Category Archives: Poetry

UNDERDOG SONG

Cicadas ambled

up the tree, branches

straining moonlight

on their glinting shells

left behind now,

clinging to the bark,

furrowed racetrack

abandoned for the air.

How the race

must have changed then,

above the squashed

red-yellow drupes. 

Think of the one 

who led, euphoric

in first place,

only to see another

soaring off, to hear

his taunting song—

or better, think

of the lowly underdog,

inches above soil,

and nearly giving up.

Perhaps he wondered,

I left the earth for this?

feeling strange

before the rupture,

the carapace

parting to expose

gossamer revelation.

Unfurled and flying,

he forgot the race—

said, No, no, 

this isn’t for me, 

said, No, no, 

I can sing like a saw.

BLIND DATE, PHILLIPS COLLECTION LUNCHEON OF THE BOATING PARTY (1880-81)

She is frightened. Surely,
something has happened. She has just come from somewhere
where something
has happened. Hands at her face,
holding her spinning head.

She is flushed,
pinch-browed, squinting hard out onto the water. She is
not alone: there are men

mere inches from her mouth, simultaneously shushing
and asking what has happened, shush, what has happened,

an arm around her waist, shhh, they don’t want answers,

they want an arm
around her waist, their beards by her hot mouth, and
yes, she is stammering,
but shhh, she
will not be for long,
this will blow over,
nothing has happened,
shhh, shhh, Jeanne, shhh

One hundred thirty-five years later it
has not blown over,

the men are shushing still,
Jeanne, she is still frightened, something has happened, but
the museum guide will say the men “seem to be flirting”;

the museum guide
will not say
what Jeanne is doing,
or where she was before, or even that

something has happened

and when I, pinch-browed,
standing before the painting, spot her for the first time, I say
something has happened,
she is upset, and the man
mere inches from my mouth
turns from my pointing
and says,
Look at that adorable dog 

GARDEN PLANS

After the doctor
went over the scan
of her bulbous
right kidney,
I carried Mom home
on a jonquil-hemmed road.

I offered her water and dealt out
seed packets
like Tarot cards.

She selected arugula sugar snap peas
and white icicle radishes.

We decided to sow them on Saturday.

We’ll save spinach
and bok choy for August,
I heard myself say.

She pursed her pale lips and attempted a smile.

And we both played along and made garden plans.

THE HEIST

Tell me the one where he tears
you open like curtains, where
there is never a window & he still climbs inside.
How he writes letters on your walls
with the soft scratching of fingers,
reeds riding a wind that doesn’t know how to stop.
You hear voices this way: scrape, scrape. Brock. Brock. Say

it a third time & the name will disappear,
a diamond in a heist, the alarm bell
still ringing, calling. Tell me about the harvest moonlight

gone missing in the pointed shadows
of bare branches. Someone will pick you from the night,

honey, someone will show you how to love in reverse.

Behind a dumpster, someone
will unlock your secrets. Face¬down.
Dear shadow. Dear sleep that lasts too long.
Look: your first string bikini,
your first dip in the ocean of skin & sweat
& consent. Rubbing against a beach
no one bothered naming, vague in the foggy mornings.

Look, maybe you don’t remember yourself
when the nation gets on top to get a good feel.
So tell me the one where you’re laying
with him & from your apartment
you see the stars embedding in the city like anchors
& traffic is opaque, stalled on the streets
while loud & gliding inside your body:
dear minutes, dear minutes.
Tell me how the ceiling fan still breathes.
Tell me how you get the guts to open your eyes
& he’s gone, you’re floating, the bed is floating, emptiness

has buoyancy & you have a name
for this feeling by now, devoted an entire sentence to it,

which always escapes with some precious thing— tell me how a sentence can run for a lifetime

WHY I LEAVE THE HOUSE EARLY

She never turns off the coffee pot. Black and boiling, an empty glass bomb slowly warming to a pending fire. When I turn it off she shivers, says it’s too cold for her to consider, then blames me when she burns her tongue. Next time I’ll let it sit, sip my mug from outside. Watch our house burn down.

The Drowned Room

In the mariners’ church,

those dredged from the sea

laid out like fresh catch.

 

Identified by candlelight,

dried foam at their mouth,

the sea changed them.

 

Carried to the limits of water,

the waves rescinded their promise,

leaving them white as whalebone.

 

Lastly seeing

the ultramarine world

they occupied completely;

 

their ship impossibly stalled overhead,

skulking like some legendary creature

in the reachless dropdown light.

 

Below, the bones,

wrack and sump

of those never recovered;

 

while the fortunate ones

lay patiently in the drowned room,

waiting to be given back their names.

Face

Holding her eye-level after the bath,

the towel damp under her arms,

she cranes back and looks at me

almost cross-eyed, as if until now

she’s seen my face in pieces: eyes,

nose, in the same orbit, uncontained

by any outer limit. Now she sees

the whole.  She steadies herself,

her palms on each side of my neck,

and out pours the fountain of her

breath, uncolored by milk and those

first two teeth beneath the pink

glaze of her gums. She leans forward,

her mouth moves over my nose,

mouth, chin— her warm face asking

for mine, all of it, and now.

House Wrens

Who came down first, I’ll never

know, but I suspect a

fledgling fell, down the cabin

 

chimney flue, and couldn’t, didn’t

fly, so new, the wings, the body

ready but not ready,

 

so fell.  And does a house wren

calculate the cost of not

one, but two, fledglings lost? I

 

wasn’t there. I didn’t see.

No one consulted me

about the nest. Wise enough

 

in summer, yes, without a

fire, I think I see, and yet

the fledglings fell down my cabin

 

flue, and landed hard inside

the firebox. I’m trying now

to understand the weeks of

 

open beaks that drew her down.

Trusting what humans make, down

she went into what might have been

 

an empty grate, a simple room,

a window open on

another day, but wasn’t.

 

Once trapped the three spent themselves

against the glass stove door. I

wasn’t here. I didn’t hear

 

whatever language wrens might

sing to me.  I have not learned

it. So light for flight but

 

didn’t fly. I found them later,

first one fledgling, buffeting

a small regret. But then

 

another, and the mother.

They cried, the three. They beat the glass.

I didn’t hear.  I didn’t see.

A Rising Rugby Star Dies in a Slurry Pit

Hillsborough, County Down, September 15, 2012

 

He must have thought it another bloody

rough and tumble scrum,

a bone crushing brawl

heads bashing, the thud of bodies,

skin burning, eyes mud-blinded

arms and legs slipping through his fingers.

Sin-binned.

 

But he was on his farm.

Sweet-scented breezes slipped

down from Slievenamon.

The Holsteins lowed in the upper pasture

as twilight flooded his fields, a buzz saw snap

from where he first played in Ballynahinch.

And from my mother’s grassy-knolled farm

where on summer nights

a hundred couples quickstepped under a canopy

like one wild whirlwind

and I, spun by powerful men like him

who radiated such heat,

I thought they had sprung whole

from loamy peat. Bejesus

he must have said to himself. Holy shit.

 

At the last, memories looked back at him

with greedy eyes: pricking his tiny fingers

picking blueberries, running the leather

with his brother and his Da.

He must have extended his hand

to them. Up the field, boys, his sister swore

she heard him say when she went out

to call them to supper.

 

And then the full press,

the kick, the thrill

of rushing them all home.

 

Before the Wedding

for J.

 

A cardinal flies straight into my window, stuns himself,

the sound of his body ripples against glass even after

he falls confounded and quiet in the bushes below.

By the time I rush out on the porch, his body is aloft,

dazed the way you stumbled out of that bar the night

before your wedding, all flurry of white

from your chiffon dress and that ridiculous veil

we made you wear. You were at four martinis

too many, so you bent and whispered against my temple

I don’t really want to marry him, I just want to marry someone

  1. Then you laughed and planted a reassuring kiss

on my temple: we were thirty with college debt,

corporate jobs, and bank accounts that made us want

to croon the blues, so naturally, this was next.

I wanted then to say you don’t have to marry him,

or anybody else. That you could take that trip to Majorca,

watch cicadas swarm the air and land in glasses of champagne

the pavement later strewn with their husks. I wish

I had whispered leave him and that we’d taken off

giggling, two swans, trailing our milky dresses

through puddles, our heels sticking in the cracks

of cobblestone streets. We would have driven all night

away from the fuss of chair covers and seven-tiered

cakes, to the days of rooftop merengue in Seville,

our awkward shuffling as if we’d just discovered

our bodies, back to Luis and Juan Carlos who kissed us

under the wisteria though neither of us could tell

which was which–a phantom life, streaking past us

in phosphorescent plumage and brown limbs.

Instead, we walked back to the hotel arm in arm,

words hanging ripe and heavy between us. Within minutes

you fell asleep, and all I could do was pull off your peacock

blue shoes, weary with vodka stains, and with a washcloth

try to wipe your waterproof lipstick from my temple,

that glittering red streak, a buoy, its silhouette still bobbing

whenever I shut my eyes.