Author Archives: Qu Literary Magazine

A Rising Rugby Star Dies in a Slurry Pit

Hillsborough, County Down, September 15, 2012

 

He must have thought it another bloody

rough and tumble scrum,

a bone crushing brawl

heads bashing, the thud of bodies,

skin burning, eyes mud-blinded

arms and legs slipping through his fingers.

Sin-binned.

 

But he was on his farm.

Sweet-scented breezes slipped

down from Slievenamon.

The Holsteins lowed in the upper pasture

as twilight flooded his fields, a buzz saw snap

from where he first played in Ballynahinch.

And from my mother’s grassy-knolled farm

where on summer nights

a hundred couples quickstepped under a canopy

like one wild whirlwind

and I, spun by powerful men like him

who radiated such heat,

I thought they had sprung whole

from loamy peat. Bejesus

he must have said to himself. Holy shit.

 

At the last, memories looked back at him

with greedy eyes: pricking his tiny fingers

picking blueberries, running the leather

with his brother and his Da.

He must have extended his hand

to them. Up the field, boys, his sister swore

she heard him say when she went out

to call them to supper.

 

And then the full press,

the kick, the thrill

of rushing them all home.

 

Liz Dolan

Liz Dolan’s poetry manuscript, A Secret of Long Life, nominated for a Pushcart, has been published by Cave Moon Press. Her first poetry collection, They Abide, nominated for The McGovern Prize, Ashland University, was published by March Street. An eight-time Pushcart nominee and winner of  Best of the Web, she was a finalist for Best of the Net 2014. She won The Nassau Prize for Nonfiction, 2011 and the same prize for fiction, 2015. She has received fellowships from the Delaware Division of the Arts, The Atlantic Center for the Arts and Martha’s Vineyard.

Before the Wedding

for J.

 

A cardinal flies straight into my window, stuns himself,

the sound of his body ripples against glass even after

he falls confounded and quiet in the bushes below.

By the time I rush out on the porch, his body is aloft,

dazed the way you stumbled out of that bar the night

before your wedding, all flurry of white

from your chiffon dress and that ridiculous veil

we made you wear. You were at four martinis

too many, so you bent and whispered against my temple

I don’t really want to marry him, I just want to marry someone

  1. Then you laughed and planted a reassuring kiss

on my temple: we were thirty with college debt,

corporate jobs, and bank accounts that made us want

to croon the blues, so naturally, this was next.

I wanted then to say you don’t have to marry him,

or anybody else. That you could take that trip to Majorca,

watch cicadas swarm the air and land in glasses of champagne

the pavement later strewn with their husks. I wish

I had whispered leave him and that we’d taken off

giggling, two swans, trailing our milky dresses

through puddles, our heels sticking in the cracks

of cobblestone streets. We would have driven all night

away from the fuss of chair covers and seven-tiered

cakes, to the days of rooftop merengue in Seville,

our awkward shuffling as if we’d just discovered

our bodies, back to Luis and Juan Carlos who kissed us

under the wisteria though neither of us could tell

which was which–a phantom life, streaking past us

in phosphorescent plumage and brown limbs.

Instead, we walked back to the hotel arm in arm,

words hanging ripe and heavy between us. Within minutes

you fell asleep, and all I could do was pull off your peacock

blue shoes, weary with vodka stains, and with a washcloth

try to wipe your waterproof lipstick from my temple,

that glittering red streak, a buoy, its silhouette still bobbing

whenever I shut my eyes.

 

Simona Chitescu Weik

Simona Chitescu Weik is a poet, originally from Romania, now living in Atlanta, Georgia, and working towards a PhD in Creative Writing at Georgia State University, where she is also a teaching fellow. Her poems have appeared or are forthcoming in several print and online publications including The Adirondack Review, Smartish Pace,Terminus, Deer Bear Wolf, The Cimarron Review, and Negative Capabilities: An Anthology of Georgia Poets among others.

To My Mouth

I hold onto the blue    edge of the couch

a boat to its shore      our knees the waves

 

chess game on the table    floating from the day

we said we’d finish        the moon full on close up

 

turning to look       like a mirror can it still

swallow us whole    my head on the arm rest

 

I flick the switch      with tongue and wrist

the pawns roll off        their heads little moons

 

each drop of his breath         light and stone

and light and back to my mouth

 

Diana K. Lee

Diana Keren Lee has lived in Austin, New York, and Los Angeles. Her poems have appeared or are forthcoming in The Atlas Review, No Tokens, Painted Bride Quarterly, Prelude, and TINGE, among other journals. She has received fellowships from NYU and The MacDowell Colony.

Bedtime Story

The boatyard is deserted;

slips empty, save the few holding

 

boats wrapped in tarp & covered for

winter. The last leaves cringing in piles or

 

swept into crevices

will soon be dust. Father, you read,

 

stiltingly, with earnest difficulty,

a child’s book to me, one line

 

at a time, describing this thing. It was

about death. Everything is about death.

 

I trace my hands against the uneven

deck. A nervous habit. The Sun will be

 

going down now. The Moon

will be rising. I have outlasted

many. The boats sleep in their slips.

Emily Hockaday

Emily Hockaday is author of three chapbooks: Ophelia: A Botanist’s Guide (Zoo Cake Press), What We Love and Will Not Give Up (Dancing Girl Press), and Starting a Life (Finishing Line Press). Her work has appeared in journals including the North American Review, Spoon River Poetry Review, Newtown Literary, West Wind Review, and others. She is assistant editor of the science fiction magazines Analog Science Fiction and Fact and Asimov’s Science Fiction. She can be found online at www.emilyhockaday.com or @E_Hockaday.

Driving West Across Montana

Thinking of your father, you stop at the casino in Lame Deer

with the intention to play Blackjack.

 

From the parking lot, you watch a tall woman in cut-off

denim shorts carry a toddler and a liter bottle of water

 

as she walks the side of the highway.

The road is hot and straight but the casino

 

wears a rounded roof and shelters swallows in its eaves,

little mud nests plastered into edges, holding on

 

with dry grasses curved like fingers. At the D and D Trading Post

next door, you could buy peanuts and moldy oranges

 

if you wanted to, but you don’t. Instead, you buy

Gatorade and a pack of gum. Whisky bottles

 

and beer cans pile like empty memories beside the door.

A flyer announces movie night at Chief Dull Knife College.

 

Motorcycles pass semi’s on low hills despite the solid

yellow line, throw the love of Jesus at minivans and sedans.

 

Heat rises from the asphalt in blue waves. You are

a lone Black-eyed Susan, haunting the casino parking lot.

 

You don’t go in.

 

You listen to the passing cars, the sound

of other lives hurtling through – a whoosh, a wheeze.

 

Rosebud Creek dries like a cough caught

in the high-up lungs of the river it tries to feed.

 

You snap a photo of clouds with your cell phone,

the pale blue sky between them blank in the frame.

 

What you remember when you kneel behind the casino and pour

your father’s ashes among the sagebrush and prairie grass is

 

the circling swallows, churring a dry-throated screech,

and the sky, desperately unfolding itself

 

into schisms of beauty

raw and wild.

Sandy Coomer

Sandy Coomer is a poet, mixed media artist and endurance athlete. Her poetry has most recently been published or is forthcoming in POEM, Through the Gate, Euphemism, and Firefly Magazine, among others. She is the author of two poetry collections: Continuum (Finishing Line Press) and The Presence of Absence (2014 Janice Keck Literary Award Winner). She lives in Brentwood, TN.