Author Archives: Qu Literary Magazine

Sonja Johanson

has recent work appearing in the Best American Poetry blog, BOAAT, Epiphany, and The Writer’s Almanac.  She is a contributing editor at the Eastern Iowa Review, and the author of Impossible Dovetail (IDES, Silver Birch Press), all those ragged scars (Choose the Sword Press), and Trees in Our Dooryards (Redbird Chapbooks).  Sonja divides her time between work in Massachusetts and her home in the mountains of western Maine. You can follow her work at www.sonjajohanson.net 

Chera Hammons

is a graduate of Goddard College. Her work has appeared in Beloit Poetry Journal, Rattle, THRUSH, Tupelo Quarterly, Valparaiso Poetry Review, and elsewhere. Books include Recycled Explosions (Ink Brush Press, 2016) and The Traveler’s Guide to Bomb City (Purple Flag Press, 2017). Her chapbook Amaranthine Hour received the 2012 Jacar Press Chapbook Award. She lives in Amarillo, TX.

Mark Fitzpatrick

was born in the Naugatuck Valley of Connecticut where he began writing poetry and everything else in the 3rd grade.  He lived and worked in a low-income, African-American suburb of Chicago for over 20 years.  Then he went off to see the world, being an ESL teacher in Brazil, Somaliland, Haiti, and Honduras.  Now, he’s back where he was born teaching at the English Language Service school at the University of New Haven.

Charlotte Covey

is from St. Mary’s County, Maryland. Currently, she is an MFA candidate in Poetry at the University of Missouri – St. Louis. She has poetry published or forthcoming in journals such as ‘the minnesota review,’ ‘Salamander Review,’ ‘The Normal School,’ ‘The Boiler Journal,’ and ‘CALYX Journal.’ In 2015, she was nominated for an AWP Intro Journal Award. She is co-editor-in-chief of ‘Milk Journal.’

Rhonda Browning White

resides near Daytona Beach, FL. Her work appears in HeartWood Literary Review, Bellevue Literary Review, Steel Toe Review, Ploughshares Writing Lessons, Tiny Text, New Pages, South85 Journal, WV Executive, Mountain Echoes, Gambit, Justus Roux, Bluestone Review, in the anthologies Appalachia’s Last Stand and Mountain Voices, and is forthcoming in Hospital Drive. Her blog “Read. Write. Live!” is found at www.RhondaBrowningWhite.com. She has an MFA in Creative Writing from Converse College in Spartanburg, SC.

Jennifer van Alstyne

has been published in the Eunoia Review, Crack the Spine, Midwest Literary Magazine, The Monmouth Review, The Foundling Review, Paper Nautilus, Poetry Quarterly, and Whiskey Traveler. She holds an MFA from the Jack Kerouac School where she was the Jack Kerouac Fellow. She is currently a graduate fellow at the University of Louisiana at Lafayette.

THE NEXT TABLE

Two cafe tables sit side by side onstage. TOBY is already seated at one table, his back to the other table. ERICA sits in the seat directly behind him so they are back to back. When she pulls out her chair, he turns around, they make brief eye contact and share a smile, and then she sits. They both read the menu. After a second, ERICA sneezes.

Beat.

TOBY: Cute sneeze.
ERICA: What?
TOBY: You have a cute sneeze.
ERICA: Oh. Thanks? You should hear me cough sometime. (she quietly rolls her eyes at herself in a “what is wrong with me” way and goes back to reading the menu.)

Beat. TOBY:Gesundheit, by the way.

ERICA:Thank you.

Beat.

ERICA:Do you speak German?
TOBY: What?
ERICA: Sorry… Gesundheit is German. I just… nevermind.

Beat.

TOBY: It’s just a thing people say when you sneeze. ERICA: Right, like “bless you.”
TOBY: Right.

Beat.

TOBY: If I had said “Bless you” would you have asked if I was a priest? ERICA: No.
TOBY: Okay.

ERICA: Are you?
TOBY: What?
ERICA: A priest?
TOBY: No… I just… you sneezed. ERICA: Right. Yes. This is my fault. TOBY: For sneezing?

ERICA: Kind of. TOBY: That’s silly. ERICA: Yeah.

Beat.

ERICA: Gesundheit is a fun word.
TOBY: I was just thinking that.
ERICA: Yeah. (realizing she’s interrupting) Sorry. I’ll let you… go back to… not being a German speaking priest or whatever.

Beat.

TOBY: Have you (clearing his throat) ever been here before? ERICA: Like… do I come here often?
TOBY: No, like, have you ever gotten the salmon?
ERICA: Oh. Yes, actually.

TOBY: How was it?
ERICA: I got food poisoning.
TOBY: What!?
ERICA: Oh my- I was totally kidding. I really didn’t. That was just a stupid joke. TOBY: Okay.
ERICA: Really, I don’t know why I said that. It just slipped out.
TOBY: Yeah, okay.

Beat.
ERICA: You’re not going to get the salmon now, are you? TOBY: I’m thinking no.
ERICA: Really, I didn’t/ get food poisoning
TOBY: I’m kidding. I wasn’t going to get it anyway. ERICA: Oh. Good.

Beat.

ERICA: Soup is good.
TOBY: Which soup?
ERICA: No, sorry, just… in general, I find soup to be… good… most of the time. TOBY: Ah.

Beat.

TOBY: Are you eating with anyone? ERICA: No.
TOBY: Oh?
ERICA: No, I like eating at restaurants alone. TOBY: Is that a joke?

ERICA: That one’s actually not a joke. TOBY: Oh.

Beat.
ERICA: How about you?

TOBY: I don’t know if I ever thought about it. ERICA: I meant, are you eating with anyone? TOBY: Oh, no, I mean yes, I mean… not right now. ERICA: I can see that.

TOBY: I’m on a blind date.
ERICA: Ew.
TOBY: I’m sorry?
ERICA: (lying) Nothing… I just sneezed again… is all.

Beat.

TOBY: What’s wrong with blind dates?
ERICA: I really sneezed! I wasn’t-
TOBY: My friends set it up for me. I’ve never met her. ERICA: That’s, like, part of the point… right?
TOBY: Yeah… I guess you’re right.

Beat.
TOBY: She could be perfectly wonderful.
ERICA: Or she could be awful or… a Republican… or eat cotton balls or something. TOBY: Eat cotton balls?
ERICA: People do weird things.

Beat.
TOBY: If she turns out to be the love of my life, you’re going to feel pretty stupid. ERICA: I feel pretty stupid all the time, not much changes that.
TOBY: Sorry… I shouldn’t have-

ERICA: (laughing) You were kidding, I can appreciate that. Beat.

TOBY: At least my joke was funnier than saying that the salmon gives you food poisoning. ERICA: Are you still on that?
TOBY: I’m just saying.
ERICA: You should focus on your date.

TOBY: She’s not here yet.
ERICA: Well, then maybe focus on the fact that she could have very well have already come in and left the second she saw you.

Beat.

TOBY: Do people really do that?
ERICA: I was kidding!
TOBY: No, like really, do they really just leave before getting to know you?
ERICA: I don’t know. I mean… I can imagine it happens. But I only ever imagine the worst things happening, okay? So, don’t take my word for it. I don’t know you, I don’t know her, I’m just going to sit here and eat soup because I happen to like most soups.

Beat.

ERICA: Though, it’s a little hot outside today for soup, so/ maybe I’ll get-
TOBY: I’m not like you, okay. I’m an optimist. I give most people the benefit of the doubt and assume they wouldn’t judge a book by it’s cover.
ERICA: Sure.
TOBY: And I think if she did show up and she did walk out… then it’s her loss. Not my loss. Her loss.
ERICA: This is a really good pep talk.
TOBY: Or she could just be running late.
ERICA: Which is also rude.
TOBY: Sometimes people run late.
ERICA: You know, if you eat alone you can avoid that issue altogether.
TOBY:But then who would I talk to?

Beat.

ERICA: What’s her name?
TOBY: What?
ERICA: Your date? These friends of yours, they told you her name, right?
TOBY: Tiffany.
ERICA: Tiffany. And what’s your name?
TOBY: Why?
ERICA: I wanted to know if your names go well together. Like, my name is Erica so I can’t date an “Eric” or an“Aaron” or a “Cole.”
TOBY: (pronouncing the names) Eric, sure… (Aaron) Errr-on… sure… Co- (wait)… Cole… Why not a “Cole”?
ERICA: I just think Cole is a stupid name.
TOBY: Oh.

Beat.
ERICA: If you’re not going to tell me your name, I’m going to assume you’re a spy or something.
TOBY: I’d be okay with that.
ERICA: Fine. I’m just saying I have an instinct for these things and you not telling me your name is not a great sign.

Beat.
ERICA: Unless… is your name Cole? TOBY: No.
ERICA: Did I totally offend you, Cole? TOBY: No, no, it’s… I’m Toby. ERICA: Toby.

Beat.
ERICA: Toby and Tiffany. T-t-t-Tiffany and T-t-t-Toby. Sittin’ in a T-t-t-tree. TOBY: (a little annoyed) Yes, I know, two “T” names.
ERICA: Caught that, did ya?
TOBY: Why do you think I didn’t want to tell you?
ERICA: Relax. You shouldn’t care so much what other people think.

Beat.

ERICA: (singing DEEP BLUE SOMETHING under her breath) “And I said ‘what about Breakfast at Tiffany’s?’ You said ‘I think I remember the film’-”
TOBY: It’s doomed. This is going to be terrible.
ERICA: T-t-t-terrible.

TOBY: I’m serious.
ERICA: Don’t- You’re going to be fine.
TOBY: What if I’m not? What if she’s… I dunno, what if she hates me?

ERICA: This is why I don’t like blind dates. There’s all of this expectation and build up over someone you don’t even know.
TOBY: Aren’t all dates like that?
ERICA: I don’t know… It’s just dinner. Shouldn’t you eat with someone you’re comfortable with? Who you can talk to like they’re, like, ordinary.

TOBY: Well, yeah, ideally. But how often does that happen?

Beat.

TOBY: You’re probably right.
ERICA: Who knows, anyway.
TOBY: I didn’t mean to disrupt your dinner or anything. ERICA: I’m actually not that hungry.
TOBY: Oh?
ERICA: I mostly came in to… nevermind.
TOBY: What?
ERICA: It’s embarrassing.
TOBY: Okay.

Beat.
TOBY: I’m not going to push it or anything, but I am imagining a lot of embarrassing things you could say right now and none of them are as embarrassing as the salmon-food-poisoning joke. ERICA: I just- I came in to feel busy.
TOBY: What?
ERICA: See, nevermind.
TOBY: No, I’m not… I don’t think I understand.
ERICA: When you’re sitting in a restaurant you have things to do. Decisions to make. Things to read. It’s better than just wandering aimlessly.
TOBY: Do you wander aimlessly?
ERICA: Everyone’s gotta have a hobby.
TOBY: Okay.

Beat.
TOBY: I don’t think that’s embarrassing.
ERICA: Really?
TOBY: No more embarrassing than being on a blind date.
ERICA: Yeah. I mean, no, but… yeah, thank you for saying that anyway.

Beat.

ERICA: Do you think- TOBY: I think that’s her. ERICA: What?

TOBY: My date. Tiffany.
ERICA: Oh. Tiffany. Well. There ya go. She didn’t come in and leave. TOBY: Or she changed her mind.
ERICA: That too.
TOBY: So.
ERICA: Well, have fun.
TOBY: Hopefully.

ERICA stands to leave.

ERICA: You should get the salmon. TOBY: (laughs) Okay.

ERICA exits. TOBY looks after her possibly? Or is he looking at the girl walking in? You can’t tell. Lights down.

END OF PLAY

LEMONS

I look at reflections through a plate;

this is what it’s come down to

for not having stepped out since

their gardens aren’t for chaste

lemons; plants on this turf have not

seen weightless days under the sun.

The sky hangs them like unfallen

rain waiting to be picked,
nights scrape their faces for zest

never getting to the whites
of their skins, cutting a blade
too deep for bitterness to overflow,

remembering the surface is sweeter

in a cage of sugar nests, and also

because lemons mix well with water.

I know where I belong

on a plate like a tiny cut

cube of jelly

submerged in glucose—
bland, translucent and tasteless—

the safer way to be on a dessert

plate of a ravenous jaw.

CAESURA

Most every night as a teenager:

my face lit by television,

dull and pastel glaze 

molting from the small screen.

Common comedy. Late-night

talk shows with scripted jubilance. 

Hard not to see these evenings 

as wasted, spent knelt at a vapid altar. 

When the shows melted into infomercials, 

I’d roll my unfinished body

in the shoal-dark. Some future I awaited

approached with the aching pace

of a spoon tunneling into a concrete cell wall,

its mystery as cold and illegible

as snowfall over ocean.