21 May, 2018
When the dollhouses become our houses,
or the other way around, when “no” is a ring
around one planet or two or none, when eyes
blink in lava lamp light as though in a solar
flare, when breathing is more than a chest
pumped from remedial paramedics training,
when a tantric sojourn to self-enlightenment
powers up the ingenious puppet, when time
is an opaque decanter sloshing with liquid
that could freeze time or poison our kin,
when love may tear you limb from limb,
there is no hope without beginning or end.
21 May, 2018
Martin Ott has published eight books of poetry and fiction, most recently Lessons in Camouflage, C&R Press, 2018. His first two poetry collections won the De Novo and Sandeen Prizes. His work has appeared in more than two hundred magazines and fifteen anthologies.
21 May, 2018
Persons Represented:
Wheeler Bledsoe- A 30 + year old, male African-American surveillance technician.
Richard Kawaler – A 50 + year old, white male surveillance technician
Lydia Kirylenko – A 30 – 35 year old female, a trained actress who has also worked in
“gentleman’s clubs” and has been recruited as a surveillance special agent.
Frank Savage – A 50 + retired United States Army ballistics specialist and current
international weapons inspector for the United Nations
Setting:
A New York City hotel.
A pre-programmed melody of popular songs plays softly like the background music in a
downtown hotel lobby as the audience enters.
A scrim directly across the center divides the up and down stage into two distinct areas, each of
which are arranged as hotel rooms which generally mirror one another.
The room occupying the down stage area is neatly arranged, with an open suitcase on the bed. A
desk and chair are at stage right, a bed stand and lamp are beside the bed, and there is an
overstuffed chair at stage left.
The room behind the scrim and occupying the up stage area contains the same furniture as the
down stage room, but the bed is strewn with papers and piled over with men‘s coats and sport-
jackets. The desk has been moved to stand directly beside the scrim, and it is covered with
notebooks, a large tape recorder, a TV monitor, a high-powered camera, and several Styrofoam
coffee cups. A set of closed drapes covers the back wall of the stage as if hung in front of a broad
set of floor to ceiling windows.
As the music and house lights fade, the down stage area is slowly illuminated, leaving the up
stage room remaining in darkness.
Wheeler, wearing an audio headset and dressed in slacks and a white shirt, with its sleeves rolled
up, collar opened and neck tie loosened, enters the room at the front of the stage and stands at the
foot of the bed.
After a moment:
Wheeler
Alright? Can you hear me now?
There is a pause as he waits for an apparent reply.
Wheeler
Okay, I’ll walk around a little. (he moves away from the bed) Alright, then. Can
you hear me now? (pause) Ya, so I’ll just come back in by you, okay?
He looks around the room for a moment then pauses slightly before turning to exit.
The lights rise on the up stage room, exposing where Richard is seated at the desk.
After a moment, Wheeler enters the up stage room.
Wheeler
How‘s the read?
Richard
Pretty good. The levels seem fine, but could you go back in there and wait a
minute? I‘d like to make sure that the visual has good coverage. I need you to
walk around a little, sit on the edge of the bed for a second, go to the window, and
then come back here, alright?
Wheeler
Alright, sure.
Wheeler turns and leaves again, reentering the other room after a moment.
Both areas remain lighted.
Wheeler
Test, testing. (pause) Test.
He sits roughly on the bed.
Wheeler
Testy. Testify. Testicles. Can you hear me now? (pause) Test, test, test. That
seems okay, I trust.
Richard on the other side of the scrim responds by looking away and waving one hand in the air.
Richard
Its fine, Wheeler. Try over by the windows, would you?
Wheeler
You think we‘ll need much coverage there?
Richard
You never know what to expect on things like this.
Wheeler
I guess.
Richard
We should be able to get visual coverage of the whole room.
Wheeler
And only audio in the bath? That’s discretion for you, Richie-boy.
Richard
Yea, some things are better left to the imagination.
After another moment, Wheeler stands and walks to the edge of the stage.
Wheeler
So, how’s that?
Richard
It’ll do, Mister Bledsoe. Thanks.
Wheeler
Great. So now I‘m coming back in by you, okay?
Richard
Sure.
After a moment, Wheeler once more leaves the room, reentering behind the scrim.
Wheeler
You‘re happy? Everything looks and sounds okay?
Richard
Seems fine.
Wheeler
So now we wait.
Richard
Right, now we wait.
Richard leans back in his chair, and Wheeler reaches into his shirt pocket and removes a pack of
Lucky Strikes.
Wheeler
Mind if I smoke?
Richard
Suit yourself.
Wheeler
Thanks. I‘d offer you one, but
Richard
I stopped years ago, right after my father died of emphysema.
Wheeler
Thanks for sharing.
Wheeler lights a cigarette.
Wheeler (exhaling)
You been doing this long, surveillance … national security?
Richard
(looking up at him)
Awhile.
Wheeler
Me too, but not like this so much.
He draws in on his cigarette again.
Richard
Things change.
Wheeler
Yea?
Richard
Yea.
Wheeler
Used to be mostly drug trafficking stuff that’d bring out warrants like this.
Richard
Times change.
Wheeler
Yea, I guess they do. (pause) John DeLorean, Marion Berry – even they were still
both drugs, I guess, on the surface anyway. (pause) This … this is different, not
just some too flashy for his own good auto executive trying to finance a new plant
in Ireland or a maverick mayor being set up for a fall by some chick.. This is
different.
Richard
Okay, it‘s different – more significant. (pause) National security’s a lot more
important than just running surveillance on a couple of coke heads, even if that is
what this still feels like.
Wheeler
Yea, I guess. Still makes it kinda tough to go home for a few days and not have
anything to say about where you been or what you been doing.
Richard
Well, you‘re not exactly supposed to go carryin’ tales about undercover work
outside of a courtroom, you know, not in local law enforcement and certainly not
with federal work. (pause ) You’d think that notion would‘ve pretty much trickled
down to you, even back home in – where is it – Indianapolis?
Wheeler
“Back home in Indiana.” But you got a wife and kids; don’t they ever ask: “So
what do you do in the war on terrorism, daddy?”
Richard
I help protect national security.
Wheeler (as if cautioning for the media)
Within the perimeters of The Patriot Act?
Richard
Exactly.
Wheeler
(exhaling)
That is what they tell us, isn‘t it?
Richard
Yes it is. (pause) You about done with that?
Wheeler
Sure. (pause) Thank God this broad smokes. Ifwe‘d had to set up in a non-
smoking room, this’d sure be a long night.
He puts the cigarette out in an ash tray on the desk, and they continue in casual conversation,
without intensity, like discussing the weather.
Richard
I’m glad you’re pleased. (pause) Thanks for putting that out, by the way.
Wheeler
(moving away from him as he speaks)
No problem. (pause) You know, the First and Fourth Amendments to the U.S.
Constitution notwithstanding, it still makes me a little queasy sometimes. I mean,
I do my job the best I can, and I sleep good enough at night, but I guess I got sold
a bill of goods in civics class as a kid or something, except they didn‘t call it that.
They called it “The Bill of Rights.“
Richard
You had “a dream,” I suppose.
Wheeler
(turning toward him again, but continuing matter-of-factly)
Yea, I guess you could say that. It‘s what drew me into law enforcement, a dream
deferred, of sorts. Still, like you say, “things change.” Shoe bombers, routine pat
downs a regular part of every day air port security.
(pause) I’ll tell you this right now; if we ever catch a suppository bomber, I will
never fly again.
Richard
Isn’t there a book or something that you can read for awhile? I don’t know how
much I want to debate the merits of The Patriot Act with you. Besides,
everything that the bureau does in terms of surveillance is well within the
provisions of the Foreign Intelligence Surveillance Act
Wheeler
as reinterpreted in the last few years.
Richard
Yes.
Wheeler
(leaning on the back of a chair)
So there it is! (pause) All somebody’s gotta do is certify to a judge – without
having to prove it first, I might add – that a warrant could be relevant to an
ongoing investigation, and bingo!
Richard
That’s right, bingo, ba da bing, ba da boom.
Wheeler
Sweet, and the judge doesn‘t have the authority to reject the application. Just “pen
register/track and trace.“
Richard
That‘s the policy.
Wheeler
And the orders are no longer limited to a particular judge‘s jurisdiction: they’re
valid anywhere in the country.
Richard
W orld even. Your point being?
Wheeler
So much for that 01′ provision that a warrant had to be written specifically for the
place to be searched.
Richard
That‘s right, and electronic mail is considered to be like a postcard, open
correspondence that anyone can read without the need of a warrant.
Wheeler (standing away from the chair)
Well, silly me. It‘s just that maybe that ain‘t exactly the right to privacy and being
“secure within one‘s person and papers” that the founding fathers had originally
been intended.
Richard
Watching doesn‘t hurt anybody, and e-mail isn‘t on paper. (standing) Then too,
three thousand and thirty dead one single, sunny Tuesday morning ain’t exactly
something to just turn away from and wait for it to happen again, especially since
today‘s Kamikazes don‘t have great big red zeros painted on the sides of their
planes like in the South Pacific during World War Two.
Wheeler
A point well taken.
Richard (walking away from him)
It’s a question of protecting the masses versus protecting the rights of the
individual.
Wheeler
Isn’t that kind of the opposite of why the U.S. Constitution was written?
Richard stands for a moment with his back toward Wheeler, drawing the curtains across the back
wall slightly open and peering out through them, then letting them fall back together before
turning once more to look at Wheeler.
After a moment, Richard steps away from the curtains.
Wheeler stands coolly watching him.
Richard
Maybe I’m naive, but if the government comes to a judge and says: “Here‘s our
evidence, and what we need is access to this individual, because we feel that this
person has access to knowledge, or possesses information that could be
detrimental to the safety of our people,” my gut feeling is that they have to go
with it. Our society’s biggest problem, if you read the daily papers’ letters to the
editor, is that people assume, because the government isn’t sharing all of its
intelligence resources, that it hasn‘t got any to share, and, therefore, that the
government officials are just doing things illegally in order to make their lives
easier, or whatever. I know for a fact that, when I was in the military, we didn‘t
always share all ofthe intel, because it‘s classified, and it’s classified for a reason.
The “deep throats” who provide the information in the first place need to be
protected. It‘s not just secrecy for secrecy‘s sake.
Wheeler
I suppose your gut also feels that if a person‘s act is clean, there‘d be no need for
anybody to worry about anything. If somebody’s got nothing to hide, no harm
done. No wrongdo, no problem, right?
Richard
They don‘t just pick names out of the phone book to put people under
surveillance, you know.
Wheeler
Well, it never hurts to spot-check, right? Pretty much everybody‘s guilty of
something, don’t you think?
Richard
Most likely.
Wheeler
Right. So, what do you know about our guy?
Richard
No more than you, I‘m sure. (pause) His name is Frank Savage.(pause) He came
to the attention of the bureau. (pause) There was a warrant, and we were sent here
after Homeland Security set things up. (pause) What else is there to know?
Wheeler
Got me.
Wheeler picks up some papers on the desk.
Wheeler
Decorated Viet Nam vet, demolitions guy turned academic, probably on the GI
Bill, and now a U.N. assigned inspector. Doesn‘t seem like the kind of guy
anybody should be all that much concerned about, this Mr. Savage. Just another
out of work egghead taking the best job he can find.
Richard
Well, maybe it’s that “egghead” part. The Rosenberg‘s were just a nice bookish
couple from the Lower East Side who‘re supposed to have put The Soviet Union
in possession of the Atomic Bomb. But who knows for sure. Besides, we might
just be proving this guy innocent.
Wheeler
I spose. Still, used to be that was assumed.
Richard
“Presumed. “
Wheeler
Thanks. I stand corrected. So, you know anything about the agent?
Richard
Not really.
Wheeler
I suppose it doesn’t matter.
Richard
No, not in the big scheme ofthings.
Wheeler
Just somebody else like us, somebody doin‘ whatever
needs to be done, for God and country, somebody else whose just followin‘
orders.
Richard (showing annoyance)
Can’t you can it, even for a little while? I mean, is this conversation
really necessary, or are you just trying to get under my skin for the fun of it?
Wheeler
It’s not all that much fun.
Richard
Good. This is ajob we do – same with the agent, I’m sure.
It begins and ends with that.
Wheeler
Right.
Richard (after a moment)
You know, I‘m a nationalized citizen; my parents came here during the Cold
War, me with them in tow, and I‘ve heard all the stories about the secret police,
alright? I’m a strong opponent of people being singled out ...
Wheeler
or profiled?
Richard
Yes.
Wheeler
I see.
Richard
... or held indefinitely incommunicado.
Wheeler
I see.
Richard (suddenly escalating in tone)
Yes, and even though history might suggest that Japanese–American internment
maybe was an over–reaction and excessive use of presidential power, there are
still plenty people who think that Julius and Ethel Rosenberg did let the atomic
genie out of the bottle.
Wheeler (meeting Richard’s tone)
And that created the world we live in today?
Richard
Sure as hell raised the stakes.
Wheeler
You really think …
Richard
How much you think it really matters what the hell either one of us thinks?
The telephone beside the bed rings.
Richard
(picking up the receiver)
Yes. (pause) Alright. (looking at Wheeler) We‘re ready. (pause) Thanks.
He hangs up the telephone.
Wheeler
Show time?
Richard
They‘re on their way.
Richard moves to the table, and Wheeler stands behind him.
Wheeler
Hurry up and wait?
Richard
They‘ve left the bar together. How long can it take to get on and off an elevator?
Wheeler
You ever see “Fatal Attraction?” (pause) I think a lot depends on the quality of
the agent.
Richard
My guess is top shelf.
Wheeler (sitting beside Richard)
We‘ll soon see.
Richard
Yes we will.
The door in the other room can be heard being unlocked.
Richard
Bingo.
Wheeler
Ba da boom, ba da, bing.
The door opens. Lydia, wearing a red dress, and Frank stand for a moment in the entrance to the
room.
Lydia
(gesturing broadly, with an apparent Eastern European accent, even though her words come
straight out of A Streetcar Named Desire)
You may enter.
Frank
(also somewhat broadly)
Thank you, so much.
As they start through the door, Lydia draws him forward by one arm, then, pausing to close the
door after them, pulls him to her in a firm embrace.
Frank
Ummm.
He takes her face between his hands and kisses her warmly on the mouth.
Lydia
(after a long moment)
Yea, ah, I‘ve got that champagne I promised over by the desk. Chilled and open.
Frank
Sounds perfect, every bit as much as the Scotch that you had sent over to me in
the bar.
Lydia
I just had to ask the bartender what you‘d been having. I don’t like to drink alone.
Frank
Me either. Of course, that‘s never stopped me.
Lydia
Me either.
They each chuckle, and Frank goes to the table to pick up the bottle and pour glasses for each of
them. Lydia closes the suitcase and moves it onto the floor beside the bed.
Wheeler
Hope it‘s a good vintage.
Richard
Alright.
Frank
Here you go, baby.
He hands her a glass.
Frank
“Here‘s lookin’ at you, kid.“
Lydia
Nostrovia.
She raises her glass, and they each drink.
Frank
You surprise me a little.
Lydia
In what way?
Frank
You seem somehow reserved all of a sudden. Are you uncomfortable with my
being here?
Lydia
No, not at all … it‘s just that the music was so loud downstairs,
andnow ...
Frank
And now it isn’t.
Lydia
That‘s right, now it isn‘t.
Frank
It‘s okay. You don’t need to feel uncomfortable, really.
Lydia
I don‘t. Here.
She steps forward and takes his hand, drawing him to the foot of the bed.
Lydia
It’s not very easy to talk down there.
She sits on the edge of the bed.
Wheeler
Probably pretty hard there too.
Richard
Come on.
Lydia
Let‘s see what this hotel has for music on its in-house channel. It‘s just like on an
air plane. I like jazz. Do you mind?
Richard
Not at all.
She turns on the radio and soft, instrumental, “cool” jazz begins to play quietly in the room,
perhaps initially a version of “Love For Sale” followed by other melodies without interruption.
She steps away from the radio, taking a few dance steps as she moves towards Frank
Wheeler
She’s cute. This tape might just tum out to be a keeper.
Richard
Try to control yourself, would you?
Frank puts one arm behind her back, and they sway together, each holding a glass off to one
side.
After a moment.
Frank
There. You seem less anxious now.
Lydia
I am, somewhat.
Frank
Good.
He encloses her more closely, as they continue to move to the music.
After a few moments, Frank pulls her tightly to his chest and they kiss.
Lydia (drawing slightly back)
Do you mind if . . .
Frank (relaxing his embrace)
if we take the time to get to know one another a little? (pause) To talk?
Wheeler
God damn it.
Lydia
Yea, for a few minutes anyway. I think then that I‘d …
Frank (moving away from her)
… feel somewhat more comfortable?
Lydia
Yes.
Frank quickly drinks his champagne and looks for somewhere to set the glass.
Frank
So, what would you like to know?
Lydia
Ah, I don‘t know. What brings you to New York?
Frank
Work, and you?
Lydia
I suppose you could say the same … in a round-about way.
He sets his glass on the desk directly opposite where Wheeler and Richard are sitting.
Frank
And what way is that?
Lydia
I thought you were going to do the talking.
Frank (moving back toward her)
Sure, me. I’m a kind of individual contractor.
Lydia (sipping her drink)
Alright.
Frank (after a brief silence)
I work internationally, and I‘ve just come back from overseas where I had been
for about a year. That’s pretty much it. How about you?
Lydia
Well, I haven’t been in America for very long.
Frank
But you‘d like to stay.
Wheeler leans back in a chair, his hands behind his head.
Lydia
If I can.
Frank
So where are you from?
She finishes her drink.
Lydia
Someplace that doesn’t exist anymore.
Frank
Really?
Lydia
Yes, not for over twenty years.
She sets her glass on the bed stand.
Frank
And how’s that?
Lydia (turning toward him)
I’m from the Ukraine, from a small town that was abandoned after 1986, and
today it has nothing in it but empty buildings and loud speakers playing
Tchaikovsky into the wind.
Frank
The exclusion zone?
Lydia
Yes, along with one hundred and thirty thousand others who were evacuated and
resettled from around Chemobyl. (pause) I just kept moving.
Wheeler
You think that’s true?
Richard
No reason that it wouldn‘t be. Why not?
Frank
How did you come to the States?
Lydia
Like I said, I kept moving. My parents died of cancer, and I had no where to go,
so I responded to an advertisement to become a waitress in “the west;” once I got
to where I was sent, in Amsterdam, I learned the job wasn‘t exactly what I had
thought “waitressing” would be.
Frank
I see.
Lydia
It took me a while to get away. I learned a lot … about men … about myself ..
. about what I was capable of doing, and then I met a man who knew some other
men, and I found a way to use my ‘education;‘ so now, I hope to stay in America.
I have no other place to go.
Frank
And no one to go to?
Lydia
Especially that, no one, no where. Just here … tonight …
there’s nothing important about the past.
Frank
That’s a matter of opinion.
Lydia
I suppose.
Frank
Andme,now?
Lydia
You looked like you might be a nice man.
It seems that you are, and we are here together, now … in the present.
Frank
In your hotel room.
Lydia
Yes, in my hotel room.
Frank
And it would be ‘nice‘ if I felt that you were comfortable with that, with my
being here with you.
Wheeler
He’s got that right.
Frank
I‘d like to think that was possible.
Lydia
(turning briefly toward the other room, her back to Frank)
It is, I suppose. I sometimes still get a little self-conscious, but it’s good that we
are here together. I am comfortable with that.
Frank
I hope so.
Wheeler
So do I.
Lydia
I’d probably feel even more at ease if I knew what type of international individual
contractor I was talking to here in my hotel room who seems to know so much
about … about things from the past.
Frank
Let’s say I’m a surveillance specialist.
Wheeler and Richard look briefly toward one another, then back at the monitor on the desk in
front of them.
Lydia
I see. And what is it that you survey?
Frank
Well, right now, I pretty much like what I see.
Lydia
That‘s not really an answer.
Frank
I assess governmental resources.
Lydia
Human resources?
Frank
Not so often. You know, I almost feel like I’m talking to a woman named
Dorothy Kilgallin.
Lydia
Who’s that?
Frank
Just me showing my age. She was someone who used to appear on a television
show called “What‘s My Line?“
Lydia
Oh.
Frank closes his arms around Lydia, and she relaxes against him. After a moment he
kisses her neck and she does not resist.
Wheeler
I heard on “Hollywood Stories” or something that the CIA had her -Kilgallin –
murdered so that she couldn’t publish the theory in her newspaper column that the
bureau had killed J.F.K.
Richard
You’d think they’d have had Sinatra do it.
Wheeler
Probably afraid he’d get caught. Besides I thought he specialized in Kennedy’s
Mob and movie star lovers.
Richard
I guess.
Frank draws slightly back, continuing to caress her neck.
Frank
Typically, I am not at liberty to talk much about the specific nature of my job, but
let’s just say that I know more than I would like to about such things as the
potential for destruction that has become available to people who cannot be
counted on to be rational.
Lydia
Just hold me. I don’t care what you do. I don’t need to know if you don’t want to
tell me.
He draws his arms around her.
Frank
There. Is that better?
Lydia
Yes. Don’t tell me anything more if you don’t want to, if you don’t feel that you
should, if you don’t think that you can trust.
Frank (after a pause)
I contract with various international agencies.
Lydia
Alright.
Frank (after a pause)
I do inspections of defense systems.
Lydia
Alright. (she kisses him) Is it dangerous?
Frank
That depends. (He lightly kisses the back of her neck.) Anything can be
dangerous.
Lydia
I suppose.
Frank
Our being here together could be dangerous.
He turns her to face him, and they again embrace.
Frank
Probably is dangerous.
Lydia
I suppose.
Frank
Perhaps every bit as much as a radiation release.
Lydia
How could that happen?
Frank
The danger in our being together?
Lydia
No. I know all about that. (pause) The other thing.
Frank
A radiation release?
Lydia
Yes.
He moves slightly away from her and begins to undoing the back of her dress.
Frank
An explosive release producing fallout.
Lydia
That I know about.
She kisses him and presses his hand against her, raising both of her hands to his, then moving her
arms around his shoulders, slowly lowering them to her sides.
Lydia
How else?
Frank
A gradual release.
He pushes the material of her dress from her shoulders and slides it along her arms.
Lydia
Like what?
Frank
Aerosol maybe, or contaminated food.
Lydia
Or tea in a London hotel bar?
Frank
Yes, just a tiny dose of po loni urn 210.
He drops her dress to the floor and draws her against his chest.
Lydia
Where would it corne from, radio active material?
Kissing her as he speaks, he begins to undo her bra, and she slowly unbuttons his shirt,
eventually sliding it from his chest.
Frank
It’s common enough – medical sources, the black market, laboratory as well as
industrial sources.
He drops her bra to the floor, and they again embrace.
She turns away from the interior wall and faces the edge of the stage.
Frank encloses her in his arms once again from behind.
Lydia
VVhatcould happen?
Frank
Release just enough to register on a Geiger counter, then phone in an anonymous
tip. The panic a confirmation would cause could do more harm than the
radioactive exposure, but the destruction to the economy would be huge.
Lydia
VVhat else?
He lifts her into the air and carries her to the bed, pausing to draw back the covers with one hand
and then laying her against the sheets and moving beside her.
Frank
Anthrax, of course, but also smallpox, botulism, plague, VX or mustard gas,
hydrogen cyanide, sarin.
Lydia
What does that do?
Rising on top of her and drawing the covers back over both of them, they struggle together for a
moment to cast aside his pants and then her panties as he continues with the urgent answer to her
question.
Frank
It’s a nerve gas – causes death within minutes of exposure – enters the body
through eyes and skin – paralyses the muscles for breathing. The attack in a
Tokyo subway injured thousands of people, even though it only killed about a
dozen.
Lydia
Anything else?
Frank
Well, there‘s soman, a nerve agent that kills in about fifteen minutes, and tabun,
even high levels of chlorine can be lethal, and there‘s no antidote, but it‘s the
biological weapons that are the most destructive.
Lydia
Really?
Frank
Next to a significant atomic release, that is, because they can self-perpetuate,
even mutate.
Lydia
I see.
Frank
Chemical weapons become less dangerous as they disperse, but something like
botulinum toxin can be as much as three million times more lethal than something
like sarin.
Lydia
That’s amazing!
Frank
Yes, yes.
Lydia
Amazing.
Frank
Yes.
He fumbles through his pants pocket, taking out his wallet and opening it to remove a small
packet that he then opens using one hand and his teeth after setting the wallet on a bedside table.
Wheeler
Phh, fuckin’ boy scout. Always be prepared.
Richard
Come on, can it.
Frank
God damn it!
They press together beneath the covers, then, after a moment, Frank becomes still and gradually
draws back, away from her.
Lydia
Kohanee, sweet one, what is it?
Frank (quietly)
Nothing.
Lydia
Is something wrong?
Frank
Yes. (pause) No, not really, but … yes.
Lydia
I don‘t understand.
Frank
It’s nothing. It‘s just. .. it‘s nothing.
He begins to kiss her neck and draw his mouth down to her breasts, drawing himself to his knees
over her and pressing his arms straight, palms pushing deeply into the pillows on either side of
her head as he lowers his mouth further down her body.
Frank
Just lay back .... It‘s nothing.
She reaches one hand down between his legs, then draws it slowly away.
Lydia
What‘s wrong, baby?
Frank
Nothing. Just let me …
Lydia
Baby … no. Wait for a minute, baby. What is it?
Frank
Collateral damage, a side effect.
He sighs deeply.
Lydia
I don’t understand.
Frank
I think it can be a result of a medicine I take, sometimes, when I mix it with
alcohol. Blood pressure rises, and then it drops.
Lydia
It‘s alright, baby. It’s alright.
She draws his head to her, enclosing him in both of her arms.
Lydia
It’s alright, kohanee, my sweet one.
They lie still for a moment in the bed.
After several seconds, Frank draws himself off to one side and lies on his back, looking up
toward the ceiling.
Frank
God-damnedest thing.
Lydia
Shhh, don‘t worry about it. Just hold me.
Frank encloses her in his arms, and they lie still together
Wheeler
I‘d expected a little more than that.
Richard
Shhh, alright?
Wheeler
Okay, leave a tender moment alone.
After a moment.
Frank
What’s in that bottle?
Lydia
Vodka, but I thought …
Frank (beginning to pull away from her)
Can‘t hurt at this point. Might even help.
He draws a sheet from the bed as he rises and crosses the room, then begins to pour himself a
drink.
Frank
You want one.
Lydia
Sure, I guess.
She reaches over and turns off the music.
Frank
Good.
He pours a second glass of vodka and begins back toward the bed, handing her his drink.
Frank
There you go.
Lydia
Thanks.
Frank
I wish I knew what to think or say.
Lydia
Nostrovia.
Frank
Right. Thanks.
He drinks, then sets down a half full/half empty glass.
Wheeler
Christ, ifhe’djust finish the god damned vodka he could probably get on with it.
Richard
Come on. Just do your job.
Wheeler
I am, god damn it. I‘m a professional voyeur, just like you.
Lydia (smoothing out the bedding)
Here, sit by me.
Frank
Thanks. Don’t worry. It doesn‘t really matter.
Lydia
So, what does?
Frank
Not much, I suppose, and then plenty.
Lydia
Like what?
Frank
Well, let’s see: you’re from a place that no one can return to for the next thirty or
so thousand years, and I’m in the business of watching over the kinds of things
that people could do to make hot spots like that pop up all over the planet. (pause)
Pretty crazy stuff, if you want to know the truth.
Lydia
Of course. Isn’t that what is supposed to make people free?
Frank
That’s what they say … whoever “they” are.
Lydia
And what about you? What do you say?
Frank
Just that the world is a lot more dangerous today than it was during the whole of
the “We will bury you” era of the Cold War, and we‘re no where near the “end of
history” that some nutty professor tried to say we were back when the wall came
tumblin’ down, back before the little bombs
(Frank continuing)
started going off all along what some other nutty professor has called “the fault
lines of civilization.”
Wheeler
What the fuck‘s he talking about now?
Richard
Think tank guys. Other eggheads. Francis Fukuyma and Thomas … ah, no, urn,
Samuel Hutchenson.
Lydia
I think you’d better be a little more direct.
Frank
How so?
Lydia
I don‘t know. You tell me. I only know my little piece of the way the world is
today. I mean, I‘m just one person who “can‘t go home anymore,” and I don’t
really know why, aside from the fact that, one day while I was just a little girl
away form home on a school trip, for me, everything changed. I watched a
helicopter on television dropping concrete onto a blown-up building, and I was
told that “an accident had occurred.” That was “glasnost,” openness, that was “the
truth” that I was given, then one hundred and thirty five thousand people were
evacuated from around where I had lived, and eventually there were forty
thousand of them who developed cancer and, in addition to my mother and father,
more than six thousand died. Now, you tell me the truth; tell me about how you
think the world has changed.
Frank
Sure.
Lydia
I mean it. I need to understand. I want to know what you think. I only wish
someone could tell me why.
He stands, tossing one edge of the sheet up across his left shoulder, like a Roman orator, and
throwing down the rest of his drink.
Frank
Right, (pause) well, to begin with, the world is no longer challenged by
concentrated threats that can be isolated and defined. Instead, it is
confronted by a pervasive one, like a cancer that has begun to metastasize, that
has the potential of being anywhere at any time. (pause) It‘s a funny thing,
ironically, ifit is at all possible to find such things funny, but it‘s the same noble
Enlightenment ideas of equality and enfranchisement that have both advanced the
progress of the last two centuries and that now have set that progress in universal
peril. (pause) It is freedom that has made the world unsafe for democracy, and it‘s
the idea ofliberty, brought forward as it has been from “The Age of Reason,” that
has moved the world to the verge of virtual chaos, or rather the irrational
dominance of empty-headed theocracies of all kinds. What I mean is that
Medievalism, or rather xenophobic intolerance is on the rise, if the truth is to be
told, and rational pragmatism, enlightened self-interest, secular humanism and
even cautious relativism are each at risk of being prescribed to the ash can of
history in favor of regionalism, of sectarianism, of fanaticism and other-worldly
lunacy. It doesn‘t really matter what started the mess, what particular set of
“isms” initially caused the contagion to begin to spread. All that really matters is
that the mess needs to be cleaned up, to be contained at least, before the future is
destroyed by the past.
He pauses a moment, then continues.
Frank
You see, this isn’t something that just started a score of years ago. It has been
there since before the time of Homer, since the origins ofthe world we know,
since the mobilization of King Leonidas and his three hundred Spartans, since
Alexander The Great bequeathed his empire “to the strongest” and laid the
foundations of the future, since Rome rose and fell and the power vacuum that
was created became filled and then fought over on the basis of conflicting, out-of-
this-world ideologies. That’s the real W.M.D. – the weapons of mass destruction-
ancient grudges and frozen ways of magical thinking that have no relationship to
modem-day reality and that still have arisen from beneath the permafrost of the
cold war like zombies in some low budget horror film and now are everywhere,
thanks to openness, thanks to glasnost, thanks to some well intended, road-to-hell
notion of tolerance that has spread the seeds of intolerance all across the planet.
The thing is, the truth can‘t simply be ignored. The border-less, “flat world” of
multi-nationalism can’t just go on about its business like people partying on a
beach while a hurricane forms off shore, while a tsunami swells the horizon. The
weapons of mass destruction – disenfranchisement and marginalization – must
either be neutralized or they may well some day soon consume our world-wide
consumer
Frank (continuing)
economy, and the ghosts of Xerxes and those who felt betrayed by the Balfour
Declaration after World War One that Osama Ben-Laden evoked
in his early videos will exact their revenge. You see, the sources of these means of
annihilation are unalterable and unassailable; they are embedded within the very
anatomy of our species. Their cause is the drive for transcendence that exists
within all of us and the fact that different people, at different times, in different
places within the world, have developed different ways of satisfying that drive, of
scratching that particular psychological itch, different rituals of transcendence and
different religious systems that only serve to set people against one another.
That’s the truth. There‘s your weapons of mass destruction, the opiate of the
masses. Just look at the Catholics and the Protestants in Ireland; they‘d been
killing each other for over three hundred years, but a couple automobile plants
open up so people can buy their potatoes from Idaho, and all of a sudden the
sectarian divisions aren’t so important any more. You see what I‘m getting at?
You wanna achieve “world peace,” you gotta give people a sense that they got a
shot at havin‘ a piece of the world. Otherwise ... otherwise, somebody’s gonna
be tellin‘ ’em that their only hope is some other world that doesn‘t even exist and
they have to die to get into while taking as many other people as possible with
them, some pie in the sky promise that has always been nothing more than
wishful thinking born from impoverishment and deprivation.
Frank picks up his drink.
Frank
What‘s gonna stop it? What‘s gonna contain the w.m.d. that threatens to blow up
the world like a big blue bomb? Only one thing – the fact that order always wins
out over chaos, eventually, like it always has before.
Frank empties his glass and then pours another.
Frank
Of course, that could take a few hundred years, and maybe even that’d be a good
thing. A new dark ages with a world wide economic collapse and the end of
civilization as we know it might be just what it takes to slow down global
warming and save what would be left of the human race.
He drinks and sits in the chair at the side of the room.
Frank
Hell, maybe that‘s the answer after all. Thing is . . . it‘s a pretty high price to pay
to try and find out, if you know what I mean, if we allow policy to
Frank (continuing)
be driven by ideology, if we exacerbate the undeniable differences that exist
between cultures, between civilizations, between the out-worn “feel
good” systems of unsubstantiated belief derived from transcriptions of the
random musings of a handful of long dead, illiterate crackpots – the world will
necessarily drown within the sea of faith that Martin Luther said must tear the
eyes from reason in order to exist. See the world in that way, submit to the
inevitable consequences of the kind of inordinate insanity of today’ s ignorant
armies clashing by night, and you can forget all about global warming thanks to a
man made nuclear winter that’ll last for a couple hundred thousand years.
He pauses, finishes his drink, and then lets the glass fall from his hand.
Frank
Ah, oh well, what‘s the problems of the world got to do with two people alone in
a room, anyway?
Lydia
Nothing, I suppose.
Frank
That’s right. Nothin.’ Nothin’ from nothin’ leaves nothin‘. Absolute zero. Great
concept, that – zero. N ada. Yeap, nothing is great – N ada Akbar (pause) Arabic
notion – zero. Course, the Japanese pretty much made the best of it in World War
Two, even if it didn‘t turn out too good for them in the short run, but now ...
now they got one of the best standards of living in the world. Wonder if the good
citizens of Hiroshima and Nagasaki would‘ve thought it was worth it. Ah, well
Harry Truman said he never lost a night‘s sleep over dropping the bomb. More
than I can say. Good idea though, a little shut eye, knits up the raveled sleeve of
care.
He yawns and sighs deeply.
Frank
I think I’m done for. (pause) Here, let me come back over there by you.
He stands and moves toward the bed, the sheet falling from around him to the floor.
Lying in the bed, he is quickly asleep.
The girl waits a moment, then stands, gathering her clothes together and watching for him to
wake as she dresses.
Richard
Looks like we probably got something for somebody to work with.
Wheeler
I guess so, if they edit it right.
As Lydia finishes dressing, she moves toward where Frank is lying in the bed. She stoops to very
gently touch Frank‘s hair with one hand, then rises and turns away, blocking herself from the
surveillance camera as she removes Frank‘s wallet from the bed stand.
Lydia (picking up her suitcase and turning toward the
hidden camera, and dropping the Eastern European accent)
Good night, boys. Don‘t let the bed bugs bite.
She exits.
Wheeler (laughing slightly)
Looks like the show is pretty much over.
Richard
Yea. So, you want order some bacon and eggs or something? We can‘t leave
until he’s gone.
Wheeler
Just some coffee, I guess.
Richard
Suit yourself.
Richard goes to the telephone and dials for room service.
Wheeler moves over to the hotel radio in the surveillance room.
Richard (into the telephone during the above)
Hi, I’d like to order some coffee and sweet rolls and your egg white omelet with
whole wheat toast and a side of bacon. (pause) Yea, that‘s right.. Great. Just send
it up to nine eleven.
Wheeler turns on the radio and John Lennon’s “Imagine” plays.
The lights and music fade.
Blackout.
The end.
Synopsis:
W .M.D. by Jeff Helgeson
W.M.D. is a one-act play that explores a number of issues concerning privacy and national
security, as well as larger questions with respect to the causes of international conflict and the
potential consequences of ignoring the sources of discontent that confront modem world
civilization.
Set within a pair of New York hotel rooms, the play deals with a surveillance team of two men,
an attractive female “agent,” and an international weapons inspector who has been selected for
security verification. During the course of the events presented, the far from simply “black and
white” issues of “track and trace” investigation are dramatically
addressed from the widely differing points of view of the two technicians, one a middle aged
nationalized citizen of Eastern European origin and the other a somewhat younger African-
American.
With the arrival of the subjects for observation, the action shifts to voyeuristic engagement, as
the audience is placed in a parallel position with that of the two surveillance agents, observing
the intimate inter-actions of the man and woman in a seemingly private hotel room. A
contrapuntal juxtaposition of sexuality and the
technical means of mass destruction, although clearly titillating for the unseen surveillance team,
ultimately leads to a failure in consummation. This dysfunction is followed by some apparently
deeply personal disclosures of the female and a somewhat more extended discourse by the man
under observation. When he eventually sleeps, more of the nature of “the trap” is revealed, the
woman leaves, and the two men who have recorded the entire exchange wait to be relieved of
their duty.
21 May, 2018
Jeff Helgeson is the author of fifteen plays that have been produced in Chicago, Milwaukee, St Louis, and New York. He has been the drama chairman of The Society for Midland Authors, as well as a charter member of The Chicago Alliance of Playwrights. He also was a founding member of two Joseph Jefferson Award winning theater companies in Chicago, Illinois and has been an instructor of writing and liberal studies at a number of colleges and universities.
21 May, 2018
We are occupied by gods. The mistake is to identify with the god occupying you.
Michael Ondaatje
I.
As in a shootout, bullets crack against brick
or drywall. You hunker where surprised,
cheek pressed to a chair leg, body straining
to disappear into the well of a closet, a desk,
a bathroom stall. The air thunders with
ragged breathing. At any moment (it seems),
you will stare into the matte black eye
of a gun, dry-mouthed with terror.
You suddenly realize that you occupy
another’s plan, incidental to another’s
desire. Caught up, you are collateral
damage. You pretend to be dead, innocuous,
Later when interviewed, you will stammer
that you don’t remember. It happened
so fast, even your chance for heroism
swamped by self-absorption.
II.
Everyone on the floor, they said. Hands
where we can see them. You flatten yourself,
cheek against carpet. (This may be the last thing
you feel, this rough irritation.) You dig your fingers
into its ungenerous nap, all of you straining, oddly,
towards those above you. You will be asked to map
this time. Like a choreographer, you will trace
each step, each combination. Here is where they first
emerged. Here is where they shot and shot again.
Here is where some were struck. Here is where
one fell. You watched his eyes cloud. You saw
him leave. You want to say you stood
between malevolence and someone’s
loved one. Instead, you ran invisible strings
from each of their limbs to an invisible crossbar.
You imagined them dancing backwards
through the door-frame, saw yourself spring up,
all of you, rising from the dead, saved.
III.
Later, you will learn who they were, where and why
they grew disaffected. You will know their names,
grinding the syllables between your molars, writing
them on scraps to burn. You will obsess about
how a million chances coalesced, how a handful
of upflung scraps assembled, sweeping you
into the day’s news. Suddenly, you will believe
in exorcism, pay good money to cast out demons.
21 May, 2018
Devon Balwit teaches in Portland, OR. She has six chapbooks and three collections out or forthcoming, among them: We are Procession, Seismograph, Risk Being/Complicated (a collaboration with Canadian artist Lorette C. Luzajic); Where You Were Going Never Was; and Motes at Play in the Halls of Light. Her individual poems can be found in The Cincinnati Review, The Carolina Quarterly, The Aeolian Harp Folio, The Free State Review, The Interpreter’s House, Eclectica, and more.
21 May, 2018
Damien had always hated coming into his parents’ bedroom—hollering good night from the doorway as she lay in a purple nightie, Pops spread-eagle in briefs like anybody wanted to see his hairy ass self. But Pops hadn’t stepped foot in his room for, what, a month? He put on a good show, faking like he hadn’t been sleeping in the recliner, shoving the comforter beneath the couch before Damien got out of bed each morning—Pops is stupid, D thought. He would’ve been in that room every night, every day just trying to catch a smell of her: sawdust, lavender, and cheap-ass detergent. All Damien wanted to do was pilfer. He’d pocket every damn thing if he could. He wouldn’t, maybe some things, no, what he liked about the room now was that, like, the light had changed. Not just the light but also the air. Like he’d stepped into a still life painting of his Moms without his Moms in frame, but still there, you know. Like how the first time he’d snuck in her room he noticed a painting, hidden behind a stack of windows his folks salvaged from a church and the windows stood tall, like, almost to the ceiling. He knew the painting. A Rembrandt he’d studied in honors history: a naked lady on the bed, the sheets crumpled and twisted. There was this dude creeping behind a curtain wearing a baggy-assed hat and maybe from the vantage point of a newcomer he was still unseen but she, Danae, she was all in light. The light was Zeus. His folks didn’t own shit like this, or even care about art and the Rembrandt didn’t add up to what he knew about his Moms. So, he kept coming back, pussyfooting, as his Pops called it, trying to learn more because fuck if he felt now that he had ever known a damn true thing.
D closed the curtains, wiped dirt from the sheets. On top of his mom’s dresser, crowded by dumb figurines—the poodle-shaped perfume dispenser, the dolphin swimming along ceramic waves, blue bottles with tiny mouths—were prescriptions, hand lotion, a Christie Mystery and two packs of Capris Slims. All as before. He used to love watching his Moms smoke, the way she blew out a thick white cloud and then sucked it up through her nose. French, she called it. Her voice, the smoke, it tore him up to remember, made his shoulders shake and snot drip from his nose, but he pilfered this too—the straight-bawling—from her room. The fuck ever, he thought, stuffing both packs in his pocket, revived now that he’d stolen something. Metal ringlets jingled when he pulled open each dresser drawer in turn. He was looking for surprises, like the Rembrandt, but hoping to find nothing save ordinary. The top two drawers, petite and inset, were full of cotton panties but his hand ran across something silken and lacey with alligator clips and he pulled it out all in one tangle. What the purple waistband was he didn’t know but the garter belt he recognized instantly. Durg’s sister, Penny, wore a black one around her neck like a collar. Penny’s neck was dark brown and long and thin and she always cut the necklines from her Cure t-shirts so that half her cleavage showed. He shoved the garter and lacey belt deep into his pocket and got the hell out. He didn’t want to think about Penny with his hand all up in his Mom’s panty drawer.
D pedaled the two miles over to the purple house that killed his mother, racing hard against the fall wind, cold-tears streaming down his face. He dropped his BMX at the backdoor and grabbed the key from beneath a frog-shaped planter and he let himself inside. When his Moms got sick, they’d been in the process of tearing out the walls, opening the place up so this tiny-ass house might have more flow (so different than his own crib where every square inch was taken up by random junk, like, old doors, tools, siding and sinks). Their construction firm had folded under the weight of Mom’s hospital bills but his Pops finished the job on his own, refusing to sell even though the market had spiked. His Pops had painted every room a different shade of purple. Even the exterior was violet and lavender; the living room mauve, the kitchen deep and the bathroom where the black mold had been was Royal. One room in every house they finished had been painted Royal, her signature. Know why it’s called that? When she asked, he’d been in the fifth grade and interested in invertebrates, the ocean. The color comes from the mucus of sea slugs. Only royalty had purple robes, you know.
D closed himself in the bathroom. His lungs opened—swoosh, like dropping down the water slide at Adventure River—and a crying jag hit him unawares but he sucked it back, snorting up the tears until he coughed. There was no black mold now. Men in biohazard suits had torn the rest of the bathroom away, ran tests on the entire house. That didn’t help D none. The mold had been hidden, no sign of it at all in that once dandelion-wallpapered room where everything was stained tawny from nicotine. When his Moms busted out the walls with her pink gorilla bar she did not know the mold was there. D thought about her coma, the pneumonia steadily beating down all antibiotics. It was the same, wasn’t it? No signs of dying showed on her face because all the sickness existed on the inside.
Standing in the tub next to a frosted window above the soap tray, Damien lit his first cigarette. The smoke went down harshly and he hacked. He practiced French, like Moms, collecting the smoke in his cheeks and letting it sift slowly out, trying but failing to suck the white cloud up through his nostrils. She made it look so easy. He tried, again. The toothpick-sized cigarette held daintily between his lips. He did not feel tough but weirdly sexual, like he was kissing it and suddenly with the urgency of having forgotten something very important he pulled out the garter and ran his fingers across the silky center, pinching it with his thumb. It was stretchy and the lace did not feel coarse, not the way he’d always imagined Penny’s garter to itch her skin, no, it felt soft and inviting. A dumbass thing, he thought, about Penny, to wear this around your neck. He was fighting off an image of his Moms acting sexy, of her standing nearly nude in a doorway. She’d once been young, like Penny. Before she’d had D, before she’d melded her desires with the house and work, she had wanted to be sexy for some dude. He’d never thought of his Moms as anything but an overbearing hard-ass that controlled his Play Station time and only let him stay over at Durg’s once a month. His Moms had pushed him to get into seventh grade honors, then eighth and now he was in all AP courses and he hated how little time he had for dicking off with Durg who was 100 percent Gen. Pop. And as he pulled his pants down and off, he did not try and stop the coming tears but let the snot bubble, let strings of saliva hang from his lips, falling, straight-nasty, like some living thing, like some sea slug bleeding purple. He slid the garter onto his thigh. It fit snugly, and the silk ran like cool water against his skin.
When he got home, Damien found Pops half-asleep on the recliner, Married With Children blasting from the TV. D avoided his sad eyes and threw himself down on the couch, heavy-like so his mood televised broader than Al Bundy. D was tired, too.
“What’s up with dinner?”
Pops pulled a cigarette free with his teeth and lit it. Smoke curled under his Lennon eyeglasses and he rubbed the ache away with a dirty fingernail. “See what’s in the kitchen,” he said. “Not hungry myself.”
You ain’t never hungry, man. His Pops was still wearing work clothes, ratty-old white tennis shoes, blue jeans covered in paint and joint compound, a flannel unbuttoned over a dark purple J and M Construction shirt—Jim and Molly. His Moms, Molly, had she been there, would make dinner. Tired and dressed identically as this lazy-ass man she would cook up some chicken or at least throw a pizza in the oven. Her face, dawg! Damn if he would cry in front of Pops. If he did, he knew what would come next: Pops kneeling, petting D like he was five years old. Nah, he told himself, just breathe through. But her face was there in his mind’s eye, her black hair, thin and shiny, making her pale skin look like paper, drawing out all those microscopic freckles around her eyes, copper with little flakes of gold all broken up like light reflecting off shards of broken glass. D stuffed his hands into his pockets, a protective reflex he’d owned since he was old enough to wear pants. With his hands hidden, no one could see him clench his fists, digging his nails into his palms until the pain grew intolerable. He felt the lumpy lace of his Mom’s garter belt around his thigh and this calmed him. He’d stolen one of her secrets and now that everything seemed so damn transparent he longed for secrecy, for some private knowledge only they shared.
His Pops snored in the recliner beside him, a Pall Mall burning down between his calloused fingers. Secrets, right? D reached into his bag and pulled out the stolen pack of Slims. Slowly, he brought a cigarette to his lips. Pop’s snore deepened when D grabbed the zippo and—chink-chink—sparked the flint. He let the flame hang close, but did not light up.
D stashed the Slims into his backpack and went to the kitchen to see about dinner. In the fridge, he found molded cheese, a sweating plastic bag with bologna inside. Durg had food. His fridge was always stocked. Penny might have some weed besides.
His best friend Freddy Durango was the only fifteen-year-old he knew that still wanted to play Magic the Gathering during sleepovers and when D came barreling through the basement door, unannounced and hollering like he was being chased by something Durg jumped, Nintendo controller ripping from the console, and bolted the door closed all like WTF.
“I’m just fucking with you.”
“Why you even here?”
“I’m hungry and your Moms probably ordered in from somewhere. Am I right? Right. What, like, pizza? Like hoagies? Nah. It’s Chinese.”
Durg nodded, told D there was Chow Mein from Royal Dragon.
When D came back down to the basement, carrying a to-go container of cold Chinese food, he asked after Penny. Durg didn’t pause the game or look up. “Where you think?”
D wanted to run to Penny’s door, ask after some weed or a DVD, acting like he could give a fuck if she wanted to share or not, if she wanted to be near him or not. D had to finesse his love for Penny so Durg never got jealous. So he shrugged his shoulders all, like, who cares and he ate the clumped, slimy noodles from Royal Dragon. He even sat for, like, ten minutes more after he finished just to prove to Durg he wanted nothing to do with his sister.
“I gotta piss,” D said and skipped from the basement up the stairs and into the little hall where Penny’s door stood across from the bathroom.He knocked, listened. A Cure poster hung above the knob and his ear almost touched Robert Smith’s mouth. He heard the rustling of Penny’s comforter and her soft padding across the room. “What?” her voice, dull and irritable, came from inside.
“Yo, it’s D. You hooked up?”
She opened the door. Her head barely reached Damien’s chin and he liked that she made him feel tall even though he was short. Her tiny fingers tugged at the lace band around her neck. D thumbed his own garter through the pocket of his jeans.
“I’m busy,” she said. D saw a pile of eyeballs and mouths cut from various magazines strewn across her bed.
“With what?” he asked.
“Don’t be a bitch, Pen,” Durg called from the basement.
Penny rolled her eyes. “Give me a minute.”
When she came out of her room, Penny demanded Durg stop playing Nintendo so she could watch Pulp Fiction.
“That movie is so damn stale, Pen.”
“My weed, my pick. Besides, you know you like Uma, Freddy. I see the way your hand disappears in your pockets when you watch Kill Bill. Next to your sister?That’s sick, hijo.”
Durg let out a long bratty-assed sigh before he shut down the system. He threw himself between D and Penny. Penny pulled a joint from behind her ear.
“We got to wait,” she said.
“For what?”
“For the Royal with Cheese.”
When Penny finally lit the joint, Samuel L. Jackson was quoting from the bible. But D had long since lost focus, the word Royal playing him like a yo-yo, bringing back memory upon memory like sneezing fits and he feared their disappearance, feared that each flash, bright—horribly fucking bright—would be lost. There weren’t enough memories, he thought. He was too young. What then, he asked himself a second time. When I’m old and stupid and tired and sitting in front of Married With Children—what will I remember of Mom? There was so much to remember and yet he was just a kid, he knew that, and he knew soon he’d be like his Pops, like his Moms was before she died—not young anymore, not a man who wanted his wife in lingerie, not like a woman who wore lacey garters.
He took Penny’s joint between his fingers, inhaled deep and did not cough. He was proud of this. Soon he was mired in a heavy high and Pulp Fiction ended and Durg was saying he wanted to go to bed, offering to set up a blow up mattress for D. But D said, no. Said he needed to get back home.
“Smoke one more with me.” Penny was smiling at him with this shy glance full of meaning and expectation that straight freaked D out because that’s the way he’d always wanted her to look at him since he was, like, nine years old. “Yeah, alright,” he said.
Durg scoffed, sulked off to his bedroom and slammed the door. Ever since Freddy and Damien had met in third grade Durg had feared D would like Penny more. Only recently had Durg’s suspicions drifted toward sex, attraction, no, before he just didn’t want D to start liking The Misfits and Shakespeare.
When Damien brought his attention back to Penny her face was so close he saw jittering wet in her eyes; her lips parted, showing bright, sharp teeth. “What’s it like?” she asked. “Our family is fucked up, but I can’t imagine—“
She passed D the joint. The smoke and rotting smell of cannabis wafting inches from his nose. He couldn’t bring himself to hit the weed, not yet, not if he was hearing Penny right. He felt everything, that’s how, and nothing.
“I’m sorry,” Penny said. “Stupid to ask.”
D shook his head. It wasn’t stupid to ask. And he wanted to tell her about the Rembrandt behind windows in his parents’ room, about the woman laid up in bed with her hand raised toward Zeus, presumably alone, but not alone. He wanted to ask Penny who she thought the person was, the one with the velvety toque. A spy? Collecting evidence to sell to the king? He knew the myth, knew Danae would be chucked into the sea, locked in a chest by a King more afraid of the Furies than Oracle’s prophesy. It fucked with D—the future awaiting Danae, the uncertainty of her survival. The painting was about secrets, about the lighted places and the shadows where little peeping-ass squires wait to blow the whole thing up. He looked at Penny, trying to form words, and she kissed him. Her breath tasted like ash and the cola she’d been drinking. He kissed her back, hard, like they’d kissed before but he hadn’t ever, like, with anybody. D felt, like, shaky and shit because he wanted her so bad and had for so long and yet she’d kissed him only after asking about his Moms and that made him angry and in some fucked switch-a-roo it also made him want her more. Penny straddled his lap, made hmmming noises when he touched her breasts. He pulled at the waistband of her shorts, tugging down from behind so that he could feel the sheen of her panties.
She grabbed his hands. “No.No.No,” she said, through scrunched together lips.
D didn’t listen. He was intent on feeling the hidden places where no one but Penny’s hand moved. She jerked her face away.
“Rule number one, asshole, and it’s better you learn from me,” she said. “Never keep going after a girl says no.” Her disappointment, her hurt: the taught jaw.
He shook his head—“Just forget it.” He tried to wiggle from beneath her weight.
“God!” Penny punched him in the chest but he didn’t feel pain. “You a freak, D.”
D eased into the dark kitchen, shutting the backdoor with a faint click.
“Don’t pussyfoot on my account.” He heard his Pop’s voice a second before a thick, hard hand clutched the meat of his upper arm and sent him crashing into the fridge. “Where the fuck you been? Too big to tell me when you go out?” Pops flipped on the light. Two large pizza boxes sat closed on the table. “Didn’t order this shit to go to waste.”
D could smell pepperoni and cheese and he wanted some. He wanted to sit in front of the TV and eat slice after slice until he was bloated and sick; Pops curled up in his makeshift bed on the recliner. He wanted to lean back and smoke, talk about how shitty The Braves were playing that season—Pass me the ashtray, son. D could not stop thinking about Penny, the smooth skin of her thigh. The smell of vanilla oil was all over him and he wanted so badly to be beneath her weight on the Durango’s couch.
“I ate,” Damien mumbled.
“What?” he said. “Speak up, man.”
“I’m not hungry, okay.”
“Oh, that’s funny. Last I heard you wanted dinner.”
The next morning, D walked inside Walgreens like he was eighteen, not fifteen and skipping school. He scanned the pharmacy aisle for Robitussin. All night he had dreamed of Penny and pizza and his father shoving him against the fridge, of his Moms: her eyes squinting with confusion and hurt. He wanted to make things right with Pops but they were so different—what was he supposed to say? He didn’t feel sorry, not really, no, he was straight-pissed. He wanted Pops to sleep in his room again and for Moms to drive him to school in the morning, shoving a gross-ass pack of lunchables into his hands like he was still nine years old. But with Penny he hoped, like, if he could just make her laugh then she’d forgive him. He could do that, right?
“Shouldn’t you be in school?” A woman around his Mom’s age stood at the cash register, pretty in her own right, with thick cleavage pushing out the top of a low cut dress. I got bird bones his Moms used to tell Damien. In memory, she wore a purple tank top, low cut and her ribs spread out from her sternum like the imprint of fingers drug across sand. Bird bones can’t hold curves like some women, or they’d break.
“For my mother,” Damien told the cashier. “She’s sick.”
D rode over to the purple house; the rhythmic tick-tacking of bearings in the hub of his back rim, as he coasted along narrow residential streets. He didn’t care if anyone stole his bike when he tossed it aside in the drive; didn’t care that he wanted a cigarette, desire in his chest. Not anymore. He knew he was the creep behind the drapes, that silly-ass jester watching Zeus’ coming light. What else could a fifteen-year-old boy do but peep grown up shit from shadows?
D thought about how he’d helped his Moms the day the realtor dropped off keys to the purple house. Pops was at the bank. She’d pounded plaster from the kitchen walls with her gorilla, Birdie, as Damien followed behind, popping lath off rough-hewn studs with a crowbar. Her mouth and nose was hidden behind a thin paisley bandana while a double filtered oxygen mask had dwarfed Damien’s head. In the bathroom now, he imagined knocking down walls. Swoosh. Smash. He imagined plaster raining down in giant clumps, rifts torn in dandelion wallpaper like flags among soot colored dust. This is how the mold had entered her lungs.
He lit a Slim and blew French.
“Damien?” Pops called. “You here?”
He hadn’t heard the door. He flushed the Slim. “Using the bathroom,” he said.
“Don’t clog the toilet. Prospectives always ask about plumbing.”
Prospectives? Prospectives meant couples with newborns, couples with no kids, or couples with five kids. Prospectives meant rich college students whose parents tagged along quietly in the background, making mental notes of all things wrong with the place.
D unlatched the lock.“Since when?”
“Just came back from the realtor’s office. It’s time.”
Pops sat on the floor across from D; head leaned against the wall, his beard thick with gray. The way his Pops looked now, eyes fixed upward, reminded D of when his Moms was in the hospital. She had tubes in her nose and mouth and her arms. She wore a thin paper-gown. Pops had asked the nurse to dress her in something comfortable but the nurse told him no. He had pushed past her and into a supply closet and dug through drawers, looking for scrubs. It had taken two security guards to cuff Pops to a chair and he’d banged his head against the wall, yelling, Get her out of that paper gown, goddamn it. Dress her comfortably. What if Pops never came back, D thought, never again slept in his old room? What if this man was his father now?
His Pops leaned forward, gripping Damien’s knee. “We’ll get through this. We will.”
D could see Penny reading in bed when he knocked on her window. She popped up, grabbing a baseball bat from behind her nightstand. “Escucheme, pendejo! Step off!”
“It’s Damien.”
“The fuck, D? I was about to roll your ass. Come to the door like a normal person.”
He pressed the bottle of Robo to the window and said, “Let’s trip, Pen.”
She was waiting for him in the basement. Durg was immersed in some upper level Sonic the Hedgehog D had never before seen. Freddy loved the old systems: Nintendo, Sega. Hell, the fool even played Atari.
“Don’t you have other friends?” Penny asked.
“If we ever make out,” D said. “I promise I will not touch you.”
Durg threw down his controller mid game and stood like he was about to swing on D but he didn’t step—“What the fuck you just say to my sister?”
“It’s cool Freddy,” Penny said. “It won’t ever happen, again.”
Freddy was all red faced and Penny was still looking like come on motherfucker. Tell me why I should be nice? D tossed Robos to each of the siblings. He threw himself on a round papasan. He hated this fucking chair because the dog slept there and once, back like when they were in fourth grade, D had found a turd.
“What the hell is this?” Durg asked.
D didn’t answer. He popped the childproof seal and downed the bottle in one extended gulp. The stuff tasted acrid, sweet. “Cheers, bitches.”
They watched him, anger slipping away until he saw a little shimmer of oh-it’s-on-now! Penny bit into the plastic seal, pulled it away with her teeth. D watched Freddy. The less he saw Penny do anything with her mouth the happier he’d be, like, forever. Durg downed his bottle and snatched up his controller, dragging out his anger. “Don’t fuck with my sister, dawg.”
“You ain’t my Papi, guey. I want to fuck D, you don’t have a say.”
“I’m not talking to you, Pen. I’m telling D how it is.”
All Damien heard was fuck. He told himself Penny didn’t mean it that way. She’d accidentally dropped a couple prepositions—to fuck with—by accident. D curled into the shit-stained ottoman, slipping his hands into his pockets. He was still wearing the garter.
When the Robo kicked in all color and sound ballooned and D could not hold onto any true thing—his Moms planting seeds in the garden. She wore a sun hat. She wore brown shorts. A wheelbarrow. Manure. On her wrist, a watch glinted in the sun—Birdie burst through plaster and stayed—she drove with the radio playing oldies, laughing and tickling D. Car dance, Damien! She wiggled her arms back and forth and he giggled as the singer crooned in high falsetto about the jungle. He couldn’t hold on, like, choking. He coughed, a captured spike. It was too much, the rolling dreams. D covered himself with an afghan pulled from the back of the papasan and watched the room through holes in the cross-stitch. He curled deeper into the blanket. Purple dots popped in the darkness and if he squeezed his eyes shut, bigger explosions pulsed. The purple air grew humid and he giggled and the giggling spread through his body and turned to strong and unstoppable laughter. Sweat slipped from his chin. He saw light. When he slipped headfirst from the folds of the afghan and his head crowned he saw his mother’s face over her belly, bloodshot and wet with tears. The air caught on his skin. He screeched. And he fell to the floor with a hard, weighted thunk, The room blurred, brightened until it nearly broke apart with light and there was Penny and Durg, arms touching as they watched Sonic stand motionless, shrouded in a sparkling sphere.
“Let’s get out of here,” Damien said and ran from the basement before either sibling had a chance to stand.
Mica shimmered up at him from the black asphalt. Houses with two, sometimes three levels stood on elevated yards. The night was cool and Penny was without a jacket. She rubbed her arms. Durg rapped under his breath, repeating the same harmony again and again, mouthing vowels, sound without meaning.
They reached a set of railroad tracks—a distant car alarm. A crack of white light unzipped the dark. He lit a Slim and watched smoke drift upward. His Mom’s satin garter felt chilly and tight against his skin. The ground vibrated with the weight of an oncoming train. When the engine came into view, everything succumbed to the sound of passing freighters. D stepped closer, feeling the wind as it moved through his hair and pushed through his sinuses and pressed against his closed eyes. He waited, trying to determine the break between cars by listening to the change in rhythm—a solid WOOSH before a hollow WISH. WOOSH–WISH. A hand grabbed through the darkness and held onto his arm. He opened his eyes briefly and saw Penny. Durg was slouching, arms crossed over his chest but he too had shut his eyes. The engine, beyond them now, blew a whistle that cut through the racket of steel wheels on track. Penny squeezed, her fingers cold. Fainter still, the train whistle blew. Blew again.
21 May, 2018
“Mom. We have to save the rainforests.”
These were the seven words with which my seven-year-old greeted me as she climbed into the minivan in the Pittsburgh Zoo parking lot.
I swiveled around in the driver’s seat, trying to get a good look at her face. Her piercing blue eyes stared solemnly back at me from beneath the bill of her puff-painted baseball cap, her blonde pigtail braids hanging ragged by her ears. I opened my mouth to ask what on earth this was about, but the other kids I was carpooling clamored into the car and I knew it was useless to try to talk over their raucous chatter.
By the time I’d dropped off the other kids, I’d forgotten her strange comment. As I pulled away from the Rosen’s driveway, I glanced at her in the rearview mirror. She was gazing out the window with her usual glazed look, but I noticed a single tear working its way down her cheek.
“Alison? Are you okay, baby?” I asked, casting my eyes back on the road. She didn’t answer. “Did something happen at camp today?”
“I told you already.” Her voice had an edge to it. “We have to save the rainforests.”
Oh. That.
“They told you that at camp?”
“Millions of species are losing their homes, Mom,” she went on, and when I glanced at her in the mirror again I saw that she was still staring out the window. “The rainforests will all be gone by the year 2000. That’s only six years from now.”
I inhaled deeply through my nose and released a slow breath, thinking of my mother’s words when she’d handed Alison back to me in the delivery room. She’s got an old soul, this one.
I don’t know if I believe in reincarnation, but there was definitely something heavier, older, about Alison. As a baby, she watched her older sister Charlotte running around, her little forehead wrinkled in somber concentration. Sometimes I would watch her as she stared into space and wonder what could possibly be going on in that little head of hers. Her later acquisition of speech didn’t assist me much in answering that question.
I glanced back at her again, noting another tear dripping down her cheek.
“So… you’re… really upset about this, huh,” I said slowly.
She finally turned to look at me in the mirror, and her glare was answer enough.
*
The phone rang shortly after bedtime. I sighed and tossed my pen onto the desk, sitting back to give the tax forms a despairing once-over before getting up to answer.
“Hello?”
“Hi, Mrs. Krieger?”
“Yes?”
“Hi, how are you? This is Cindy. I’m Alison’s counselor at zoo camp.”
I clenched the receiver a little tighter and slipped into the stool by our breakfast bar.
“Good, how are you?” I responded mechanically.
“I’m great, thanks! I was just calling to check in on Alison. She seemed pretty upset today.”
“About rainforests? She said something in the car…”
“Right… so… today was Rainforest Day. Most of the day she had a great time. It was just at the end, see, we put on this little movie for the kids… just a cute informational video about rainforest conservation, and it had images and sounds from the rainforest.”
“And she found it upsetting?”
“Well—not the video itself—see, we have a Moluccan cockatoo in the classroom, named Barney, and when the video came on, with the jungle sounds, you know, he started making this sort of mournful crooning noise. And then the other counselor—Meg—threw out a comment that he was crying because he missed his home, and…”
“Oh…”
“Yeah, so, Alison got real upset after that. I had to sit with her for a while and calm her down.”
I sighed. “She’s… a really intense kid.”
“Yeah. She seemed okay afterward, but still kinda sad, so I just wanted to make sure she’s okay.”
I glanced toward the staircase, chewing my lip. “Thanks for calling, Cindy.”
*
Alison had more of a bounce to her step the following morning, and I felt a wave of relief when I heard her singing to herself over her cereal. As my husband turned away from the coffee machine in the kitchen, I caught his eye and jerked my head toward the breakfast bar. He raised his eyebrows in a look of I told you so. I’d spent more time than I care to admit chewing his ear off the night before about Alison and her emotional intensity. I even raised the question of whether we should take her to therapy. Max had been dismissive, which annoyed me, but maybe he’d been right.
That afternoon, after camp, I took the girls to the library. Charlotte headed straight for the middle grade section, but Alison wandered off toward the adult reference books. I cocked an eyebrow, but said nothing. Alison was an advanced reader for a seven-year-old, but normally she would stay close behind Charlotte, collecting her sister’s rejects.
I should have guessed what she was looking for. She tottered back under the weight of three enormous volumes about rainforests, and spent the rest of the afternoon shut up in her room reading them.
*
On the last day of zoo camp, she dragged me to the spider monkey enclosure, insisting that she needed to show me something before we left. She skidded to a halt and pointed to the wall opposite the monkeys. There was a large digital screen with numbers that were rapidly falling. The placard next to it explained that the numbers represented the number of acres of rainforest that still existed.
“By the year 2000, they’ll be gone,” Alison whispered, her eyes wide. “I don’t want to live in a world that doesn’t have rainforests.”
I closed my eyes and swallowed. This was starting to get even more annoying than my sister’s self-righteous lectures about the meat industry. Come to think of it, I thought, maybe she and her Aunt Judy should hang out and bemoan global warming together.
Then I looked back into my daughter’s eyes, which were welling with tears.
“Can you help me save them?” she whispered.
“I…” I stuttered. “Baby, I’d really like to, but I don’t know…”
“Are any of our tables made from rainforest wood?”
“What?”
“The counselors said that one thing we can do to save the rainforests is not buy things made out of rainforest wood.”
“Oh. Well, I’m pretty sure we don’t have anything like that. Rainforest woods are pretty expensive.”
Her shoulders relaxed a little at that, and she turned around to watch a spider monkey deftly swing from a tree branch and cling to the netting at the top of the enclosure.
“They’re my favorite,” she said.
*
A few days later, Judy and I sat on the back porch, sipping iced tea and watching our kids play Red Light, Green Light in the grass. Judy sighed, lifting her dark curls from the back of her neck and resting the ice-cold glass against her skin, which was dripping with sweat. I chewed my lip, wondering whether I should tell her about Alison’s newfound rainforest obsession. On the one hand, Judy’s vegan smugness might swell to unprecedented and dangerous levels. On the other hand, Alison had been talking and reading about nothing else for several days, and despite my own discomfort with all this environmentalism stuff, I wanted to encourage her to follow her passions. If anyone knew concrete things Alison could do to save the rainforest, it would be Judy.
Fortunately, Judy made the decision for me.
“What’s going on with Alison lately?” she asked, as if she’d read my mind. “She’s been even more taciturn than usual.”
“She’s…” I sighed. “Upset about the rainforests.”
Judy looked at me with an eyebrow raised. “Rainforests?”
I told her the story about the bird at zoo camp, and as predicted, the corners of her mouth pricked up in that distinct smug look. I suppressed the urge to roll my eyes.
“So,” she said. “You’ve got a little environmentalist on your hands.”
“Don’t be so damn pleased with yourself.” I slapped at a mosquito on my arm, but missed it. “So… what do I do with her?”
Judy looked out over the lawn, her eyes following Alison’s progress toward Danny’s turned back. “Well, you know what I’m going to say.”
“That’s why I’m asking you.”
Judy gave me a scrutinizing look. “Really?”
“Yeah. I think I should encourage her. Contrary to what you may believe, I don’t actually hate the planet.”
Judy smirked. “How the mighty have fallen.”
“Quit gloating and just tell me how my kid can save the rainforest.”
Judy sat back in her chair, rubbing the rim of her glass against her chin.
“There are campaigns and organizations you can donate to,” she said. “Forest rehabilitation, lobbying for governments to do more to stop deforestation, stuff like that.”
“Yeah, but that’s all grown-up stuff, isn’t it?”
“She could set aside some of her allowance. Or maybe could organize some kind of fundraiser.”
I snorted at that. “A fundraiser? She’s seven years old, Judy.”
“Yeah, but she’s also Alison.”
“And? Have you ever seen her say more than two words to a stranger? You think she’s going to organize a fundraiser?”
Judy gave me a thoughtful look. “If I know anything about that kid,” she said, “it’s that she’s a determined little critter and she’ll do whatever’s necessary if she wants it enough. She may have inherited Max’s introversion, but she also inherited your stubborn ass.”
“You got a problem with my stubborn ass? You can kiss it.” I picked an ice cube out of my otherwise empty glass and lobbed it at her. Before I knew it we had both poured the remainder of our ice down each other’s shirts and were gasping from cold and laughter.
*
Judy was right, though. The minute I suggested the idea of raising money for a rainforest conservation campaign, Alison’s eyes lit up. She ran up to her room and came back with one of the books she’d borrowed from the library, pointing to a list of organizations in the back. Charlotte, never one to be left out of a new enterprise, suggested setting up a lemonade stand on Murray Avenue.
And so, in the worst of the muggy August heat, we schlepped a card table, a cooler full of ice, our juicer, and several bags of lemons and sugar down the few blocks to the corner of Beacon and Murray. Passersby and the patrons of the nearby storefronts glanced at us in polite curiosity as we set ourselves up by the curb. Alison quickly got frustrated when the sugar didn’t dissolve well and I was gearing up to face a full-blown crisis, but then Charlotte somehow rigged up an ingenious little solar oven from aluminum foil and managed to make sugar syrup right there on the sidewalk.
Within ten minutes, people were lining up by the stand. As I might have predicted, Charlotte took charge, chatting up customers and taking their money while barking orders to Alison about appropriate proportions of ice and lemonade. I almost stepped in and asked Charlotte to tone down the big-sister tyranny when a woman with cropped gray hair and a silk floral blouse finally asked why the sign we had hung read “Lemonade for the Rainforest”—and it was Alison who spoke up.
“The rainforests are the lungs of the world.”
All eyes turned on her in astonishment.
She looked the woman straight in the eye and went on: “The Amazon rainforest produces more than 20% of the world’s oxygen,” she rattled off, “and absorbs about 25% of the world’s carbon dioxide. Rainforests are also home to half of all the 10 billion species in the world and about one-fifth of the world’s fresh water lies in the Amazon basin. But they are being destroyed very quickly and by the year 2000 they will all disappear and all those animals will lose their homes, and lots of people, too, if we don’t do something.”
There were a few moments of shocked silence. It didn’t surprise me one bit that she’d memorized those figures, but I don’t think I’d ever heard so many words come out of Alison’s mouth all at once, much less to a perfect stranger.
“Well, young lady,” the woman finally said, “that sounds very important.”
“It is. And a $5 donation to the Rainforest Foundation saves a whole acre of forest.”
“And you’re donating all your proceeds to the Rainforest Foundation?”
“What are proceeds?”
“The money we make,” Charlotte cut in with her most patronizing drawl, “duh.”
“Charlotte,” I warned.
“Yes,” Alison said to the woman. “That’s what we’re doing.”
“I’ll take one,” said the woman, drawing a $50 bill from her purse. “And you go on and donate the change to the Rainforest Foundation.” She handed the bill to a wide-eyed Charlotte. Alison looked completely unfazed as she poured the cup of lemonade and offered it to the woman.
“The Rainforest Foundation thanks you for your contribution,” she said evenly. I covered my mouth to stifle a giggle.
The woman looked at me and smiled. “What a charming little girl you have.”
Charlotte pouted at her receding back.
*
I helped them count their earnings at the end of the day. Even deducting the cost of the sugar and lemons, we were all delighted to discover that they had $214 to send the Rainforest Foundation. I took the cash and wrote a check, and Alison helped me address the envelope and drop it in the mailbox in front of the O’Conners’ house.
“Can we go to the zoo tomorrow?” Alison asked, skipping back up the path to our front porch, her blond braids bouncing.
“You haven’t had enough of the zoo for this summer?” I said weakly, letting my eyes close in exhaustion at the mere thought.
“I need to check the numbers near the spider monkeys.”
It took me until we were inside the house before I registered what she meant.
“Alison,” I said. She stopped skipping across the living room and whirled around to face me. “I… you mean you want to check that screen? The one with the number of acres…?”
She nodded.
“I want to see how much we helped.”
My stomach plummeted and I swallowed, studying her face.
“Sweetheart…” I said, measuring my words carefully, “the check is in the mailbox right now. It will take a while before it gets there.”
“How long?”
“Maybe a week or two…”
“So can we go in a few weeks?”
“Alison…” I said slowly, still struggling to figure out how to explain this to her. “I don’t think you’ll be able to see any difference.”
Alison’s eyes narrowed and she searched my face, her lips pressing together in a frown.
“Your two hundred dollars will help a lot, I’m sure,” I said quickly, “but it will take a great deal more than that to… really… change those numbers.”
“But… the Rainforest Foundation says that $5 saves a whole acre.”
“Yes…”
“So how many acres will $214 save?”
“That’s… more than 40 acres,” I calculated quickly. “That’s a lot!”
“Then why won’t it change the numbers?”
“Well… because… there are millions of acres of rainforests. And thousands being destroyed every day, maybe even tens of thousands. But besides,” I said quickly, before the enormity of what I was saying could sink in, “I don’t think that board really shows how many actual acres are left. I think it’s… just an estimation. A guess.”
She stared at me long and hard.
“If we need more money,” she said, “then we’ll do more lemonade stands. I can do one every day until the end of the summer.”
I closed my eyes and pressed my lips together, drawing a deep breath through my nose.
“Alison, sweetheart,” I said gently, “even if you do a lemonade stand every day for a year…” my voice trailed off, and I struggled to explain. “People donate millions of dollars to these organizations… they’re doing what they can… it’s not just the money, these are government policies, and people’s livelihoods, and… baby, it’s just… it’s very complicated adult stuff.”
She looked away, her jaw set and her eyes brimming with tears. For a long moment, she didn’t speak at all. It felt as though I were watching her childhood crumble into dust around her.
Finally she met my eyes again.
“If it’s adult stuff, then why aren’t the adults doing anything?” she demanded, her voice strained. “I’m the one who’s going to have to grow up in a world without rainforests. Don’t you care?”
I stared at her feet, wanting desperately to disappear into the carpet. When Judy would ask me, Don’t you care? I would just roll my eyes and whine to Max about how obnoxious and emotionally manipulative these hippies were. Judy and I grew up playfully scoffing at everything the other did; it was how we established our autonomy and our place in the family. But Alison’s question cut through me, cut through the irritation and the exasperation and the denial, and opened up a chasm of shame and guilt.
Maybe they’re right. Maybe I don’t care. Maybe I’m going to be leaving a trashed, barren, and broken planet for my kids and I’m too afraid of that to even think about it, too afraid of the abject powerlessness and hopelessness I would feel if I were to face it, and here is my little girl standing here asking me why I am doing nothing.
“You told me I could do something,” Alison choked, tears splashing down her face. “You said you’d help me save the rainforests.”
“Baby,” I said in a small voice, “I didn’t say—”
“Why did you tell me you’d help me if I can’t? I can’t save the rainforests. Even you can’t save them. Why didn’t you just tell me that?”
“Honey, listen to me,” I pleaded, crouching to her eye level and placing a hand on her shoulder. I took a deep breath and looked into her eyes. “You’re right, no one person can save the rainforests. It’s something a lot of people all have to do together. We can’t make everybody else do what we want, but we can do our part and encourage others to do theirs, and hope that our efforts will all come together to make a difference. Do you understand what I’m saying?”
She just gave me that deep, piercing look, and it made me wither inside.
“You lied to me,” she whispered, and then bolted past me and up the stairs.
I sank into a nearby armchair, held my head in my hands, and wept.
*
Six summers later, Alison sat at the breakfast bar, munching on Cheerios and holding a book open with her elbow.
“Honey, please don’t read at the table,” I said, stirring some milk into my coffee. She looked up and glared at me through her heavy black eyeliner, but she closed the book and slid it away from her bowl.
“Mom?” she asked, swallowing a bite of cereal.
“Yes?”
“Are the rainforests still around?”
I turned to her, startled. She hadn’t said a word about the rainforests since that day in ‘94. She was watching me, her expression unreadable, and though she was now a thirteen-year-old sporting a tight baby doll T-shirt, a messy high ponytail, and way too much eye makeup, the image of that little girl with the pigtail braids staring up at me in despair and anger flashed vividly before my eyes.
“I… I think they are,” I stammered. “Yes, there are certainly still rainforests.”
“It’s the year 2000.”
I blinked, trying to figure out what that had to do anything.
“The video. At zoo camp. They said that the rainforests would all disappear by the year 2000.”
“Oh,” I said. “Well… maybe all that campaigning worked. Maybe they managed to stop people from cutting down so many trees. Maybe your $214 did something after all!”
“Or maybe,” Alison cut in, her voice sharp, “they were lying.”
She dove back into her cereal before I could get a look at her face.
“I don’t think they were lying,” I said slowly. “Maybe they miscalculated, or maybe something changed—”
She met my eyes again, and the look she gave me stopped me cold.
“The Moluccan cockatoo,” she said, “isn’t even from the Amazon, it’s from Indonesia. The video was filmed in the Amazon. I bet Barney wouldn’t have recognized those sounds, because the species of birds and monkeys in those places are different.”
I just watched her, clutching my coffee cup.
“Why,” she said quietly, “do adults lie about everything?”
She slid off the bar stool, grabbed her book, and huffed off.
I didn’t even try to call her back to clear her bowl.
21 May, 2018
Daniella Levy is the author of By Light of Hidden Candles (Kasva Press, 2017) and Letters to Josep (Guiding Light Press, 2016). Born in the USA, she immigrated to Israel with her family as a child and currently lives at the edge of the Judaean Desert with her husband and three sons. Her short fiction, articles, and poetry—in English, Hebrew, and Spanish—have appeared in numerous publications, anthologies, and media platforms, and she’s been nominated for a Pushcart Prize. Connect with her online at Daniella-Levy.com.