, but not alone. He wanted to ask Penny who she thought the person was, the one with the velvety toque. A spy? Collecting evidence to sell to the king? He knew the myth, knew Danae would be chucked into the sea, locked in a chest by a King more afraid of the Furies than Oracle’s prophesy. It fucked with D—the future awaiting Danae, the uncertainty of her survival. The painting was about secrets, about the lighted places and the shadows where little peeping-ass squires wait to blow the whole thing up. He looked at Penny, trying to form words, and she kissed him. Her breath tasted like ash and the cola she’d been drinking. He kissed her back, hard, like they’d kissed before but he hadn’t ever, like, with anybody. D felt, like, shaky and shit because he wanted her so bad and had for so long and yet she’d kissed him only after asking about his Moms and that made him angry and in some fucked switch-a-roo it also made him want her more. Penny straddled his lap, made hmmming noises when he touched her breasts. He pulled at the waistband of her shorts, tugging down from behind so that he could feel the sheen of her panties.

She grabbed his hands. “No.No.No,” she said, through scrunched together lips.

D didn’t listen. He was intent on feeling the hidden places where no one but Penny’s hand moved. She jerked her face away.

“Rule number one, asshole, and it’s better you learn from me,” she said. “Never keep going after a girl says no.” Her disappointment, her hurt: the taught jaw.

He shook his head—“Just forget it.” He tried to wiggle from beneath her weight.

“God!” Penny punched him in the chest but he didn’t feel pain. “You a freak, D.”

 

D eased into the dark kitchen, shutting the backdoor with a faint click.

“Don’t pussyfoot on my account.” He heard his Pop’s voice a second before a thick, hard hand clutched the meat of his upper arm and sent him crashing into the fridge. “Where the fuck you been? Too big to tell me when you go out?” Pops flipped on the light. Two large pizza boxes sat closed on the table. “Didn’t order this shit to go to waste.”

D could smell pepperoni and cheese and he wanted some. He wanted to sit in front of the TV and eat slice after slice until he was bloated and sick; Pops curled up in his makeshift bed on the recliner. He wanted to lean back and smoke, talk about how shitty The Braves were playing that season—Pass me the ashtray, son. D could not stop thinking about Penny, the smooth skin of her thigh. The smell of vanilla oil was all over him and he wanted so badly to be beneath her weight on the Durango’s couch.

“I ate,” Damien mumbled.

“What?” he said. “Speak up, man.”

“I’m not hungry, okay.”

“Oh, that’s funny. Last I heard you wanted dinner.”

 

The next morning, D walked inside Walgreens like he was eighteen, not fifteen and skipping school. He scanned the pharmacy aisle for Robitussin. All night he had dreamed of Penny and pizza and his father shoving him against the fridge, of his Moms: her eyes squinting with confusion and hurt. He wanted to make things right with Pops but they were so different—what was he supposed to say? He didn’t feel sorry, not really, no, he was straight-pissed. He wanted Pops to sleep in his room again and for Moms to drive him to school in the morning, shoving a gross-ass pack of lunchables into his hands like he was still nine years old. But with Penny he hoped, like, if he could just make her laugh then she’d forgive him. He could do that, right?

“Shouldn’t you be in school?” A woman around his Mom’s age stood at the cash register, pretty in her own right, with thick cleavage pushing out the top of a low cut dress. I got bird bones his Moms used to tell Damien. In memory, she wore a purple tank top, low cut and her ribs spread out from her sternum like the imprint of fingers drug across sand. Bird bones can’t hold curves like some women, or they’d break.

“For my mother,” Damien told the cashier. “She’s sick.”

 

D rode over to the purple house; the rhythmic tick-tacking of bearings in the hub of his back rim, as he coasted along narrow residential streets. He didn’t care if anyone stole his bike when he tossed it aside in the drive; didn’t care that he wanted a cigarette, desire in his chest. Not anymore. He knew he was the creep behind the drapes, that silly-ass jester watching Zeus’ coming light. What else could a fifteen-year-old boy do but peep grown up shit from shadows?

D thought about how he’d helped his Moms the day the realtor dropped off keys to the purple house. Pops was at the bank. She’d pounded plaster from the kitchen walls with her gorilla, Birdie, as Damien followed behind, popping lath off rough-hewn studs with a crowbar. Her mouth and nose was hidden behind a thin paisley bandana while a double filtered oxygen mask had dwarfed Damien’s head. In the bathroom now, he imagined knocking down walls. Swoosh. Smash. He imagined plaster raining down in giant clumps, rifts torn in dandelion wallpaper like flags among soot colored dust. This is how the mold had entered her lungs.

He lit a Slim and blew French.

“Damien?” Pops called. “You here?”

He hadn’t heard the door. He flushed the Slim. “Using the bathroom,” he said.

“Don’t clog the toilet. Prospectives always ask about plumbing.”

Prospectives? Prospectives meant couples with newborns, couples with no kids, or couples with five kids. Prospectives meant rich college students whose parents tagged along quietly in the background, making mental notes of all things wrong with the place.

D unlatched the lock.“Since when?”

“Just came back from the realtor’s office. It’s time.”

Pops sat on the floor across from D; head leaned against the wall, his beard thick with gray. The way his Pops looked now, eyes fixed upward, reminded D of when his Moms was in the hospital. She had tubes in her nose and mouth and her arms. She wore a thin paper-gown. Pops had asked the nurse to dress her in something comfortable but the nurse told him no. He had pushed past her and into a supply closet and dug through drawers, looking for scrubs. It had taken two security guards to cuff Pops to a chair and he’d banged his head against the wall, yelling, Get her out of that paper gown, goddamn it. Dress her comfortably. What if Pops never came back, D thought, never again slept in his old room? What if this man was his father now?

His Pops leaned forward, gripping Damien’s knee. “We’ll get through this. We will.”

 

D could see Penny reading in bed when he knocked on her window. She popped up, grabbing a baseball bat from behind her nightstand. “Escucheme, pendejo! Step off!”

“It’s Damien.”

“The fuck, D? I was about to roll your ass. Come to the door like a normal person.”

He pressed the bottle of Robo to the window and said, “Let’s trip, Pen.”

She was waiting for him in the basement. Durg was immersed in some upper level Sonic the Hedgehog D had never before seen. Freddy loved the old systems: Nintendo, Sega. Hell, the fool even played Atari.

“Don’t you have other friends?” Penny asked.

“If we ever make out,” D said. “I promise I will not touch you.”

Durg threw down his controller mid game and stood like he was about to swing on D but he didn’t step—“What the fuck you just say to my sister?”

“It’s cool Freddy,” Penny said. “It won’t ever happen, again.”

Freddy was all red faced and Penny was still looking like come on motherfucker. Tell me why I should be nice? D tossed Robos to each of the siblings. He threw himself on a round papasan. He hated this fucking chair because the dog slept there and once, back like when they were in fourth grade, D had found a turd.

“What the hell is this?” Durg asked.

D didn’t answer. He popped the childproof seal and downed the bottle in one extended gulp. The stuff tasted acrid, sweet. “Cheers, bitches.”

They watched him, anger slipping away until he saw a little shimmer of oh-it’s-on-now! Penny bit into the plastic seal, pulled it away with her teeth. D watched Freddy. The less he saw Penny do anything with her mouth the happier he’d be, like, forever. Durg downed his bottle and snatched up his controller, dragging out his anger. “Don’t fuck with my sister, dawg.”

“You ain’t my Papi, guey. I want to fuck D, you don’t have a say.”

“I’m not talking to you, Pen. I’m telling D how it is.”

All Damien heard was fuck. He told himself Penny didn’t mean it that way. She’d accidentally dropped a couple prepositions—to fuck with—by accident. D curled into the shit-stained ottoman, slipping his hands into his pockets. He was still wearing the garter.

When the Robo kicked in all color and sound ballooned and D could not hold onto any true thing—his Moms planting seeds in the garden. She wore a sun hat. She wore brown shorts. A wheelbarrow. Manure. On her wrist, a watch glinted in the sun—Birdie burst through plaster and stayed—she drove with the radio playing oldies, laughing and tickling D. Car dance, Damien! She wiggled her arms back and forth and he giggled as the singer crooned in high falsetto about the jungle. He couldn’t hold on, like, choking. He coughed, a captured spike. It was too much, the rolling dreams. D covered himself with an afghan pulled from the back of the papasan and watched the room through holes in the cross-stitch. He curled deeper into the blanketPurple dots popped in the darkness and if he squeezed his eyes shut, bigger explosions pulsed. The purple air grew humid and he giggled and the giggling spread through his body and turned to strong and unstoppable laughter. Sweat slipped from his chin. He saw light. When he slipped headfirst from the folds of the afghan and his head crowned he saw his mother’s face over her belly, bloodshot and wet with tears. The air caught on his skin. He screeched. And he fell to the floor with a hard, weighted thunk, The room blurred, brightened until it nearly broke apart with light and there was Penny and Durg, arms touching as they watched Sonic stand motionless, shrouded in a sparkling sphere.

“Let’s get out of here,” Damien said and ran from the basement before either sibling had a chance to stand.

Mica shimmered up at him from the black asphalt. Houses with two, sometimes three levels stood on elevated yards. The night was cool and Penny was without a jacket. She rubbed her arms. Durg rapped under his breath, repeating the same harmony again and again, mouthing vowels, sound without meaning.

They reached a set of railroad tracks—a distant car alarm. A crack of white light unzipped the dark. He lit a Slim and watched smoke drift upward. His Mom’s satin garter felt chilly and tight against his skin. The ground vibrated with the weight of an oncoming train. When the engine came into view, everything succumbed to the sound of passing freighters. D stepped closer, feeling the wind as it moved through his hair and pushed through his sinuses and pressed against his closed eyes. He waited, trying to determine the break between cars by listening to the change in rhythm—a solid WOOSH before a hollow WISH. WOOSHWISH. A hand grabbed through the darkness and held onto his arm. He opened his eyes briefly and saw Penny. Durg was slouching, arms crossed over his chest but he too had shut his eyes. The engine, beyond them now, blew a whistle that cut through the racket of steel wheels on track. Penny squeezed, her fingers cold. Fainter still, the train whistle blew. Blew again.

COCKATOO TEARS

“Mom. We have to save the rainforests.”

These were the seven words with which my seven-year-old greeted me as she climbed into the minivan in the Pittsburgh Zoo parking lot.

I swiveled around in the driver’s seat, trying to get a good look at her face. Her piercing blue eyes stared solemnly back at me from beneath the bill of her puff-painted baseball cap, her blonde pigtail braids hanging ragged by her ears. I opened my mouth to ask what on earth this was about, but the other kids I was carpooling clamored into the car and I knew it was useless to try to talk over their raucous chatter.

By the time I’d dropped off the other kids, I’d forgotten her strange comment. As I pulled away from the Rosen’s driveway, I glanced at her in the rearview mirror. She was gazing out the window with her usual glazed look, but I noticed a single tear working its way down her cheek.

“Alison? Are you okay, baby?” I asked, casting my eyes back on the road. She didn’t answer. “Did something happen at camp today?”

“I told you already.” Her voice had an edge to it. “We have to save the rainforests.”

Oh. That.

“They told you that at camp?”

“Millions of species are losing their homes, Mom,” she went on, and when I glanced at her in the mirror again I saw that she was still staring out the window. “The rainforests will all be gone by the year 2000. That’s only six years from now.”

I inhaled deeply through my nose and released a slow breath, thinking of my mother’s words when she’d handed Alison back to me in the delivery room. She’s got an old soul, this one.

I don’t know if I believe in reincarnation, but there was definitely something heavier, older, about Alison. As a baby, she watched her older sister Charlotte running around, her little forehead wrinkled in somber concentration. Sometimes I would watch her as she stared into space and wonder what could possibly be going on in that little head of hers. Her later acquisition of speech didn’t assist me much in answering that question.

I glanced back at her again, noting another tear dripping down her cheek.

“So… you’re… really upset about this, huh,” I said slowly.

She finally turned to look at me in the mirror, and her glare was answer enough.

*

 

The phone rang shortly after bedtime. I sighed and tossed my pen onto the desk, sitting back to give the tax forms a despairing once-over before getting up to answer.

“Hello?”

“Hi, Mrs. Krieger?”

“Yes?”

“Hi, how are you? This is Cindy. I’m Alison’s counselor at zoo camp.”

I clenched the receiver a little tighter and slipped into the stool by our breakfast bar.

“Good, how are you?” I responded mechanically.

“I’m great, thanks! I was just calling to check in on Alison. She seemed pretty upset today.”

“About rainforests? She said something in the car…”

“Right… so… today was Rainforest Day. Most of the day she had a great time. It was just at the end, see, we put on this little movie for the kids… just a cute informational video about rainforest conservation, and it had images and sounds from the rainforest.”

“And she found it upsetting?”

“Well—not the video itself—see, we have a Moluccan cockatoo in the classroom, named Barney, and when the video came on, with the jungle sounds, you know, he started making this sort of mournful crooning noise. And then the other counselor—Meg—threw out a comment that he was crying because he missed his home, and…”

“Oh…”

“Yeah, so, Alison got real upset after that. I had to sit with her for a while and calm her down.”

I sighed. “She’s… a really intense kid.”

“Yeah. She seemed okay afterward, but still kinda sad, so I just wanted to make sure she’s okay.”

I glanced toward the staircase, chewing my lip. “Thanks for calling, Cindy.”

 

*

Alison had more of a bounce to her step the following morning, and I felt a wave of relief when I heard her singing to herself over her cereal. As my husband turned away from the coffee machine in the kitchen, I caught his eye and jerked my head toward the breakfast bar. He raised his eyebrows in a look of I told you so. I’d spent more time than I care to admit chewing his ear off the night before about Alison and her emotional intensity. I even raised the question of whether we should take her to therapy. Max had been dismissive, which annoyed me, but maybe he’d been right.

That afternoon, after camp, I took the girls to the library. Charlotte headed straight for the middle grade section, but Alison wandered off toward the adult reference books. I cocked an eyebrow, but said nothing. Alison was an advanced reader for a seven-year-old, but normally she would stay close behind Charlotte, collecting her sister’s rejects.

I should have guessed what she was looking for. She tottered back under the weight of three enormous volumes about rainforests, and spent the rest of the afternoon shut up in her room reading them.

 

*

 

On the last day of zoo camp, she dragged me to the spider monkey enclosure, insisting that she needed to show me something before we left. She skidded to a halt and pointed to the wall opposite the monkeys. There was a large digital screen with numbers that were rapidly falling. The placard next to it explained that the numbers represented the number of acres of rainforest that still existed.

“By the year 2000, they’ll be gone,” Alison whispered, her eyes wide. “I don’t want to live in a world that doesn’t have rainforests.”

I closed my eyes and swallowed. This was starting to get even more annoying than my sister’s self-righteous lectures about the meat industry. Come to think of it, I thought, maybe she and her Aunt Judy should hang out and bemoan global warming together.

Then I looked back into my daughter’s eyes, which were welling with tears.

“Can you help me save them?” she whispered.

“I…” I stuttered. “Baby, I’d really like to, but I don’t know…”

“Are any of our tables made from rainforest wood?”

“What?”

“The counselors said that one thing we can do to save the rainforests is not buy things made out of rainforest wood.”

“Oh. Well, I’m pretty sure we don’t have anything like that. Rainforest woods are pretty expensive.”

Her shoulders relaxed a little at that, and she turned around to watch a spider monkey deftly swing from a tree branch and cling to the netting at the top of the enclosure.

“They’re my favorite,” she said.

 

*

 

A few days later, Judy and I sat on the back porch, sipping iced tea and watching our kids play Red Light, Green Light in the grass. Judy sighed, lifting her dark curls from the back of her neck and resting the ice-cold glass against her skin, which was dripping with sweat. I chewed my lip, wondering whether I should tell her about Alison’s newfound rainforest obsession. On the one hand, Judy’s vegan smugness might swell to unprecedented and dangerous levels. On the other hand, Alison had been talking and reading about nothing else for several days, and despite my own discomfort with all this environmentalism stuff, I wanted to encourage her to follow her passions. If anyone knew concrete things Alison could do to save the rainforest, it would be Judy.

Fortunately, Judy made the decision for me.

“What’s going on with Alison lately?” she asked, as if she’d read my mind. “She’s been even more taciturn than usual.”

“She’s…” I sighed. “Upset about the rainforests.”

Judy looked at me with an eyebrow raised. “Rainforests?”

I told her the story about the bird at zoo camp, and as predicted, the corners of her mouth pricked up in that distinct smug look. I suppressed the urge to roll my eyes.

“So,” she said. “You’ve got a little environmentalist on your hands.”

“Don’t be so damn pleased with yourself.” I slapped at a mosquito on my arm, but missed it. “So… what do I do with her?”

Judy looked out over the lawn, her eyes following Alison’s progress toward Danny’s turned back. “Well, you know what I’m going to say.”

“That’s why I’m asking you.”

Judy gave me a scrutinizing look. “Really?”

“Yeah. I think I should encourage her. Contrary to what you may believe, I don’t actually hate the planet.”

Judy smirked. “How the mighty have fallen.”

“Quit gloating and just tell me how my kid can save the rainforest.”

Judy sat back in her chair, rubbing the rim of her glass against her chin.

“There are campaigns and organizations you can donate to,” she said. “Forest rehabilitation, lobbying for governments to do more to stop deforestation, stuff like that.”

“Yeah, but that’s all grown-up stuff, isn’t it?”

“She could set aside some of her allowance. Or maybe could organize some kind of fundraiser.”

I snorted at that. “A fundraiser? She’s seven years old, Judy.”

“Yeah, but she’s also Alison.”

“And? Have you ever seen her say more than two words to a stranger? You think she’s going to organize a fundraiser?”

Judy gave me a thoughtful look. “If I know anything about that kid,” she said, “it’s that she’s a determined little critter and she’ll do whatever’s necessary if she wants it enough. She may have inherited Max’s introversion, but she also inherited your stubborn ass.”

“You got a problem with my stubborn ass? You can kiss it.” I picked an ice cube out of my otherwise empty glass and lobbed it at her. Before I knew it we had both poured the remainder of our ice down each other’s shirts and were gasping from cold and laughter.

 

*

 

Judy was right, though. The minute I suggested the idea of raising money for a rainforest conservation campaign, Alison’s eyes lit up. She ran up to her room and came back with one of the books she’d borrowed from the library, pointing to a list of organizations in the back. Charlotte, never one to be left out of a new enterprise, suggested setting up a lemonade stand on Murray Avenue.

And so, in the worst of the muggy August heat, we schlepped a card table, a cooler full of ice, our juicer, and several bags of lemons and sugar down the few blocks to the corner of Beacon and Murray. Passersby and the patrons of the nearby storefronts glanced at us in polite curiosity as we set ourselves up by the curb. Alison quickly got frustrated when the sugar didn’t dissolve well and I was gearing up to face a full-blown crisis, but then Charlotte somehow rigged up an ingenious little solar oven from aluminum foil and managed to make sugar syrup right there on the sidewalk.

Within ten minutes, people were lining up by the stand. As I might have predicted, Charlotte took charge, chatting up customers and taking their money while barking orders to Alison about appropriate proportions of ice and lemonade. I almost stepped in and asked Charlotte to tone down the big-sister tyranny when a woman with cropped gray hair and a silk floral blouse finally asked why the sign we had hung read “Lemonade for the Rainforest”—and it was Alison who spoke up.

“The rainforests are the lungs of the world.”

All eyes turned on her in astonishment.

She looked the woman straight in the eye and went on: “The Amazon rainforest produces more than 20% of the world’s oxygen,” she rattled off, “and absorbs about 25% of the world’s carbon dioxide. Rainforests are also home to half of all the 10 billion species in the world and about one-fifth of the world’s fresh water lies in the Amazon basin. But they are being destroyed very quickly and by the year 2000 they will all disappear and all those animals will lose their homes, and lots of people, too, if we don’t do something.”

There were a few moments of shocked silence. It didn’t surprise me one bit that she’d memorized those figures, but I don’t think I’d ever heard so many words come out of Alison’s mouth all at once, much less to a perfect stranger.

“Well, young lady,” the woman finally said, “that sounds very important.”

“It is. And a $5 donation to the Rainforest Foundation saves a whole acre of forest.”

“And you’re donating all your proceeds to the Rainforest Foundation?”

“What are proceeds?”

“The money we make,” Charlotte cut in with her most patronizing drawl, “duh.”

“Charlotte,” I warned.

“Yes,” Alison said to the woman. “That’s what we’re doing.”

“I’ll take one,” said the woman, drawing a $50 bill from her purse. “And you go on and donate the change to the Rainforest Foundation.” She handed the bill to a wide-eyed Charlotte. Alison looked completely unfazed as she poured the cup of lemonade and offered it to the woman.

“The Rainforest Foundation thanks you for your contribution,” she said evenly. I covered my mouth to stifle a giggle.

The woman looked at me and smiled. “What a charming little girl you have.”

Charlotte pouted at her receding back.

 

*

 

I helped them count their earnings at the end of the day. Even deducting the cost of the sugar and lemons, we were all delighted to discover that they had $214 to send the Rainforest Foundation. I took the cash and wrote a check, and Alison helped me address the envelope and drop it in the mailbox in front of the O’Conners’ house.

“Can we go to the zoo tomorrow?” Alison asked, skipping back up the path to our front porch, her blond braids bouncing.

“You haven’t had enough of the zoo for this summer?” I said weakly, letting my eyes close in exhaustion at the mere thought.

“I need to check the numbers near the spider monkeys.”

It took me until we were inside the house before I registered what she meant.

“Alison,” I said. She stopped skipping across the living room and whirled around to face me. “I… you mean you want to check that screen? The one with the number of acres…?”

She nodded.

“I want to see how much we helped.”

My stomach plummeted and I swallowed, studying her face.

“Sweetheart…” I said, measuring my words carefully, “the check is in the mailbox right now. It will take a while before it gets there.”

“How long?”

“Maybe a week or two…”

“So can we go in a few weeks?”

“Alison…” I said slowly, still struggling to figure out how to explain this to her. “I don’t think you’ll be able to see any difference.”

Alison’s eyes narrowed and she searched my face, her lips pressing together in a frown.

“Your two hundred dollars will help a lot, I’m sure,” I said quickly, “but it will take a great deal more than that to… really… change those numbers.”

“But… the Rainforest Foundation says that $5 saves a whole acre.”

“Yes…”

“So how many acres will $214 save?”

“That’s… more than 40 acres,” I calculated quickly. “That’s a lot!”

“Then why won’t it change the numbers?”

“Well… because… there are millions of acres of rainforests. And thousands being destroyed every day, maybe even tens of thousands. But besides,” I said quickly, before the enormity of what I was saying could sink in, “I don’t think that board really shows how many actual acres are left. I think it’s… just an estimation. A guess.”

She stared at me long and hard.

“If we need more money,” she said, “then we’ll do more lemonade stands. I can do one every day until the end of the summer.”

I closed my eyes and pressed my lips together, drawing a deep breath through my nose.

“Alison, sweetheart,” I said gently, “even if you do a lemonade stand every day for a year…” my voice trailed off, and I struggled to explain. “People donate millions of dollars to these organizations… they’re doing what they can… it’s not just the money, these are government policies, and people’s livelihoods, and… baby, it’s just… it’s very complicated adult stuff.”

She looked away, her jaw set and her eyes brimming with tears. For a long moment, she didn’t speak at all. It felt as though I were watching her childhood crumble into dust around her.

Finally she met my eyes again.

“If it’s adult stuff, then why aren’t the adults doing anything?” she demanded, her voice strained. “I’m the one who’s going to have to grow up in a world without rainforests. Don’t you care?”

I stared at her feet, wanting desperately to disappear into the carpet. When Judy would ask me, Don’t you care? I would just roll my eyes and whine to Max about how obnoxious and emotionally manipulative these hippies were. Judy and I grew up playfully scoffing at everything the other did; it was how we established our autonomy and our place in the family. But Alison’s question cut through me, cut through the irritation and the exasperation and the denial, and opened up a chasm of shame and guilt.

Maybe they’re right. Maybe I don’t care. Maybe I’m going to be leaving a trashed, barren, and broken planet for my kids and I’m too afraid of that to even think about it, too afraid of the abject powerlessness and hopelessness I would feel if I were to face it, and here is my little girl standing here asking me why I am doing nothing.

“You told me I could do something,” Alison choked, tears splashing down her face. “You said you’d help me save the rainforests.”

“Baby,” I said in a small voice, “I didn’t say—”

“Why did you tell me you’d help me if I can’t? I can’t save the rainforests. Even you can’t save them. Why didn’t you just tell me that?”

“Honey, listen to me,” I pleaded, crouching to her eye level and placing a hand on her shoulder. I took a deep breath and looked into her eyes. “You’re right, no one person can save the rainforests. It’s something a lot of people all have to do together. We can’t make everybody else do what we want, but we can do our part and encourage others to do theirs, and hope that our efforts will all come together to make a difference. Do you understand what I’m saying?”

She just gave me that deep, piercing look, and it made me wither inside.

“You lied to me,” she whispered, and then bolted past me and up the stairs.

I sank into a nearby armchair, held my head in my hands, and wept.

 

*

 

Six summers later, Alison sat at the breakfast bar, munching on Cheerios and holding a book open with her elbow.

“Honey, please don’t read at the table,” I said, stirring some milk into my coffee. She looked up and glared at me through her heavy black eyeliner, but she closed the book and slid it away from her bowl.

“Mom?” she asked, swallowing a bite of cereal.

“Yes?”

“Are the rainforests still around?”

I turned to her, startled. She hadn’t said a word about the rainforests since that day in ‘94. She was watching me, her expression unreadable, and though she was now a thirteen-year-old sporting a tight baby doll T-shirt, a messy high ponytail, and way too much eye makeup, the image of that little girl with the pigtail braids staring up at me in despair and anger flashed vividly before my eyes.

“I… I think they are,” I stammered. “Yes, there are certainly still rainforests.”

“It’s the year 2000.”

I blinked, trying to figure out what that had to do anything.

“The video. At zoo camp. They said that the rainforests would all disappear by the year 2000.”

“Oh,” I said. “Well… maybe all that campaigning worked. Maybe they managed to stop people from cutting down so many trees. Maybe your $214 did something after all!”

“Or maybe,” Alison cut in, her voice sharp, “they were lying.”

She dove back into her cereal before I could get a look at her face.

“I don’t think they were lying,” I said slowly. “Maybe they miscalculated, or maybe something changed—”

She met my eyes again, and the look she gave me stopped me cold.

“The Moluccan cockatoo,” she said, “isn’t even from the Amazon, it’s from Indonesia. The video was filmed in the Amazon. I bet Barney wouldn’t have recognized those sounds, because the species of birds and monkeys in those places are different.”

I just watched her, clutching my coffee cup.

“Why,” she said quietly, “do adults lie about everything?”

She slid off the bar stool, grabbed her book, and huffed off.

I didn’t even try to call her back to clear her bowl.

Daniella Levy

Daniella Levy is the author of By Light of Hidden Candles (Kasva Press, 2017) and Letters to Josep (Guiding Light Press, 2016). Born in the USA, she immigrated to Israel with her family as a child and currently lives at the edge of the Judaean Desert with her husband and three sons. Her short fiction, articles, and poetry—in English, Hebrew, and Spanish—have appeared in numerous publications, anthologies, and media platforms, and she’s been nominated for a Pushcart Prize. Connect with her online at Daniella-Levy.com.

NEIGHBORLY

No more borrowed sugar—

you want the mixer,

the red costly one

that churns my granules,

your yolks, my flour

into upside-down pineapple envy.

You want the oven that heats

your hunger to a blister,

and an extra Band-aid for your heel

hoofing it up our long driveway.

You want the refrigerator

turning its cold shelf to your requests

for perfectly proportioned leftovers, and—

for your son’s Camp Susque show-and-tell—

you want our daughter’s hamster

scurrying beneath the shade

of the hefty appliance,

which we will gladly U-Haul

to your back door,

the one where good neighbors meet

to discuss shared dandelions, lawnmowers, 

power tools, husbands, 

one of which I refuse—in this 

baked-on summer heat—to lend

even to you.

HEMINGWAY’S DAUGHTER

“We got some tragic news. My niece, Raquel, took her own life yesterday morning. She had not been suffering depression that anyone knew of. She did have a headache the past week and said she didn’t feel like herself and just didn’t feel good. My sister, had stayed overnight at their house Sunday night because she was babysitting Lucas Monday. She found Raquel who was a beautiful person inside and out.”

From an email sent Tue 8/1/2010

 

&

 

She’s driven this far from Wisconsin across Minnesota almost to the Dakotas. There’s a smell that gathers here in the dampness of the furrows, the sweat of the Swede, the Flemish, the Norwegian, the broken soil. Dirt here chimes dry, not as rich as the black soil to the south in Iowa. The wind blows fiercer, fewer shade trees, more poplar and cottonwood, hackberry and shagbark hickory. She can drop the car off and walk into the bare trees and falling shadows. Freezing is painless. Peaceful. Seductive. Or she can drive home to Wisconsin, return to her husband and infant.

 

&

 

I know only the bare outlines of the story so I must imagine the young blonde woman at an interstate rest stop. Named for a film star, she was my best friend’s niece. Raquel leaves Friendly’s family restaurant, lingering in the electronic doorway, as if gathering herself, letting the electronic doors almost close on her. Walking into the FOOD, GAS, LODGING parking lot, she can’t remember how long she’d sat in the leathery booth staring at the two packets of Splenda sweetener beside her water glass. The yellow wrapper and the words America’s Favorite Sweetener held a message for her. The blue print seemed to loosen, the letters floating freely and reordering themselves into new words and shapes. Toll-free became tree lol the “f” vanishing. Most of her meal still lies on the Formica table beside the menu. Ice tea sips its dreaming pale lemon. Sweet potato fries drink from a pool of ketchup. Her appetite like the “f” on the Splenda packet has vanished. She’s lost ten pounds since having the baby and Edwin says she needs to gain them back.

 

&

 

Was it just before noon she’d left home in her Honda and headed west? Now almost dusk, she finds herself midway. Her car waits to take her farther west into the prairie, and although she stares at the keys (and Splenda wrapper) in her hand she’s unsure which is hers, the shellacked red or the bruised wormy apple vehicle. Tree-free. Her husband has left message after message on her voice mail. The baby’s missing her. I must not think of the baby as ‘my’ baby.

 

&

 

Walking through the parking lot, her silky hair (the color of winter corn) looped in an unwashed ponytail swings through the back of her baseball cap. Petite, slender. Her fine skin, a sugar snow falling in the night, her oval face that of a high school homecoming queen. She will never mention the champagne-colored chiffon or the crown placed on her head by the captain of the football team. Neither will she speak of the St. Paul Farmers State Bank calendar that featured her as Miss April and Miss December. College dresses  her in a American Studies degree, and she shivers entering the working world wearing nothing. Her first job—party planner, her second, volunteer fireman. She meets Edwin, a farmer and roofer, and learns how to plant and harvest a garden.

 

&

 

In toeless clogs, her feet seem not to mind the February weather. She stumbles, twisting her ankle.

 

&

 

Edwin, Wisconsin-born and bred, thinks he’s been blessed by the Lutheran divinity. Himself a light-haired man of average looks, he’d married Raquel, a Norwegian beauty. How could he know it was the fierce Norse god, Odom, who sanctified their bond—thunderous God of blood and violent death? He and his six-month-old son, Lucas, are waiting supper on her—turkey meatloaf and beet salad from the Red Owl deli. Hadn’t she mentioned driving to her sister’s in Minnesota? “I’ve left the baby’s formula bottles in the refrigerator.” He tries her cell phone again although the ringer must be off.

 

&

 

Outside, the day moves; inside the car, it stops. She turns the ignition, shifts into reverse, doors locking her inside. It’s better today, even if the sky is shapeless and thick. The last of the light drifts like snow birds weary of the same circle. Raquel pictures bathing her infant; setting him into the shallow warm water of the baby bath on a blue towel, his feet crinkly-pink and his toes trying to talk. The dusking sun watches her drive, east, homeward. Another voicemail: the baby crying in the foreground. Her fault, her fault. She’s turned off the interstate—Minneapolis-St. Paul, the twin cities where she grew up, falling behind her. Rustic Wisconsin welcomes her. Welcome to folks who know your face and to places where there are no strangers.

 

&

 

Her tongue feels long, too pink, and rough like a cat’s licking at the cracked corner of her lips. What would her mother say if she had kept driving, if America’s Sweetheart simply disappeared, and left her baby behind? What would Edwin think? She pictures the first night they made love. Edwin puts his arms around her and walks her to the edge of the bed. His nose presses her lavender tank top, and then he unpeels it, lifting her arms light as bird bones. She tells him he is the golden nectar, his sex better than white cake and marmalade. She parts his lips with her tongue, washing his body with her cat’s tongue.

 

“She loved life and was so happy. She leaves behind her wonderful husband, and her adorable 1 year-old son, Lucas. Raquel absolutely loved being a mom. She was loved by everyone who knew her.”

                From an email sent Tue 8/1/2010

 

&

 

It’s the story of an extended religious family, a loyal loving Midwestern one that saw the darkness through doilies, baby showers, and church recipe books. A world where good triumphs over bad, where family means shelter, and God answers prayer. It’s a family that can’t imagine a new mother not trusting herself around her newborn, a mother afraid she might hurt her child. A mother not aglow in her infant love-bubble, but one immersed in blackness. Raquel’s returning home, perhaps having made up her mind. A world where if you keep a stiff upper lip or confess, everything will work out.

 

&

 

The last time I saw Raquel she was standing beside her aunt’s (and my friend’s) hospital bed, not exactly beside, but a few steps back as if hesitant or shy about being fully present. Raquel’s mother Joanne was there, too. My friend, the jokester, teasingly asked personal prying questions. Are you dating someone this time that smells normal, not like lighter fluid? Is that why you dumped that other guy? Do you think you’ll have kids? Raquel answered her aunt in a soft voice, winsome, uncertain. Then, leaning over my friend, and after she’d cut a slice of pizza into many small pieces, she fed each one to her, stopping to lift the cold Coke and bendy straw to her lips. You’ll be a good mother, my friend said. Joanne agreed. I can’t wait to be a grandmother.

 

&

 

Raquel had just met the man who would be her husband.

 

&

 

Raquel bought a white chocolate blueberry cake, her sister Sofia’s favorite dessert, and French macrons, for Jerry, her brother-in-law. Once, she might have picked almond cake with orange-flower water syrup for herself but now it makes her think of white cockroaches, the whiskery albino one that Edwin mentioned stepping on–the one making love to a crumb. Yes, earlier she’d almost stopped at Sofia’s house in Stillwater to deliver the sweets and say goodbye. Her sister and husband would be flying to Florida for an island cruise. But she couldn’t stop. They kept the furnace turned up too high and the heat settling into the living room smelled of rotting minnows. Raquel usually wanted to unzip her skin. The last time she visited a few of Jerry’s buddies had dropped in and he made jokes about last Thanksgiving when the sisters had hosted the dinner feast. The eggnogs we toasted were the best part. You should have seen the Thanksgiving meal Sofia and Raquel cooked. We had to give most of it to the dogs. They forgot to take the gizzards out, but it didn’t matter because the turkey was still frozen when they brought it out to the table! Jerry slapped his knee, regaling his guffawing buddies. How about the time Raquel made the soufflé with a sponge inside it? Those little yellow crumbs she said were egg yolk. Sofia had laughed so hard she choked.

 

&

 

Seeing the familiar signs, Raquel fears something irrevocable is about to happen when she reaches her destination, she’ll commit an act that will sing down through generations. She blocks Edwin’s face, an unpronounceable grief in his eyes. The red car stops at the light near the Eau Claire Holiday Inn where she first met her husband. His friends call him Ed (handsome Ed) but she likes the lost-in-time sound of Edwin. They’re slow dancing to “Red Roses for a Blue Lady.” An oldies tune. He bends to kiss her earlobe, his lips moving to the bottom of her neck. Your voice smells like fresh cut grass, he says. He stands a head taller than Raquel, his fingers are long and she asks if he plays the guitar. Laughingly, he tells her he’s a roofer, that he has his own shake shingle business, with each shingle having to be individually and gently placed, and then nailed twice. He loves fragrant woods—cypress and redwood and cedar—he loves the weight of nails in his pocket. He owns an acreage; he raises a few chickens, too. Like Raquel, his Scandinavian ancestry shows in his hair, even lighter than hers, and his eyes. His incisors protrude slightly, and give his mouth a rabbity look that she finds endearing. Unlike her he’s not Norwegian but Swedish.

 

&

 

She loves Hemingway’s novels and she’s read of his death, how he pulled the trigger with his toe. Later Edwin hates how he had taught her how to use the shotgun. How to handle it, when she asked him to show her, needing, wanting to know in case he were ever not home and she had to defend herself and the baby. Pointing out the acreage’s being off the beaten track. Isolated. Later, he buries the shotgun. Wishing he had buried it in the river in the first place.

 

&

 

She may have gone on the internet and asked the question: “How do you shoot yourself with a shotgun?” Thief River Falls. Black River Falls. They called this New Scandinavia, Minnesota and Wisconsin, they spoke their language for generations, and they churned sweet cream butter. I would think the soft palate roof of the mouth; bullet passes through easily into the brain. They honeymoon in the famous Texas hill country where rivers flow in an emerald current between white tablet rocks. As the road twists down, waterfalls feed secluded pools. Rock slabs float in the middle of the green. She loves how there’s no bridge, only a slab of rock covered with moss. The water is fast-moving but not deep. You can see tire tracks in the algae. Raquel loves Grimm’s Fairy Tales. Here is where Thumbelina could boat across on a tulip leaf and oar with two white horse hairs. They drive east into Louisiana’s swamp country. She writes to tell her older sister Sofia, who looks so unlike Raquel, that few believe they are siblings, that she fought a gar fish out of the water.

 

&

 

They celebrate their anniversary at the same Holiday Inn— Raquel pregnant, the pool shimmering in the sun. She knows it has sprouted, the seedling in the soil of her belly, as she slips off her thong, taking hold of him, his arms, as if he’s the ladder that lowers her into the deep dazzling water. Her belly kicks, almost as if the thrust is meant to push him away. Her hands let go, the rung isn’t there, and she slides into the blue eye of the peacock’s plumage. Edwin lunges into the water. He swims her in. She floats, the water warm, slippery like jelly, melting too.  Edwin, listen, she tells him, breathlessly, after the baby’s born I’ll plant wild blue lupine flowers and milkweed next to the house. The Karner blue butterfly will come. She describes the luminous and silvery dark-blue of the males, and then the females, purple-blue with orange crescent edges. The arrival of the blue butterflies will celebrate their son’s birth. Did you know the author of Lolita wasn’t just a writer but also a butterfly collector, and was the one who first identified them? Nothing under heaven or earth would the Karner blue butterfly eat other than wild blue lupine flowers. He’s listening but drifting as she talks on (in her lulling, almost singsong voice) describing the seven-spotted beetle, the evil predator of larval blue butterfly eggs. Only the blue lupine feeds the larvae, not wild lily of the valley, not starflower or sweet fern. Is that boring? she asks.

 

&

 

Edwin has shown no one the letter Raquel left him, a letter explaining her unworthiness, telling him how she wasn’t herself, how something murky and dim had gotten inside her. She told him when her water broke, something popped in her brain. She’d come uncorked. The amniotic fluid—her champagne had lost its bubble. For months after giving birth, each time she peed something kept dripping out of her, hitting the water softly. Her body kept making her give birth again and again. And now  the thing inside her was directing her.

 

&

 

He would never fly with her toNorway where they’d taste seagull eggs and elk and reindeer roast. Elk they say is dry and wild. The smaller reindeer much sweeter. Cloudberries for dessert—arctic gold, silvery-yellow, apple-tart.

 

&

 

There are gifts everywhere in the living room where family and friends gather. Raquel’s mother and aunt host the shower. Deep powder-blue carpet comforts her feet fat from pregnancy. Sinking into a Queen Anne chair she watches the sheer lavender curtains lifting and billowing in the breeze. A three-tiered white cake with layers of strawberries and real cream invites everyone for a finger swipe. It’s a Boy. Raquel wears a paper hat with all the gift bows and ribbons taped to its brim. Blue stationery Thank You’s for the sail boat, the flannel sleepers, the footsie pajamas, the crystal picture frames, the crib, the stroller, the swing-set, the Three Bears bathtub. Nine months of pregnancy and how happy she’s been. A boy, inside her belly, the motion of his kicking, his swimming, comforts her. She’s safe with him there like the blue butterfly finding the wild blue lupine flower.

 

&

 

A blacktop two-lane takes her to the acreage; the new ranch house with the cedar-shingled roof stands out, and she’s always preferred the two-lane life to the six-lane. Edwin meets her in the driveway with their son in his arms. The baby’s blue eyes appear so bright they could have been painted in. A perfect boy with blond curls. We missed you, honey, he says, not asking where she was. My sister called, Red Owl has a sale on chicken cutlets. Do you want her to pick you up some?

 

&

 

Raspberry mouth on her nipple, the baby’s lips take hold; his tiny hands toss as though rabbit paws. Bending close, she is counting her baby’s eyelashes. Raquel has freshly bathed herself and her baby. The lamp light is shining on five-month-old Lucas, his lungs had been preparing to breathe the world, sensing the touch of her palm, his heart already beating. Now the heartbeat has its own life and no longer needs her. How easy it would be to save him.  Kneeling on the deep-soft comfort blanket to change the baby’s Pamper, (a dessert of a blanket, chocolate mousse and whipped cream) she silently calls (beseeches) God to make her a better mother. The picture window lets in more sun, and then a ladybug drops onto the blanket. She’s always loved these insects, their freckled red shell and feelers. The soft blanket must be a sea of quicksand for the ladybug, now frantic, peddling with all of her legs, and getting nowhere. The ladybug is drowning until she rescues it. The baby’s blue eyes widen, they sparkle. How easy it would be to lift the cuddly blanket and fold it over his face.

 

&

 

She reads Being Ernest: John Walsh unravels the mystery behind Hemingway’s suicide. “I am eating blue food to try to get rid of the blackness,” she tells Ernest. “Blueberries, blue cheese, blue plums. Do you think it will do any good?” Do they really know nothing of the estrogen and progesterone faucet that pregnancy turns on, then off? In the blackness of post-partum depression she’s haunted by gar fish in the warm green water. In fragments of sleep she breathes on her wrist and the gold bracelet with three engraved hearts (Edwin, Raquel, Lucas) breaks.

 

“Edwin finally told Lucas that his mom was in Heaven. Lucas started making up stories because no one was allowed to tell him that his mom died (or that he even had a mom). I don’t know what he knows other than that. Yes, Lucas looks like his mom and fortunately has her personality!”

From an email

 

&

 

On the last night of her life Raquel’s face has the look of calm as she lifts the sheet and slides into the bed, after all the months of sleeplessness, the night with its hinges and bearings, its wrenches tapping on the radiator of her brain. The night before she had not yet made up her mind, and ploughed her scalp with her fingers, pulling out her own hair. This night, the night she’s made up her mind, she thinks of breeze and a picnic table with a checkered red and white tablecloth. Mama, who made the sky? Who made the blue? When it rains, is God weeping? Then she’s running barefoot on a summer night through the dew-drenched long grasses, her skin drinking in the cool, her eyes chasing the moths clouding the yard light. She and Sofia roasting marshmallows playing statue and the fireflies have come out, winking into the dark, brave little bringers of light, preyed upon by mosquitoes. Tomorrow her mother comes to baby-sit, she’s told her that she is helping her friend Bev empty the clutter from her closets, her friend who lives in Madison. The baby will be better off after tomorrow. Not ready, not able, has no words, not yet. He would be miserable, hate her, and if he knew her unworthiness, he would have to bite down on the word mother.

 

&

 

Online, she clicks Girls with Shotguns; clicks 10 Rules for Women Getting the Right Fit and Mount. Doesn’t need to know about finding her dominant eye or stock height, or whether a 12-bore holds more pellets than a 20-bore, or how the gun’s kick will affect her.No one found the letter, her letter, which (or is it that) I imagine just as I picture the letter that Edwin writes on the ceiling of his bedroom, since he’s moved into the spare room where he keeps his tools, the room that smells of cypress shingles. He can’t sleep in the bed that she shared with him, the writing was worse there, over and over the words unspoken to the living, spoken now to the ceiling, his finger scripting the words. Our son is now my son. I erase your name that bleeds across his birth certificate by the word. Mother. I’m making myself forget the meadow of your skin and lips, your gentleness. I forget my hand and how it would sink into your softness, (a hand does not sink). Raquel, you weren’t ligament and muscle but the dough of almonds, the nectarine, and the blushing violets. The pure black of your death makes it hell to think of you. His finger stops. I put those words into his mind. What he writes over and over and over. I loved you. Now you are dead to me.

 

&

 

He’s on the roof of the house nailing shingles when the call comes. Do they tell him on the phone? Raquel’s youngish mother, a pretty woman divorced from Raquel’s father, breathes, almost panting with the news there’s been a terrible accident. Now she’s wheezing, and suddenly stops gulping air. “What’s wrong? Is it the baby?” The mother shaking can hardly hold the flip-phone to her ear. The butterfly spots, silvery dark blue spots, scattered black spots circle in blood. Her head. Her beautiful head. Someone has shot Raquel, the shotgun, next to her, against her. Why? Why? Raquel had been planning on planting wild lupine and milkweed next to the house. The paper wasp and ant strike terrible blows.

 

“My sister, Raquel’s mom, is doing well. She goes to visit her grandson about every 3 weeks. It’s only an hour’s drive for her. She picks him up and takes him to a movie or to parks to play and then out to eat. He’s now in kindergarten. He is the happiest, adorable 5-year old. He always has a big smile. His dad isn’t very nice to my sister. He just wishes she’d go away. I think it’s a reminder of Raquel. He never lets her take him to her house for a weekend.”

                From an email

 

&

 

He finds the letter (the one I’ve pictured) before they do, in the medicine cabinet taped to his shaving cream.

Edwin: I love you and I love our son. It’s me I can’t stomach. Mom just got here and everything is black or turning filthy gray. If I could I’d vomit the bad colors, fling the puke into the toilet, and wash my hands. Minutes ago this happened to the toast and strawberry jam and green banana she insisted I eat. I gag again and throw up until my vomit runs clear. I rest my head on the rim of the toilet. Mom knocks. “Hey, kid, don’t you feel well?” Oh, Edwin, my thoughts have begun to talk in voices. A hard thing I have to do, but I have to for us, for our family.

 

&

 

The family wants everyone to know that Raquel was a loving mother. That she adored her son. That the newborn did not terrify her and being a mother hadn’t crushed her with its weight. Some elemental hormone had been added or subtracted from her body, causing the blackness she didn’t understand, the emptiness she was ashamed of.

 

&

 

Edwin dreams of Raquel pregnant and the Holiday Inn pool shimmering. She rolls onto her back, her hair streaming hyacinth. “A pregnant mermaid,” he says, her eyes that can spot perch in calm green water, beckoning his. They see every quiver. Raquel so beautiful, but now she frightens him. He’s afraid to breathe the air’s heaviness—frangipani, myrrh, the death of lotus blossoms that drift on the water. Come lie in the thorns with me, come with me to eat thistle. He still wakes in the night panting, sweating even as a cobweb of ice crawls over his skin, the cold cobweb creeping into his mouth so his insides shiver. Even a photograph of Raquel smiling causes the gray cobweb to start crawling. His mother hears him call out and softly knocks. In her arms she rocks his son. I make myself not think of you, pictures I’ve taken down and given to your mother, all your clothes, your books, I’ve disposed of. You would not know a wife or a woman ever lived here.

 

&

 

 What about Raquel wearing a velvet stovepipe hat and smiling with her mouth and her aquamarine eyes, the girl clutching and kissing her dog, a lack and white mongrel named Soulman? Who will think  of that girl? Her elegant signature. Who will remember to remember her?

 

&

 

It’s better to leave the story suspended for now, the tragedy of self-slaughter an unfinished work.

 

* * *

 

 

Stephanie Dickinson

Stephanie Dickinson, an Iowa native, lives in New York City. Her novel Half Girl and novella Lust Series are published by Spuyten Duyvil, as is her feminist noir Love Highway. Her other books include Port Authority Orchids, Heat: An Interview with Jean Seberg, The Emily Fables, and Flashlight Girls Run. Her work has been reprinted in Best American Nonrequired Reading, New Stories from the South, and 2016 New Stories from the Midwest. Girl Behind the Door: A Memoir of Delirium and Dementia is her most recent offering and on a lonely journey to find readers.

KENNEDY’S ACOLYTES

A full-length play with six women – nine without doubling by JACK GILHOOLEY

On the the evening of November 22, 1963 in rural Western Ireland, three mid-teen-age girls grapple with the news that U.S. President John F. Kennedy has just been assassinated. Fifty years later the three reconnoiter at the same – but different – town square. Like the community, they have undergone radical changes some for the good and some otherwise.                                       The three characters should be played by SIX ACTRESSES (three ingénues and three older). After the opening scene, the three young actresses can play the US college radio interviewer, the young Irish waitress and the young tinker mother in Ireland. Or three other actresses can be used.

CAST OF CHARACTERS

Deirdre   mid teens, then in her mid- sixties

Oona         “        “       “     “   “       “     “         ALL SPEAK WITH A BROGUE EXCEPT

Eileen        “        “       “     “    “     “     “         OONA IN SCENE III AND ARIEL

Ariel   a US college co-ed, a campus radio personality in 2013

Maggie   an Irish waitress, Eileen’s granddaughter, 19 yrs old in 2013.

Mary   a young Irish gypsy…tinker…traveler in 2013

SCENE ONE: A basically empty town square (A bench? A streetlamp?) in Ireland. There’s a shabby sign at the edge of the stage reading Doyle’s Public House. The bar itself is offstage.

TIME: Evening, Nov. 22, 1963.

SCENE TWO: A US college radio studio. Basically consisting of a table and two chairs with two mics and indications of the venue e.g. ON THE AIR sign. Little else.

TIME: mid-November, 2013

SCENE THREE: Doyle’s Public House in the same rural town square. It is slickened now with neon and tablecloth dining. It’s hardly the shabby (offstage) pub hinted at 50 years ago. It is now a respectable restaurant with the practically mandatory – for Ireland – picture of JFK.

TIME: November 22, 2013

JACK GILHOOLEY 6620 Grand Point Ave., Bradenton, FL 34201  941 351-9688

jackgilhooley@tampabay.rr.com

 

Deirdre and Oona are heavily dressed against the late November elements. Each carries an unlit flashlight (“torch”).

DEIRDRE

How close did you get?

OONA

I could touch him.

DEIRDRE

So did ye?

OONA

Lord, no.

DEIRDRE

Why not?

OONA

I was afraid.

DEIRDRE

Of what?

OONA

The whole situation.

DEIRDRE

Were you afraid of Kennedy?

OONA

Course not. But he had these big bruiser-type guards.

DEIRDRE

He coulda left them home. He didn’t need them here. In the states, yeah. But not in Wexford. We’re civilized over here. Except on the football pitch. Rumor had it that he’d move over here when his presidency was over. And why not? He’d be able to walk into any pub in the land without guards. The gents wouldn’t have let him buy a round. Lift a jar an’ have a bit of craic with the boyos. A game of darts or two. Then home for dinner with Jackie and the wee ones. Little John-John woulda been old enough to join a football club. His da would have been a sponsor. Take alla the lads out after a match. Treat them to sweets and such. Grand it would be, for sure.

OONA

(Beat) Somehow I never saw that happening.

DEIRDRE

Why not? He could afford sweets for the lads. In that case ye should’ve reached out to him. He was shakin’ hands with any bogtrotter who could reach him. You mighta nicked his wallet.

OONA

I was frozen.

DEIRDRE

How could you freeze in June? If you were that close you coulda kissed him. If I was that close I’d’ve kissed him.

OONA

Deirdre!!!

DEIRDRE

That’s what I’d’ve done. I’d’ve snogged John Fitzgerald Kennedy. Right in front of Jackie. He’d have savored it.

OONA

I’m sure Jackie would’ve panicked over that. Imagine, Deirdre Flanagan as JFK’s teen-aged mistress.

DEIRDRE

That’s somethin’ you could brag about to your grandkids… snoggin’ the President of The United States.

OONA

I wasn’t thinkin’ about grandkids as the President of The United States was approachin’. I was thinkin’ I might wet myself. And I’d hardly tell my grandkids that I kissed the American president. They’d think there auld granny was a cheeky slag.

DEIRDRE

Then you could tell them that you wet yourself.

OONA

I wouldn’t tell them that even if I did. And I didn’t.

DEIRDRE

Congratulations, Oona. Discipline is yer middle name. Y’know, you’ll get nowhere in life bein’ fearful. Look at Marilyn Monroe.

OONA

What’s Marilyn Monroe have to do with it?

DEIRDRE

She sang “Happy Birthday” to him.

OONA

You call that singin’?

DEIRDRE

Not like any “Happy Birthday” I ever heard.

OONA

I seen it onna telly. And right there in fronta his family. It’s certainly not the way I sing “Happy Birthday”.

DEIRDRE

You’re hardly Marilyn Monroe. How would you sing to your lover?

OONA

Stop that kinda talk. I’ll never have a lover. I’ll have a husband. When the time comes. Lovers are for low-life scrubbers.

DEIRDRE

I hear that Marilyn was Kennedy’s lover.

OONA

You’re barmy. You’ve been readin’ those supermarket trash sheets. He’s a fine Catholic man with a wife and two lovely children.

DEIRDRE

So’s yer da.

OONA

Three lovely children.

DEIRDRE

Two lovely children an’ you.

OONA

Me da would never cheat on me mum.

DEIRDRE

Who’d have ‘im?

OONA

Yer not funny, Deirdre.

Geez, now it’s too late.

DEIRDRE

Too late at night? Or too late for you to snog Kennedy.

OONA

Geez, it was only last June. I’ll never have another chance to touch him.

DEIRDRE

They’ll probably have an open casket for the viewin’. You could fly over to Washington, get in line and touch him when you pass by. Kiss ‘em even. No need for security, now.

OONA

I wouldn’t touch a dead man.

DEIRDRE

Not even Kennedy? Why? Death is not contagious.

OONA

Well, snoggin’ seems to be contagious with you. You even kissed Gerald O’Malley behind the stables.

DEIRDRE

Where’d ye hear that?

OONA

Everybody saw it.

DEIRDRE

Who’s everybody?

OONA

Mary Catherine Monaghan. And me sister.

DEIRDRE

That’s everybody??? Those two are nobodies.

For your information, he kissed me. It was not mutual. He snuck up on me. And it wasn’t on the lips. If Gerald O’Malley had kissed me on the lips I’d have run home and washed my mouth out.

OONA

So it was a… well… a sneaky snoggin’. Did you confess it?

DEIRDRE

Course not. I was an innocent party.

OONA

Did you enjoy it?

DEIRDRE

(Shrugs) I might’ve enjoyed it if it hadn’t been Gerald. There was nothin’ to confess.

OONA

Gerald’s sweet on ye.

DEIRDRE

Well, I’m sour on Gerald.

OONA

What if it had been Billy Darby kissed ye’?

DEIRDRE

There’s no comparin’ Billy Darby to Gerald O’Malley. Billy wouldna hadda sneak up on me. I’d be there for the takin’.

OONA

Deirdre!

DEIRDRE

If it had been Billy I would certainly be goin’ to confession on Saturday. I probably wouldn’t even be brushing me teeth.

OONA

You’re barmy. I’d never lose my head like that over a boy.

DEIRDRE

Not even me brother?

OONA

Wha…You mean, Danny?

DEIRDRE

Aye,’at’s me brother, eh? An everybody knows you’re sweet on him.

OONA

Everybody, huh? Like Mary Catherine Monahan and me sister? I have no time for boys at this point.

DEIRDRE

Then you’ll not care that Danny’s sweet on you.

Oona does care that Danny’s interested in her and it shows.

OONA

You sure about that, Deirdre?

Before Deirdre answers, Eileen enters. She too, carries a flashlight. It is lit upon her entry but she turns it off immediately.

DEIRDRE

H’lo, Eileen.

EILEEN

H’lo, mates.

OONA

Hey Eileen, did ya hear?

EILEEN

That Kathy Doyle is preggers? Big surprise.

OONA

Old news. She fingered poor Robbie Ryan.

DEIRDRE

Everyone knows it was Billy Darby done the dirty deed.

OONA                                                                        EILEEN

BILLY DARBY??? No, he wouldn’t of.      That’s a bloody lie!!!

DEIRDRE

Did you think he was savin’ it for you, Oona?

EILEEN

Billy Darby didn’t do it.

DEIRDRE

How do you know?

EILEEN

He confides in me.

OONA

He what???

DEIRDRE

Wishful thinkin’, Eileen. Billy Darby has no interest in you. He was an altar boy.

EILEEN

Was an altar boy? Was he kicked out?

OONA

No, he’s seventeen. Last July.

DEIRDRE

July the 14th. Too old for the altar boys.

EILEEN

So, he’s fair game for anythin’, then? Even a Protestant.

DEIRDRE

An’ no doubt you’d offer him anythin’.

EILEEN

I never had to offer him anythin’. We’re goin’ out.

OONA

In yer dreams.

DEIRDRE

Not possible. Yer da won’t allow it. Nor would Billy’s folks.

EILEEN

So Kathy and Robbie Ryan are getting’ married.

DEIRDRE

It’s either that or the Magdalene laundry for Kathy.

EILEEN

Not a bad deal for Kathy. Robbie’s father owns a service station. Cars will always need gas. She couldn’a done better on the up an’ up.

DEIRDRE

With her mug, she couldna got a lad on the up an‘up.

EILEENR

Maybe the baby will look like him an’ not like her.

OONA

Him? Billy Darby or Robbie Ryan?

EILEEN

Robbie, I guess. Not that he’s any great shakes. So what more could a homely girl ask?  Sometimes it’s not such a bad idea to get yerself up the pole—

DEIRDRE

Kennedy’s dead.

EILEEN

Yer kiddin’.

DEIRDRE

Shot to death.

EILEEN

Who done it?

DEIRDRE

They got a guy but he’s only a suspect.

EILEEN

Bridie Keough musta done it. She never forgave Dermot for givin’ her the boot and takin’ up

with Bridget O’Shea. An’ Bridie’s da is a hunter with plenty of rifles in the house. If the garda needs any evidence, I’ll be glad to offer my opinion.

OONA

G’wan, Bridie wouldn’t harm a fly.

EILEEN

You dunno Bridie the way I know—

OONA

Will you get over Bridie and Kevin Keene? Kevin never knew you existed. It’s not like Bridie set out to steal him from someone who never had him.

EILEEN

I never had him cause I was playin’ hard to get.

OONA

Well, you sure succeeded at that game. By the time you decided to warm up to Kevin, Bridie had him.

EILEEN

I could get him if I thought he was worth it.

DEIRDRE

You two stop yer babblin’. We’re not talkin’ of Dermot Kennedy.

OONA

Course not. It’s John Kennedy been murdered.

EILEEN

Lucky Dermot. Who’s John Kennedy? That’s Dermot’s cousin from Cavan?

DEIRDRE

JACK KENNEDY, YOU NIT!

EILEEEN

(Calmly) Oh, Jack Kennedy. Why didn’t ye say so? Well, that’s America for ye.

OONA

“…that’s America for ye”. That’s all you have to say?

EILEEN

Whataya want me to say? Hooray for America? Ye killed yer own president.

OONA

The greatest man in the world is dead.

EILEEN

Don’t gimmee that. I thought you girls figgered the pope is head man.

OONA

One or the other. Depends on who you talk to.

EILEEN

Not if yer talkin’ t’me. Ask me, why don’tcha? I’d vote for Gary Cooper.

Oona, I know you travelled to Wexford  to see him last summer. An’ he looked like a movie star.

OONA

But not Gary Cooper. Is that what yer sayin’?

EILEEN

But “the greatest man in the world…”???

OONA

You weren’t there. You didn’t feel the excitement. You couldn’t have known.

EILEEN

True. I’m no fool. I watched it on telly at me sister’s house. An’ me da says Kennedy took orders from yer very same pope. Says that they’re building a special addition to the White House for The Pope’s personal quarters. Financed by the stupid taxpayers.

DEIRDRE

Did yer da figger that out drivin’ his lorry?

EILEEN

There’s nothin’ shameful about drivin’ a lorry. (To Oona) Least he’s not a greengrocer. (To Deirdre) Or a postman.

OONA

(To Eileen) Spoken like a true atheist. Did yer aul da tell ye that Kennedy was plannin’ to kill alla the Prots?

EILEEN

PROTESTANTS AREN’T ATHEISTS!!! TAKE THAT BACK!!!

OONA

MAKE ME!!!

They skirmish briefly. Deirdre intercedes. 

DEIRDRE

Enough. This is a solemn time.

They desist. Suddenly, Eileen starts to cry.

OONA

There’s her true colors. I hardly hit ya an’ here comes the water works.

EILEEN

I’m not cryin’ from you. I’m cryin for…Kennedy.

Deirdre and Oona look to one another.

DEIRDRE

You changed yer tune.

EILEEN

I knew he’d… been shot. I hadda steal outta the house cause I can’t cry over Jack Kennedy at home. Me da would hit the ceilin’. Give us a fag, Dee.

DEIRDRE

I stopped smokin’.

EILEEN
You just started smokin’. An’ yer stoppin’ already? That’s dumb. You wanna be some kinda weird duck? Everybody smokes.

DEIRDRE

That’s why I stopped. Plus, it stunts yer growth.

EILEEN

Well then, I’m glad I started at 13. I’m just the height I wanna be.

OONA

Christy Brady’s six-foot-five an smokes like a chimney.

DEIDRE

He’d be six-foot-ten if he didn’t smoke.

EILEEN

Who’d wanna be six-foot-ten?

DEIRDRE

Christy Brady might. Then he could go to the states and play basketball at some college.

OONA

That’s the only way Christy could get to college.

DEIDRE

His family could afford it. But he’s a thick, that one.

OONA

Dumb as a rock.

EILEEN

Sorry, Oona. I was way outta line at a time like this.

They shake hands, unenthusiastically.

EILEEN

An’ this guy they caught. His name is Oswald.

DEIRDRE

Oswald? He musta been mad at the world with a name like Oswald. He shoulda killed his parents for naming him Oswald. Why take it out on Kennedy?

EILEEN

Oswald’s his last name.

OONA

Still, it’s no reason to kill the president.

EILEEN

I gotta go home. Listen to me old man gloat. And lift another pint in praise of Oswald, The Assassin. Crikey.

OONA

That’s disgustin’ An’ no need t’leave. You just got here.

EILEEN

I tole ye’. I come out for a good cry. Besides, I hafta go t’the jacks.

OONA

You can go in the bushes. We’ll watch out for ye.

DEIRDRE

Why doesn’t yer da move to the North if he can’t stand most of his neighbors?

EILEEN

He doesn’t move north cause me mum wouldn’t go with him. Nor would I.

OONA

And where else would ye find such lovely friends as us, eh Eileen?

EILEEN

I was just cryin’, Oona and now you’re makin’ me laugh.

She smiles and exits as she lights her flashlight.

DEIRDRE

Prots aren’t atheists.

`           OONA

I know.

DEIRDRE

You still believe what Sister Agatha told us back in 3rd class.

OONA

I never listened to Sister Aggie. If I ever thought about a vocation, she put the kibosh on it.

DEIRDRE

What’s “kibosh”?

OONA

Figger it out.

DEIRDRE

You mean you thought about the convent back in 3rd class?

OONA
Well, Aggie planted that seed in me head. Didn’t you ever think about the convent?

DEIRDRE

For about five seconds. So what happened with you?

OONA

I started noticin’ boys.

DEIRDRE

I should hope so. You’ve got six brothers.

OONA

You know what I mean. I started noticin’ boys like you started noticin’ Timmy Reilly.

DEIRDRE

Nothin’s gonna come of that.

OONA

Yeah, that’s what Timmy told ye.

`           DEIRDRE

You’re a little bitch,  Oona.

OONA

So be it. I’m goin’.

DEIRDRE

You think Eileen an’ Billy—

OONA

I dunno. Could be. She’s awful pretty.

DEIRDRE

For a Prot, yeah. But she’s not as pretty as Billy is cute. He deserves better.

OONA

That’s the trouble with men. It’s always looks that matters most.

DEIRDRE

The assassination will be all over the telly.

OONA

Why can’t they just let him rest in peace?

DEIRDRE

It’s what people want. It’ll be on for days to come.

OONA

Me mum was sayin’ a rosary when I left the house.

DEIRDRE

Lotta good that’ll do Kennedy, now. Does she think prayers will bring him back to life?

OONA

She’s locked into tradition even if it makes no sense. You know our mums. They’re really prayin’ for themselves to heal. To take the pain away.

DEIRDRE

There’s no mention of the rosary in The Bible.

OONA

You’ve never read The Bible.

DEIRDRE

So what. I have it on good authority.

OONA

What good authority?

DEIRDRE

My cousin Brendan is in the sem. Studyin’ for the priesthood. He says that even the mass isn’t in The Bible.

OONA

Some priest he’ll make.

DEIRDRE

I don’t think he’ll stick it out. Father Molloy pushed him in.

OONA

Misery loves company.

DEIRDRE

I think that’s confessable talk.

OONA

Why? It’s not a curse.

DEIRDRE

True. But it sounds like you blasphemed.

OONA

So be it.

I kept me gob shut with mum. Her rosary is a habit. Leave her to her habits. No harm done. I’m goin’ right to bed. Try to kip, though it won’t be easy.

DEIRDRE

We’ll get over this.

OONA

No, Dee. We’ll never get over it. Tomorra I’m gonna write a poem about JFK’s death.

DEIRDRE

That should be fun.

OONA

It’s not meant to be fun. It will be an elegy.

DEIRDRE

What’s an elegy?

OONA

A poem for the dead.

DEIRDRE

I don’t need to hear that, then. You an’ yer poetry. It sounds pretty but none of it makes any sense. It doesn’t even rhyme.

OONA

It’s not meant to rhyme.

DEIRDRE

Then it’s not poetry. It’s just some gibberish that you call poetry. So what’s the point?

OONA

Poetry doesn’t have to rhyme to be poetry.

DEIRDRE

That sounds like an excuse from someone who can’t even rhyme “moon” with” June”.

OONA

The poems I write are exercises.

DEIRDRE

If I wanna exercise, I ride me bike.

OONA

It’s an instinctive thing with me.

DEIRDRE

Emphasis on “stink”.

Eileen reenters. Her flashlight is out.

EILEEN

Me torch went out an’ I have no batteries.

OONA

So? You know the road. You’ve walked it every day of your life. Just follow the sound of yer drunkin’ da’s cheering Kennedy’s death.

DEIRDRE

You don’t need a torch.

EILEEN

I can find my way home. But they’ll call “time” soon at the pub. Those boozers will never see me in the road without a torch. So Dee, you live just beyond me an’—

DEIDRE

I know where I live, Eileen.

(To Oona) At least we got a day off from school on Monday.

OONA

I’d rather we went to school an’ this never happened.

DEIDRE

OK, OK , Eileen. Let’s head off.

Deirdre lights her flashlight and she and Eileen head off.     

DEIRDRE

Slan (pro. Slawn), Oona.

OONA

Slan, Deirdre.

EILEEN

Slan, Oona.

OONA

Slan, Eileen.

                                                            Oona is alone now and she reflects…

OONA

(To herself) I shoulda reached out an’ touched him.

She stares straight ahead with her lighted flashlight under her chin.

OONA

(To herself, grimly comic) I’m the Grim Reaper, here to claim another one.

She exits with her flashlight beam on the road.

END OF SCENE ONE

 

 

 

 

Jack Gilhooley

Jack Gilhooley–New Dramatists (NYC) alum., Eugene O’Neill Conference guest playwright, NYFTA grant recipient, Fulbright Guest Artist appointments (Spain and Ireland), four FLorida Arts Council grants, two NEA awards (Individual Playwright and International to Centaur Theatre, Montreal), two Puffin grants, John Ringling Fund Award, etc. GUEST ARTIST: Yaddo, MacDowell, Edward Albee, Millay, Djerassi, Hawthornden Castle (SCOT), Tyrone Guthrie Institute (IRELAND) colonies. PRODUCTIONS: NY Shakespeare Fest., Circle Rep, Phoenix, 59e59, Shubert (Phila), ACT/SF, Asolo, Indiana Rep (twice), The Folger (D.C.) etc. PUBLISHERS: Broadway Play Publishing, Inc., New American Library, Smith & Kraus, Samuel French, etc.

I’D THINK OF A PRETTY METAPHOR, BUT INSTEAD I THINK I’LL JUST COME OUT AND SAY

my body is not my body is 

my body seven times removed 

and hungry, I’ve shed 

and absorbed my skeleton 3.7 times 

trying to find the perfect shape 

for myself and they’ve all been wrong—

beauty is Little House on the Prairie 

boasting Father could wrap his hands 

all the way around Mother’s waist and I 

have been preconditioned to starve myself. 

When I’m like this I eat my fingernails 

and the cartilage around them just a little more, 

pretending that since I know I am not food 

this is not eating. My fingers are slim enough 

already I wish I could worry away 

at the soft skin of my belly and the too wide-ness 

of my hips and thighs in the same way, but 

that would be eating and eating is a sin 

I am forced to indulge in; guilty damned 

to gluttonous hell if I do or if I don’t, all I think about 

is what could have been for dinner if only I hadn’t 

known myself too well to fill the fridge. 

I’ve been this way for a while, is this telling? 

Is this confession? It seems a sin to confess this, 

my multi-sin, the sin of eating and the sin 

of not eating and the double sin of both eating and 

not eating and the triple sin of both eating and not 

eating and then having the gall to tell you, 

like I’m seeking intervention or pity or, god forbid, 

attention, the greatest sin of all, but really 

I’m just stating a fact I’m wearing 

on my skin with the excess 

hair you only grow when you’re a starveling 

and the dark bags under my eyes and the way I know  

it’s a sin, but if I can just wait an hour 

or two longer I won’t be hungry anymore. My edges 

will scare the hunger-beast away, he’s a coward 

and knows my edges are already sharp enough 

to cut him, cut me, cut the mattress. In my sleep 

I accidentally consume three geese 

of feathers and dream I am growing 

wings, dream I can fly, dream I am pregnant 

with a host of goslings and that’s why 

I’m so hungry all the damn time—

I’m eating for seven at least.