Author Archives: Qu Literary Magazine

WEED & BINKIES

Four in the morning.

Little bud across the hall

is shouting 

DA-DA

from his crib,

static on the Vivaldi

in my nearly snuffed dream where

a hall of doors

open and shut in unison.

The subtitles are Arabic,

the connection hot-wired

from my neighbor’s apartment.

Behind my couch the line grows

through the wall to watch

the training video, a collection

of scruffy-necked slims

who believe fatherhood,

with its weed & binkies,

is something

that can be taught.

KG Newman

KG Newman is a Colorado native who works by day as a sports writer for The Denver Post. His first two poetry collections, While Dreaming of Diamonds in Wintertime and Selfish Never Get Their Own, are available on Amazon. The Arizona State University graduate is on Twitter @KyleNewmanDP.

Randal O’Wain

Randal O’Wain holds an MFA from Iowa’s Nonfiction Writing Program. Currently, he teaches creative writing at The University of North Carolina at Chapel Hill and in the MFA program at W. V. Wesleyan. He serves as a National Endowment of the Arts Writing Fellow at the Beckley Federal Correctional Institution. O’Wain is the author of Superman Dam[n] Fool: family, loss, and coming of age in the working class south (American Lives Series, Bison Books, 2019) and Hallelujah Station and other stories (Autumn House Press, 2020) His essays and short stories have appeared in Oxford American, Guernica, The Pinch, Booth, Hotel Amerika, storySouth, among others.

THE SOUND YOU MAKE WHEN YOU LOOK AT ME

i push play on another scene 

from that movie where your skin

dissolves like a tablet of powder

in the rain there is something about 

distance & the heart growing fonder

always being the one left behind

& never the one leaving i want to 

spend a day not thinking about flowers 

still waiting to be born around bones 

that used to hold other bodies 

inside them… my body is a carnival 

on fire a mouth stuffed with lilacs 

it is hard to breathe in a world full of cars 

that get into accidents run your hand 

through my hair & tell the birds 

to go south forever

do you ever get lonely have you ever 

been afraid to hold on does the smoke 

stay in your clothes like it stays in mine

name this sometimes-unwanted-part of 

me— how a grave & i share the same 

unclean throat like water with a smell 

of the north in my memory tying knots 

as part of a ritual for a lover who had 

lost everything but the taste 

of bitterness & dry bread

Ojo Taiye

Ojo Taiye was born and grew up in Kaduna. He currently lives in Agbor, Delta State. He is a poet, essayist and teaches Tourism in Calvary Group of Schools, Agbor. His recent poems and works have appeared in journals like Glass Journal, Lit Mag, Crannog Magazine, Geometry Magazine, Southword Journal, and elsewhere.

Shannon Radigan

Photographer Shannon Radigan is a based out of Asheville, NC. She is interested in the documentation of the existential crisis of the millennial generation through moody landscapes, quirky cityscapes, and uncouth portraits. The generation that has experienced the growth of technology and the fall of our economy with little control. The struggle many face while trying to forge and identity, a life with meaning, and a place to call home.

POST ABORTION QUESTIONNAIRE–POWERED BY SURVEY MONKEY

after Oliver de la Paz 

1. Do you feel reluctant to talk about the subject of abortion?

In the center of the ceiling a marigold weeps

or perhaps it’s an old chandelier.

Inside, there’s an interior glow,

shards illuminated in violet-pink 

and layers of peeling gold leaf. 

Such minds at night unfold.

2. Do you feel guilt or sorrow when discussing your own abortion?

The cabbage is a blue rose, 

an alchemical strip show. They scream 

when dragged from the earth

only to find themselves plunged into boiling water. 

The narrative unscrolls from cells

of what-ifs and hourglass hopes. 

3. Have you found yourself either avoiding relationships or becoming 

overly dependent in them since the abortion?

If I could unhinge myself from myself,

attach to bookshelves, sever

my tongue, I would watch

as it grew back, rejuvenated

and ready to speak.

4. Do you have lingering feelings of resentment toward people involved 

in your abortion (Perhaps the baby’s father or your parents)?

One must be careful what one takes 

when one turns away forever: 

a Tuareg scarf, two photographs,

untamed thoughts that curse, then lift—

occasionally yes, though mostly not. 

5. Do you tend to think of your life in terms of “before” and “after” the 

abortion?

Too scared to speak my name—

not etherized upon the table—

I wore silver stirrups, blue wrap-around globe.

The young nurse and I held hands—

you’re doing great, she cooed. 

I remained awake, awakened.

6. Have you felt a vague sort of emptiness, a deep sense of loss, or had 

prolonged periods of depression?

The sky no longer speaks to me directly—

and the beautiful man? 

He has dropped through the floorboards

though sometimes he answers emails: 

•Yes, our family has survived the Paris bombings.

•Sincere condolences on your new president.

7. Do you sometimes have nightmares, flashbacks, or hallucinations 

relating to the abortion?

Never mind, I tell myself, it is only a nightmare. 

But then I remember I’ve barely gone to bed at all.

Then thirty years had passed, then thirty-one.

8. Have you begun or increased use of drugs or alcohol since the 

abortion, or do you have an eating disorder?

The fog tastes sweet, then sour;

identity translates to forged glamour—

strong doses of celibacy taken regularly.  

9. Did your relationship to, or concept of ‘God’, or ‘Karma’, or ‘Fate’ 

change after your abortion?

If my own voice falters, tell them

I tried not to live inside the clock

or under the skin of pomegranates.

Does anyone escape her own story—

head-on collision, nor’easter, earthquake,

the racist seeding of our country?

10. Has your self-concept or self-esteem changed since your abortion?

Once I abandoned my car in a forest of red cedar,

let it tumble down the mountain 

precipice by itself. In the next diorama there’s a friend 

at the wheel and she urges, let’s go on;

believe in yourself like a paint color, an infant’s song.

11. Are you bothered by certain sounds like machinery that makes 

loud noises? 

Coffee grinders, vacuum cleaners,

sewing machines.

Also: truck backfires, sparklers,

the sharp scrape of chair legs—

gunfire overhead, handsaws, the evening

news. Aren’t you?

12. Is there anything you would like to ask?

Why does Google Maps have blind spots;

for example, the city of Zinder, Niger? 

Is it possible for one person to photograph the world—

to understand this bewilderment of light?

WAITING FOR LEAVES

Your brain had already started unmaking the rest 

of you: nothing but gray meat, memories unspooling 

so rapidly they became entangled, became knotted.

And the medication had stopped working, but still, I fed you

the little blue pills, the ones that reminded me of the little blue

butterflies you said Satan sent us—gifts of unforgivable evil—controllers 

of both the weather and the television—arrival predicated by sudden 

downpour and static flickering. In defense of the azalea bush still clinging 

to the first-floor bricks, we’d press cherries to the roofs of our mouths

while standing in the kitchen, waiting to bite the skin until we had pushed 

past the screen door, when precipitation, mixed with juice, ran down 

our chins like a mighty river of blood, and we spat the pits into the air

like throwing stars we hoped would tear through their tissue 

paper wings. One day, I fumbled the dislodge, tripped and swallowed

the stone, and you told me it was only a matter of time—seed sown 

in the stomach, nerves replaced by roots—a tree would surely 

sprout through the top of my head, so tall, we’d have to call 

the fire department, call anyone, to chop it down. But there were no 

extra hairs, there was no germination, no fruit. There was no 

extra anything, and when they told me you didn’t have much time left, 

and there were no other options, I snuck two crimson 

globes into your room, carried them in my back pocket, 

and said, No, don’t spit that out. Yes, swallow it, swallow all 

of it. Here, I’ll do it with you. Open your lips, stick out  

your tongue, there you go—but now you’re buried, long gone,

and I’m still here waiting for leaves to climb out of the dirt.